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28 cm 80 cm

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Group of 3 Contemporary Bronze Bas-Reliefs F. Messina '900
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ARARCO0239817
Group of 3 Contemporary Bronze Bas-Reliefs F. Messina '900

ARARCO0239817
Group of 3 Contemporary Bronze Bas-Reliefs F. Messina '900

Gilded bronze bas-reliefs. Signed lower right; number of specimen 25/150 bottom left. The triptych is accompanied by a certification of authenticity from the Seledi Arte Center in Milan. The titles of the three bas-reliefs are shown in the authentication: Fortune, Stallion Fight, The Couple. Francesco Messina's sculpture, so full of echoes of the classical Greco-Roman and Hellenistic heritage,"is characterized", wrote Carlo Carrà, "a simple and great style" and by an "idealistic and classical procedure"capable of give life to forms that remain as "ideal images". The three bronze panels are mounted in a single frame.

Rent

185.00€

Rent
Vintage 1930s Plaque with Bas-Relief Bronze Italy
ARARNO0231498
Vintage 1930s Plaque with Bas-Relief Bronze Italy

ARARNO0231498
Vintage 1930s Plaque with Bas-Relief Bronze Italy

Bronze plaque with bas-relief figure. The figure of a naked man is depicted, holding an arrow and aiming it at the center of a target: the symbolism is evident, that is, the exaltation of the determination of the man who must go straight to the target; this meaning is well suited to the fascist period to which the plaque dates back, as is the reference to classicism. The plaque is inserted and presented in a contemporary wooden frame.

Rent

100.00€

Rent
Bas-Relief By Giulio Bracca Marble Italy 19th Century
ARAROT0123672
Bas-Relief By Giulio Bracca Marble Italy 19th Century

Maria Dolente

ARAROT0123672
Bas-Relief By Giulio Bracca Marble Italy 19th Century

Maria Dolente

Marble bas-relief. Engraved signature along the left margin. Born in Cannobbio (on Lake Maggiore), Giulio Branca was introduced to the art by the Cannobio sculptor Bergonzoli, and later attended G. Strazza's school of nude drawing and sculpture at the Brera Academy. Born in Cannobio on 13 December 1850 to Ludovico, he was introduced to art by the Cannobio sculptor Bergonzoli, and attended the school of the nude and G. Strazza's school of sculpture at the Brera Academy. He made about four hundred sculptures, including memorials, funerary monuments and portrait busts. Branca also took part, following a competition, in the completion of the high wall of the cathedral of Como, which had remained unfinished for centuries, sculpting several figures in white marble for the façade and the altar between 1897 and 1900. The work presented here is a bas-relief showing a half-bust of the grieving Madonna flanked by two pious women. It is presented in a coeval wooden frame from the end of the 19th and beginning of the 20th century.

Rent

310.00€

Rent