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37 cm 205 cm

31 cm 158 cm

3 cm 8 cm
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Italian landscape painting with figures
ARAROT0195813
Italian landscape painting with figures

ARAROT0195813
Italian landscape painting with figures

Oil on the table. The picturesque landscape has a wide path in the foreground on the right which winds between fronds and green meadows, where flocks graze; a small family of peasants passes along the path, all engaged in the transport of goods: even the girl carries a large bundle on her head, while the mother carries the basket with her newborn son in the same way! In the background, the plain extends wide to fade towards the distant hills and into the clear and rarefied sky, which gives off an almost pink light. The fir table of the painting has undergone restoration and parqueting. The work is presented in a mid-1900s frame.

Rent

562.00€

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Painting by A. Oberto Landscape with Shepherds Oil on Wood
ARARNO0222551
Painting by A. Oberto Landscape with Shepherds Oil on Wood

Landscape with Shepeherds and Ruins

ARARNO0222551
Painting by A. Oberto Landscape with Shepherds Oil on Wood

Landscape with Shepeherds and Ruins

Oil on wood. Signed lower right. Antonio Oberto, a post-impressionist painter from Pavia, dedicated himself to landscapes but also to the decorations of public buildings in his city. He mainly proposed views of Pavia and the Pavia countryside along the Ticino, depicted, through rapid brushstrokes, in a late nineteenth-century style. A large landscape is proposed here along the river, precisely the Ticino in its flat stretch, precisely the one that borders the city of Pavia; in the foreground, on the right the remains of neoclassical structures, on the left two shepherds with their flock. The work is presented in a period frame.

Rent

357.00€

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Nikas Safronov Oil On Panel Contemporary
ARARCO0116425
Nikas Safronov Oil On Panel Contemporary

Saint George 1992

ARARCO0116425
Nikas Safronov Oil On Panel Contemporary

Saint George 1992

Oil on panel. Signed bottom right. On the back, with Cyrillic characters, there is the title, the date and the location, Bergamo. The Lithuanian artist, who currently lives and works between Moscow, Italy and the United Kingdom, is considered one of the most important contemporary Russian artists. In his large production there are landscapes, still lifes, many portraits of famous people and his surreal compositions, an expression of his peculiar "dream vision" of reality. Even in this table, albeit in the style of traditional icons, the depiction of the famous St. George is proposed in a surreal key that reminds of De Chirico, in which the dragon is replaced by a goose, the Saint's head is an egg, in the outlines there are figures of sorceresses... a clearly unorthodox interpretation! The panel has a vertical slit. The piece is presented in a frame.

Rent

477.00€

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Antique Painting Still Life with Prey Oil on Wooden Board 800
ARARPI0229489
Antique Painting Still Life with Prey Oil on Wooden Board 800

ARARPI0229489
Antique Painting Still Life with Prey Oil on Wooden Board 800

Oil on panel. Northern European school of the late 19th century. In the composition inside a shed, hunted game lies on a level; on the left the muzzle of the hunting dog appears but is turned towards a nest full of chirping birds, located above the shaft of the carriage seen on the right. The painting is presented in a period frame.

Rent

120.00€

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Antique Painting Flemish Landscape Oil on Hardboard XVI Century
ARARPI0243352
Antique Painting Flemish Landscape Oil on Hardboard XVI Century

ARARPI0243352
Antique Painting Flemish Landscape Oil on Hardboard XVI Century

Oil on walnut board. Flemish school of the 16th century. The painting presents a landscape characterized by a tall leafy plant in the centre, which vertically divides the scene into two parts, rising from the brown and dark earth in the foreground, towards the horizon of wooded blue hills, which then fade into a chromatic continuum in the sky above, interrupted by the thick foliage of the tree. The scene in the foreground is animated by various figurines of walking characters, scattered across the countryside. The chromatic choices are peculiar, the browns and blues, which together with the type of landscape and the figures refer to Flemish painting; moreover, the use of a walnut panel testifies to a Flemish artist working in Italy, where this pictorial support, unusual in Northern Europe, was used. The painting is presented in a contemporary frame.

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Antique Painting with Landscape Oil on Hardboard 1931
ARARNO0240142
Antique Painting with Landscape Oil on Hardboard 1931

ARARNO0240142
Antique Painting with Landscape Oil on Hardboard 1931

Oil on Hardboard. On the reverse there is an inscription in pencil with the date "29 June 1931" and the signature Amos Campaioli. The large country landscape, with leafy trees and a pond, sees in the foreground a lady on horseback flanked by a man with his dogs. The painting is presented in a wooden frame, covered on the front with gilded stucco.

