Vintage coffee table in stained beech wood with four legs connected by wooden elements and brass details, round glass top. Restored.

65 x 38 In

Beluchi wool carpet, fine knot. Manual manufacturing.

Vintage Mila Schön dress made with sand and coral pure flax.

18th Century / 1701 - 1800

Early 18th century chest in walnut.

Italy, 1980s-90s

Silver candy holder with relief decoration in the shape of water drops. The silver and silversmith's marks are engraved in the cable. Unidentified Florentine silversmith. 270 grams.

Oil painting on canvas. The biblical episode depicted refers to the story of Daniel, the prophet in the court of King Darius the Mede who, for having prayed to his God, was condemned to be thrown into the lions' den. But God saved Daniel, sending an angel to close the jaws of the beasts, and the king pardoned Daniel by instead condemning those who had denounced him. The subject has been depicted several times in art, for the fascination linked to history but also for its exotic flavor due to the presence of wild beasts; in particular we remember the version by Rubens of 1615, where the prophet is depicted naked in the underground pit, while he prays ardently, surrounded by a crowd of ferocious lions. The work presented here instead proposes a version centered on the dialogue between the prophet and the angel, who face each other, standing out with the vivid colors of their robes against the dark background of a prison; there is only one lion, meekly crouching at the angel's feet, and therefore the spiritual and salvific dimension of the biblical event prevails. According to the famous art historian Maurizio Marini, a specialist in the painting of Caravaggio and Baroque art, who had had the opportunity to view the painting years ago, the work could be attributable to Antonio Maria Vassallo (1620 -1664) for the compositional and chromatic choices. The painting, restored and relined, is presented with a listello frame.

Oil on hardboard. Signed lower right. Further signature, date and title on the back. Giovanni Balansino, Piedmontese by origin but Lombard by adoption, chose to depict his love for both lands with his painting made of broad and nervous brushstrokes, dedicating a large part of his production to them., which this glimpse includes of a town in the Lombard plain. In frame.

N. 8

Nude leather sandals with woven pattern and back zip fastening. Heel height: 12 cm. The article has never been worn, as can be seen from the sole and the heel, it has only a slight defect which consists in the lack of a loop in the left shoe.

Japan, First Half XX Century

Pair of ceramic vases with flower, peony and figure decorations.

Oil painting on canvas. The painting offers a half-length portrait of a young man who, in deshabillé, is lighting his pipe by drawing fire with a stick from the candle placed in front of him, on the table where a sword is also placed: perhaps it is a young knight in a moment of rest. It is precisely the candle, the only source of light in the scene, which suggests that the artist looked to the production of Georges De La Tour (1593 -1652), the French painter of the Caravaggio style who established himself for his "nocturnal" scenes, characterized by figures, usually low-ranking people rather than historical models or high-ranking figures, illuminated by the light of a candle, to create a special atmosphere of intimacy. The painting, restored and relined, is presented in a period frame.

Swivel armchair, foam padding, fabric covering, metal base. Restored. A comfortable armchair with a typical shape of the 60s, ideal for an environment with a relaxation area, with a vintage touch. Carefully restored by our laboratory with replacement of the padding and covering, to give new life to things.

Pure Silk

Pure silk printed scarf with striped base.

Italy, XX Century

Walnut style bench, 20th century Italy. Truncated pyramidal band and legs adorned with grooved reserves; brass feet. Padded seat.

Italy, XX Century

Style bench with large seat and monumental backrest; it is carved with foliaceous frets and two fake pilasters on the sides of the backrest, it is entirely lacquered and painted with floral festoons and is adorned with golden inserts. Present removable cushion.

Italy, Late XIX Century

Pair of baroque style chairs, supported by wavy legs; they are carved with rocaille-style leaf motifs, lacquered and partially gilded. Padded shaped seat and backrest.

Table with base in ebony-stained wood and top in teak veneered wood.

T. WALKER'S Patent HARPOON SHIP LOG A.2.

Mechanical harpoon towing log/"Harpoon towing log" model A2, made of brass and porcelain, without stabiliser, fitted with three dials on the porcelain panel, of which the first records miles up to 100, the second records units up to 10 miles, the third records quarter miles. The four rotor blades are stamped with the anchor motif and the initials T.W. The design details and features suggest a production date around 1880.

Ceiling lamp, in enamelled and brass-plated aluminium.