Naples, Late XIX Century

Chest of drawers in mahogany veneer and mahogany feather on the front, Naples third quarter 19th century. White marble top, front with four drawers, one of which in the band, uprights at forty-five degrees with pilasters decorated with a rococo style element, carved floral and leaf festoons. Lower plinth section. Poplar interior.

Desk with typescript, formica-covered wood, enameled metal legs.

Cabinet with sliding doors, open compartment and flap. Teak veneered wood.

Italy, 1980s-90s

Silver candy holder with relief decoration in the shape of water drops. The silver and silversmith's marks are engraved in the cable. Unidentified Florentine silversmith. 270 grams.

Production QUICK MILL

Prod. Italy, materiale plastico, specchiato.

Italy, Early XIX Century

Armchair with cane back and seat, under armrests and legs turned on the bottom.

Pair of armchairs with spring padding, feather cushions, stained wooden legs and fabric covering. A pair of armchairs to be revisited to make them suitable for an environment with a relaxation area that wants to recall an original style with a taste of times gone by, the product can be restored by our laboratory, with an intervention that involves the replacement of the padding and the fabric by choosing from our different samples.

Italy, XX Century

Pair of Umbertine style mirrors with cabaret frames in gilded wood, Italy, 20th century. Carved cyma with leaf and rocaille motifs, frames with carved Greek key and engraved decoration. A broken mirror.

Group of 4 chairs, foam padding, skai covering, enamelled metal with chromed tips. Group of chairs that lend themselves to being customized with restoration work which involves careful cleaning of the metal part, replacement of the padding and upholstery by choosing from our different samples, so as to make them suitable for a Living environment with a Vintage style and to give new life to things.

Oil painting on canvas. The painting offers a half-length portrait of a young man who, in deshabillé, is lighting his pipe by drawing fire with a stick from the candle placed in front of him, on the table where a sword is also placed: perhaps it is a young knight in a moment of rest. It is precisely the candle, the only source of light in the scene, which suggests that the artist looked to the production of Georges De La Tour (1593 -1652), the French painter of the Caravaggio style who established himself for his "nocturnal" scenes, characterized by figures, usually low-ranking people rather than historical models or high-ranking figures, illuminated by the light of a candle, to create a special atmosphere of intimacy. The painting, restored and relined, is presented in a period frame.

Swivel armchair, foam padding, fabric covering, metal base. Restored. A comfortable armchair with a typical shape of the 60s, ideal for an environment with a relaxation area, with a vintage touch. Carefully restored by our laboratory with replacement of the padding and covering, to give new life to things.

Italy, XX Century

Walnut style bench, 20th century Italy. Truncated pyramidal band and legs adorned with grooved reserves; brass feet. Padded seat.

Size XS

Vintage elegant night blue coat, 1950s-1960s. Haute couture item probably studied as a prototype and never used. The peculiarity of this item is on the back characterized by a tail in the middle. Made in Milan, Italy.

Vintage Mila Schön dress made with sand and coral pure flax.

Oil painting on canvas. The biblical episode depicted refers to the story of Daniel, the prophet in the court of King Darius the Mede who, for having prayed to his God, was condemned to be thrown into the lions' den. But God saved Daniel, sending an angel to close the jaws of the beasts, and the king pardoned Daniel by instead condemning those who had denounced him. The subject has been depicted several times in art, for the fascination linked to history but also for its exotic flavor due to the presence of wild beasts; in particular we remember the version by Rubens of 1615, where the prophet is depicted naked in the underground pit, while he prays ardently, surrounded by a crowd of ferocious lions. The work presented here instead proposes a version centered on the dialogue between the prophet and the angel, who face each other, standing out with the vivid colors of their robes against the dark background of a prison; there is only one lion, meekly crouching at the angel's feet, and therefore the spiritual and salvific dimension of the biblical event prevails. According to the famous art historian Maurizio Marini, a specialist in the painting of Caravaggio and Baroque art, who had had the opportunity to view the painting years ago, the work could be attributable to Antonio Maria Vassallo (1620 -1664) for the compositional and chromatic choices. The painting, restored and relined, is presented with a listello frame.

65 x 38 In

Beluchi wool carpet, fine knot. Manual manufacturing.