Rent

250.00€

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Contemporary Painting Riccardo Viriglio City Glimpse '900 Oil on Wood
ARARNO0222549
Contemporary Painting Riccardo Viriglio City Glimpse '900 Oil on Wood

City Glimpse

ARARNO0222549
Contemporary Painting Riccardo Viriglio City Glimpse '900 Oil on Wood

City Glimpse

Oil on wood. Signed on the back. Riccardo Viriglio, a landscape painter from Pavia, portrayed urban views mainly of his city and landscape views especially of Lombardy. Here too there is a view of a city square with a portico. In a stylish frame.

Rent

140.00€

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G. Zocchi Oil on Wooden Table Italy XX Century
ARARNO0151908
G. Zocchi Oil on Wooden Table Italy XX Century

Landscape with Sheaf

ARARNO0151908
G. Zocchi Oil on Wooden Table Italy XX Century

Landscape with Sheaf

Oil on the table. Signed G. Zocchi lower right. It is probably a late work by the Florentine painter Guglielmo Zocchi, best known for the lively genre scenes of Greco-Roman setting, which earned him great success especially abroad. Landscape production is rare. The painting is presented in a coeval frame with shortcomings.

Rent

95.00€

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Antique Painting with Religious Subject Tempera on Wooden Board '600
ARARPI0240149
Antique Painting with Religious Subject Tempera on Wooden Board '600

ARARPI0240149
Antique Painting with Religious Subject Tempera on Wooden Board '600

Tempera and oil on panel. Venetian-Cretan school of the 17th-18th century. The term Venetian-Cretan School (or Creto-Venetian) indicates an important pictorial school, also known as the Post-Byzantine school, a movement that flourished on the island of Crete under the control of the Serenissima of Venice between 1204 and 1669. Thanks to the political situation, particularly after the fall of Constantinople, Crete became the main Christian artistic center of Greek origin from the fifteenth to the seventeenth century. In this environment a particular pictorial style developed which was marked by tradition and movements of both Byzantine and Latin origin. In particular, given the important demand for Byzantine icons in Europe, the island soon became a center of production of these works of art. The style of the Byzantine icon is found in this work, which proposes a subject widely re-proposed in art, namely the Adoration of the Shepherds at the birth of Jesus: the figures of the Holy Family and the Shepherds are strongly attributable to the traditional Byzantine iconographic representation , but they are placed in a more Latin landscape, which opens wide, with a depth of perspective that refers to seventeenth-century European landscape painting, without the traditional gold background but with chromatic choices that still recall the divine golden light, in particular where an angel announcing the Glory of God looks out from the open heavens. The painting has a detachment of the paint in the central part, corresponding to a previous restoration, which requires further recovery. On the back of the plate there is a sealing wax stamp. The painting is presented in an antique wooden frame.

Rent

360.00€

Rent
Antique Painting with The Announcement Oil on Hardboard Italy 500
SELECTED
SELECTED
ARARPI0197090
Antique Painting with The Announcement Oil on Hardboard Italy 500

