Square coffee table with rounded corners, chromed metal and brass structure, smoked glass top.

Oil painting on canvas. Spanish school of the 19th century. The young woman, who wears a black cape over a lively yellow and white dress, has a rose stuck in one ear and wears elegant embossed pendant earrings; in her hand she holds a black mask, away from her face, from which she also pushes the hood away with the other hand, to reveal herself smiling and perhaps even a little mischievous. A sky of gray clouds opens up in a patch of blue to surround the figure, which stands out brightly. The painting is presented in an early 20th century frame.

Italy, XX Century

Walnut style bench, 20th century Italy. Truncated pyramidal band and legs adorned with grooved reserves; brass feet. Padded seat.

Pair of armchairs with spring padding, feather cushions, stained wooden legs and fabric covering. A pair of armchairs to be revisited to make them suitable for an environment with a relaxation area that wants to recall an original style with a taste of times gone by, the product can be restored by our laboratory, with an intervention that involves the replacement of the padding and the fabric by choosing from our different samples.

Vintage coffee table in stained beech wood with four legs connected by wooden elements and brass details, round glass top. Restored.

Vintage Mila Schön dress made with sand and coral pure flax.

Oil painting on canvas. The biblical episode depicted refers to the story of Daniel, the prophet in the court of King Darius the Mede who, for having prayed to his God, was condemned to be thrown into the lions' den. But God saved Daniel, sending an angel to close the jaws of the beasts, and the king pardoned Daniel by instead condemning those who had denounced him. The subject has been depicted several times in art, for the fascination linked to history but also for its exotic flavor due to the presence of wild beasts; in particular we remember the version by Rubens of 1615, where the prophet is depicted naked in the underground pit, while he prays ardently, surrounded by a crowd of ferocious lions. The work presented here instead proposes a version centered on the dialogue between the prophet and the angel, who face each other, standing out with the vivid colors of their robes against the dark background of a prison; there is only one lion, meekly crouching at the angel's feet, and therefore the spiritual and salvific dimension of the biblical event prevails. According to the famous art historian Maurizio Marini, a specialist in the painting of Caravaggio and Baroque art, who had had the opportunity to view the painting years ago, the work could be attributable to Antonio Maria Vassallo (1620 -1664) for the compositional and chromatic choices. The painting, restored and relined, is presented with a listello frame.

Ceiling lamp; enameled metal, glass.

China Period of the Republic 1930 ca.

Baluster porcelain vase elegantly decorated in gold with figures of cranes, among pines and ornamental rocks. Lateral loops in the form of flowering plum branches. Wooden support.

Italy Late 20th century

Silver teapot. Under the base, the brand of silver and of the manufacture. Grams 826.

Production in ITALY, CERAMIC

Sweden, 1957

Clear glass "Apple"vase Ingeborg Lundin for Orrefors. Pointed signature of the designer and manufacturer under the base.

Desk with side drawers in walnut veneer and top in briar wood veneer.

Coffee table with double top; walnut veneer.

Prod. Italy, materiale plastico, specchiato.

Italy, Early XIX Century

Armchair with cane back and seat, under armrests and legs turned on the bottom.