Pair of armchairs, foam padding, leatherette upholstery.

Northern Italy, XVIII Century

Walnut travel writing desk with cabinet concealing twelve drawers, six of which are smaller on the sides. Small drawers for the writing desk on the front, large drawer underneath. Detachable wavy legs with external locking screws; feet restored or replaced.

Wall lamp with counterweight up and down, enamelled metal, brass, methacrylate diffuser.

18th Century / 1701 - 1800

Pair of engish model Modenese chairs supported by curved frontal legs that are connected to each other by an H shaped croosbeam. Padded seat and open backrest.

20th Century / 1901 - 2000

Terracotta vase, dating back to the early 20th century.

19th Century / 1801 - 1900

Pair of Liberty wrought iron and shear plate wall lights decorated with phitomorphic motifs; originally they were gilded as we can deduct from some signs, but they had been painted in green later.

Wall mirror with chromed metal frame and mirrored glass.

Enamelled metal ceiling lamp with Murano glass diffuser.

Highboard with hinged door, flap door and visible drawers in teak veneered wood.

Solid wood and mahogany veneer centre table.

Floor lamp in chromed metal with swiveling diffuser and adjustable height.

Ceiling lamp in colored glass, brass and enamelled metal.

Pair of armchairs; spring padding, skai covering, legs in ebony-stained wood with brass.

Pair of armchairs; spring padding, original period skai upholstery, metal legs.

Pair of chairs; beech wood, foam padding, fabric cover.

Storage unit with compartments with flap front. Laminate-covered wood, metal legs.

Corner cabinet, veneered wood, chromed aluminum band.

Elegant chair, padded with springs, upholstery in skai, legs in stained Beech wood.

Coat hanger in white enamelled metal and nickel-plated brass.

Tableau doré

Mixed technique on plywood (painting and silver paper sheets). On the back, authentic with stamp and signature of the artist's sister. The work belongs to the series of Tableaux dorés, works created by the Milanese artist Remo Bianco starting from the 1950s. Born and educated in Milan, Remo Bianco was a pupil of De Pisis, in whose studio he frequented the great Italian artists of the twentieth century (Carrà, Sironi, Savinio, Soffici, Soldati, Marini, Cantatore). After the interlude of the war (enlisted, sank with his ship and was taken prisoner in Tunis), he resumed his artistic activity in Milan, participating in the Nuclear Movement and Spatialism, coming to completely detach himself from figurative painting to create works made of brushstrokes mashed potato. At the beginning of the fifties he began to create works, pictorial and sculptural, with different materials and to experiment with different themes and techniques; to this production belong the Tableaux dorés, composed of silvered or gilded aluminum foils on painted bases. The work is presented in a frame.