ARARPI0197090
Antique Painting with The Announcement Oil on Hardboard Italy 500

Oil on wooden board. Central Italian school of the second half of the 16th century. The sacred scene of the Annunciation sees the two protagonist figures placed in the foreground in an interior that corresponds to Mary's room. The young woman is sitting in front of a small wooden desk, supported by figures of angels, on which rests the prayer book and a vase with small flowers; at her feet, the sewing basket. Mary's body is partially turned backwards, in a twisted movement, almost as if she were trying to escape, as if she wanted to get away from the other figure, that of the Archangel Gabriel. He stands on the right, majestic and elegant, with one hand holding a lily and the other pointing upwards above him, where the white dove, symbol of the Holy Spirit, is emerging from a gap of light. In the background, tall columns with drapes surmount the platform on which Mary's bed rests. The composition refers, in the figurative style and in the chromatic choices, to the already mannerist painting of the schools of central Italy: in particular there is a strong concordance of style and composition with some works of the same subject by the painter Bastiano Vini Detto Bastiano Veronese (1525-1530 / 1602), who lived and worked in Pistoia from around 1540. It is in this city that some of his Annunciations are found: in particular the one in the Church of Santa Maria delle Grazie (an altarpiece measuring over two meters in height), shows clear similarities on a formal and compositional level with the one presented here . There is concordance in the setting of the sacred scene: a room, in the background of which is a curtain that partially covers a bed, furnished with the elements essential to the narrative, the lectern and the chair richly decorated with caryatids of cherubs or angels that seem to be carved in the wood. The compositional scheme corresponds, albeit with slight variations, with the two figures arranged "frieze-like" on the same laying plane, and the somatic features of the Virgin and the Archangel also correspond. However, the floor differs, which, while it is homogeneous in our table, in the Pistoia one presents itself with alternating checkerboard colors, but it seems that this design of the floor was added in a later period, on the occasion of the reconstruction of the altar in 1637 -1639, in pendant with that of another work by the same Sebastiano Vini in the same church, a Sacred Conversation. It therefore seems rather certain that our panel was painted looking at the work of Bastiano Veronese, probably at the specific request of the client, and before the change in the floor, therefore dating back to the second half of the 16th century. The painting has undergone restoration, with the application of two reinforcements to the back of the panel. It is presented in a late 19th century setting. (Reference for the Pistoia altarpiece: Catalog of cultural heritage https://catalogo.beniculturali.it/detail/HistoricOrArtisticProperty/0900035285)

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Antique Painting Landscape Oil on Hardboard XIX-XX Century
News
ARAROT0245846
Antique Painting Landscape Oil on Hardboard XIX-XX Century

ARAROT0245846
Antique Painting Landscape Oil on Hardboard XIX-XX Century

Oil on hardboard. Unidentifiable acronym at the bottom left. In English style, the painting presents a country landscape with a hunting dog sniffing out the scent, followed at a distance by the hunter. The painting is presented in a contemporary frame.

Rent

65.00€

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Ancient Painting Riccardo Virgilio 1920 Rovereto Oil on Wood
ARARNO0222970
Ancient Painting Riccardo Virgilio 1920 Rovereto Oil on Wood

Rovereto, 1920

ARARNO0222970
Ancient Painting Riccardo Virgilio 1920 Rovereto Oil on Wood

Rovereto, 1920

Oil on the table. Signed lower left. The title and date on the back in pencil. Riccardo Viriglio, a landscape painter from Pavia, portrayed urban views mainly of his city and landscape views especially of Lombardy. Here is a glimpse of the village of Roveleto, a small village in the Piacenza countryside at the foot of the pre-Apennine hills. The work is presented in a frame.

Rent

100.00€

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Painting by Luigi Bertolingrande
ARARNO0243982
Painting by Luigi Bertolingrande

Landscape with Figure

ARARNO0243982
Painting by Luigi Bertolingrande

Landscape with Figure

Oil on the table. Signed lower right. The Neapolitan artist painted landscapes and glimpses of Neapolitan popular life, with a lively and immediate naturalism, in which brightness and a sense of color stand out. Here he shows the exterior of a house in the Neapolitan hinterland, where a female figure sits observing the chickens scratching in front of the henhouse. In frame.

Rent

70.00€

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Ancient Painting The Pietà Oil on Wooden Board Italy XIX Century
ARARPI0207614
Ancient Painting The Pietà Oil on Wooden Board Italy XIX Century

ARARPI0207614
Ancient Painting The Pietà Oil on Wooden Board Italy XIX Century

Oil on wooden board. The painting pictorially reproduces the famous sculpture by Michelangelo, the Pietà of San Pietro or Pietà Vaticana. The composition of the figures is quite faithful to the reference work, but, as well as being painted in colour, it is placed in an open-air setting that refers to Renaissance painting, with the hill of Calvary emerging in shadow on the left. A coat of arms is painted at the bottom left, evoking a noble patronage. The work is presented in a period frame. It has several spots and small drops of color.

