Vintage coffee table in stained beech wood with four legs connected by wooden elements and brass details, round glass top. Restored.

Vintage Mila Schön dress made with sand and coral pure flax.

XX Century

Wrought iron chandelier with central globe, from which the arms branch off and end with candle holders.

Oil painting on canvas. The biblical episode depicted refers to the story of Daniel, the prophet in the court of King Darius the Mede who, for having prayed to his God, was condemned to be thrown into the lions' den. But God saved Daniel, sending an angel to close the jaws of the beasts, and the king pardoned Daniel by instead condemning those who had denounced him. The subject has been depicted several times in art, for the fascination linked to history but also for its exotic flavor due to the presence of wild beasts; in particular we remember the version by Rubens of 1615, where the prophet is depicted naked in the underground pit, while he prays ardently, surrounded by a crowd of ferocious lions. The work presented here instead proposes a version centered on the dialogue between the prophet and the angel, who face each other, standing out with the vivid colors of their robes against the dark background of a prison; there is only one lion, meekly crouching at the angel's feet, and therefore the spiritual and salvific dimension of the biblical event prevails. According to the famous art historian Maurizio Marini, a specialist in the painting of Caravaggio and Baroque art, who had had the opportunity to view the painting years ago, the work could be attributable to Antonio Maria Vassallo (1620 -1664) for the compositional and chromatic choices. The painting, restored and relined, is presented with a listello frame.

Italy, 1980s-90s

Silver candy holder with relief decoration in the shape of water drops. The silver and silversmith's marks are engraved in the cable. Unidentified Florentine silversmith. 270 grams.

Oil on hardboard. Signed lower right. Further signature, date and title on the back. Giovanni Balansino, Piedmontese by origin but Lombard by adoption, chose to depict his love for both lands with his painting made of broad and nervous brushstrokes, dedicating a large part of his production to them., which this glimpse includes of a town in the Lombard plain. In frame.

Pair of armchairs with spring padding, feather cushions, stained wooden legs and fabric covering. A pair of armchairs to be revisited to make them suitable for an environment with a relaxation area that wants to recall an original style with a taste of times gone by, the product can be restored by our laboratory, with an intervention that involves the replacement of the padding and the fabric by choosing from our different samples.

Italy, XX Century

Pair of Umbertine style mirrors with cabaret frames in gilded wood, Italy, 20th century. Carved cyma with leaf and rocaille motifs, frames with carved Greek key and engraved decoration. A broken mirror.

Naples, Late XIX Century

Chest of drawers in mahogany veneer and mahogany feather on the front, Naples third quarter 19th century. White marble top, front with four drawers, one of which in the band, uprights at forty-five degrees with pilasters decorated with a rococo style element, carved floral and leaf festoons. Lower plinth section. Poplar interior.

Production QUICK MILL

Vintage jais and glass stones necklace

Production in ITALY, CERAMIC

Production THE HOUSEWIFE

Production F. lli ONOFRI

Desk with side drawers in walnut veneer and top in briar wood veneer.

Cabinet with sliding doors, open compartment and flap. Teak veneered wood.