Lombardy First Fourth XIXth Century

Gueridon empire in walnut, Lombardy, first quarter of the 19th century. Circular tray top, drawer in the band, wavy uprights resting on a plinth base. Walnut interior.

20th Century / 1901 - 2000

Countertop clock with shelf in mahogany stained wood. Silver-colored patinated metal display with Arabic numeral hours protected by a beveled glass door. Mechanism marked "Junghans".

Italy Late 19th century

Umbertine cabaret frame in carved wood with phytomorphic motifs, engraved and gilded, Italy late 19th century.

Desk with typescript, formica-covered wood, enameled metal legs.

Particular buffet of Italian manufacture made of beech wood with glass top, hinged doors veneered in briar wood with glass inserts, of which the central units contain a bar compartment with mirrors; handles in worked glass, wooden base with leafy carvings. Good conditions.

Lombardy, Mid XVIII Century

Antique but heavily reworked flap front with flap door concealing replaced scribbling with four small drawers and central open compartment covered with green cloth, three drawers below. The entire structure is veneered in walnut burl, bordered with maple and bois de rose. Mid-19th century Italy.

19th Century / 1801-1900

Group of four Louis Philippe chairs supported by legs, of which the rear saber-shaped ones and the front ones moved, connected by crossbars; the seat is padded, while the open back is carved with a scroll motif. Walnut.

Size L

Soft gold and cream brocade jacket. It doesn't have a label but fits size UK 14 (length 72cm, breast 100cm, waist 93cm)

1960s-1970s bamboo vase rack.

Enamel on rounded metal plate. On the back cataloging label, of the Smalti De Poli of Padua, which refers to the artist Paolo De Poli (1905-1996): this is a tribute to the Paduan artist who distinguished himself for his works in fired enamel on metal. In frame.

Italy Late 18th century

Porcelain cup and saucer with refined gold decorations and repeating polychrome motifs. In the reserves painted with landscapes.

144 x 70 cm

Beijing Parure carpets in cotton and wool; big knot. Manual manufacturing.

Italy, XX Century

Walnut sideboard obtained by modifying a large cupboard from the early 18th century in the 20th century, transforming the front, previously made up of removable panels, into a pair of doors. Veneered in burr walnut on the front and on the side reserves. Uprights and central band with tiles, opening top; pair of side locks used in ancient times to block the top. Poplar and fir interior.

Small bookcase with sliding glass doors, and drawer under the top. Walnut veneered wood.

Vintage black crocodilian belt, 95 cm long.

Mixed technique on canvas. The large scene, painted in the single range of red-pink, sees two large figures on the right, while the entire left side is occupied by a desert landscape, with the waves of the dunes disappearing in the distance. The two figures represent a seated knight, with a turban and Saracen dress, being refreshed by a girl in Western dress, who is handing him a tray loaded with food, while on the underlying surface there is a basin of water, ears of corn and various fruits. It could be one of the many representations of the story of Angelica and Medoro, told by Ariosto in Orlando Furioso, which tells of the love between the Christian girl and the Saracen infantryman injured in a battle, who then fled together to Cathay, thus unleashing Orlando's madness. The work is presented in a frame.