Rent

165.00€

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The Continence of Scipio Oil on Table Italy XVII Century
ARARPI0135940
The Continence of Scipio Oil on Table Italy XVII Century

ARARPI0135940
The Continence of Scipio Oil on Table Italy XVII Century

Oil on the table. Northern European school of the 17th century. The scene depicts an episode in the life of Scipio narrated by Tito Livio and Valerio Massimo. Publius Cornelius Scipio, later known as Scipio the African, in 209 BC. during the Spanish campaign, after the capture of Cartagena he received as a personal gift a beautiful virgin, who was in the group of hostages. But he, listening to the pleas of his family, respected her by sending her back to her parents and fiancé, with the only recommendation that her betrothed work for peace between Rome and Carthage. In the representation Scipio is in the center, seated on his throne, and turns to the left, to the suppliant parents of the girl, while with a merciful gesture, he indicates to them to take back his daughter, standing on the right, flanked by her boyfriend. All around, soldiers and followers of the king. The scene is full of figures, bright and colorful, and underlines the positivity of the king, a central and powerful character, but capable of meekness and clemency. The restored painting has been reinforced on the back with wooden strips. It is presented in a stylish frame.

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Antique Painting Lorenzo Delleani Oil on Hardboard 1889
News
ARAROT0242908
Antique Painting Lorenzo Delleani Oil on Hardboard 1889

Interior of Stable, 1889

ARAROT0242908
Antique Painting Lorenzo Delleani Oil on Hardboard 1889

Interior of Stable, 1889

Oil on hardboard. Signed and dated 11-30-1889 lower left. Delleani, who initially painted mainly historical subjects, progressively approached landscape painting "en plein air", especially of the places of his origins, the Piedmontese valleys, characterizing his views with chromatic vibrations and warm brightness. In the last decades of his life, however, he also allowed himself to be involved in the orientalist trend, but then returned to his landscape views, creating above all panels rich in warm colors and suggestive atmospheres. Rarer but equally evocative is his production of interiors, such as this one of a stable, where the animated figures, the sheep, appear as almost indistinct spots of color within an environment played entirely on the luminous effects of a single chromatic range. Restored and protected, the painting is presented in a gilded frame from the early 1900s.

Rent

410.00€

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Ancient Painting '800 Lorenzo Gignous Landscapes on Wooden Board
ARAROT0201770
Ancient Painting '800 Lorenzo Gignous Landscapes on Wooden Board

ARAROT0201770
Ancient Painting '800 Lorenzo Gignous Landscapes on Wooden Board

Oil on wooden board. Signed lower right. These are three small paintings proposing landscape glimpses, made in the naturalistic style typical of Lorenzo Gignous: the two lateral ones, measuring 24 x 30 cm, propose the most recurring subject in the Lombard artist's production, i.e. glimpses of Lake Maggiore, animated by fishing boats; in the center a smaller landscape (18 x 25 cm) with a group of trees in the countryside. The three small paintings are presented in a single coeval frame.

Rent

315.00€

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Ancient Painting M. Moretti Foggia '900 Mountain Cabins Oil on Wood
ARARNO0222546
Ancient Painting M. Moretti Foggia '900 Mountain Cabins Oil on Wood

Mountain Cabins

ARARNO0222546
Ancient Painting M. Moretti Foggia '900 Mountain Cabins Oil on Wood

Mountain Cabins

Oil on wood. signed lower right. Mario Moretti Foggia lived and worked until his death in Macugnaga, the mountain town in the Ossola Valley that he often depicted in his works, often offering glimpses of mountain huts in the valleys as in this work. Trained at the school of Tallone, Moretti Foggia was predominantly a landscape painter, who proposed realistic views characterized by a very bright and material chromatic palette. The work is presented in a period frame.

Rent

410.00€

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Antique Painting Glimpse with Figures '800-'900 Oil on Wooden Board
ARARCO0222526
Antique Painting Glimpse with Figures '800-'900 Oil on Wooden Board

Glimpse of the Country with Figures

ARARCO0222526
Antique Painting Glimpse with Figures '800-'900 Oil on Wooden Board

Glimpse of the Country with Figures

Oil on wooden panel. Signed lower left. Vittore Antonio Cargnel, father of Lucio Cargnel, was mainly a landscape painter, author in particular of evocative views of Treviso and exciting glimpses of Friuli, his homeland. He is considered the spokesperson of intimate landscape painting, for his ability to freeze landscapes in the immediacy of atmospheric changes, often on small panels, so as not to miss the moment of a particular luministic condition responsible for the impression aroused in the artist. In this part of the town, the luminous contrast stands out between the square still dominated by the gray rain, highlighted by the umbrellas of passers-by - figures that are only indistinct spots, neutral elements of the landscape - and the light which, cutting through the clouds, illuminates and colours. the top of the buildings. The painting is presented in a contemporary frame.

Rent

215.00€

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