65 x 38 In

Beluchi wool carpet, fine knot. Manual manufacturing.

Italy, 1980s-90s

Silver candy holder with relief decoration in the shape of water drops. The silver and silversmith's marks are engraved in the cable. Unidentified Florentine silversmith. 270 grams.

Group of 4 chairs, foam padding, skai covering, enamelled metal with chromed tips. Group of chairs that lend themselves to being customized with restoration work which involves careful cleaning of the metal part, replacement of the padding and upholstery by choosing from our different samples, so as to make them suitable for a Living environment with a Vintage style and to give new life to things.

Oil painting on canvas. The painting offers a half-length portrait of a young man who, in deshabillé, is lighting his pipe by drawing fire with a stick from the candle placed in front of him, on the table where a sword is also placed: perhaps it is a young knight in a moment of rest. It is precisely the candle, the only source of light in the scene, which suggests that the artist looked to the production of Georges De La Tour (1593 -1652), the French painter of the Caravaggio style who established himself for his "nocturnal" scenes, characterized by figures, usually low-ranking people rather than historical models or high-ranking figures, illuminated by the light of a candle, to create a special atmosphere of intimacy. The painting, restored and relined, is presented in a period frame.

Swivel armchair, foam padding, fabric covering, metal base. Restored. A comfortable armchair with a typical shape of the 60s, ideal for an environment with a relaxation area, with a vintage touch. Carefully restored by our laboratory with replacement of the padding and covering, to give new life to things.

Ceiling lamp; enameled metal, glass.

T. WALKER'S Patent HARPOON SHIP LOG A.2.

Mechanical harpoon towing log/"Harpoon towing log" model A2, made of brass and porcelain, without stabiliser, fitted with three dials on the porcelain panel, of which the first records miles up to 100, the second records units up to 10 miles, the third records quarter miles. The four rotor blades are stamped with the anchor motif and the initials T.W. The design details and features suggest a production date around 1880.

Europe, 1960s-70s

Pair of flamingos in gilded bronze with a circular base.

Ceiling lamp in metal and opaline glass.

Italy 17th century

Renaissance travel trunk with wooden structure covered with thin iron plates engraved to form curls fixed with studs and small flowers on a red velvet background. Three padlock closures and central lock with key. Side handles. Italy 17th century

Italy Mid-19th Century

Group of six Louis Philippe chairs supported by saber legs at the back and wavy legs at the front, the seat is padded, while the shaped backrest is open. In walnut.

Italy 20th century

Six lights chandelier with structure in milky and transparent Bohemian glass, decorated with painted floral motifs and bobeches covered with green glass on the inside. Italy 20th century

Early, XVIII Century

Walnut console supported by lion feet, in the lower part it has a ribbed frame; it has shortcomings and embellishments, such as the coat of arms in the center of the front, added later; the poplar top is not contemporary.

92 x 48 In

Kilim wool rug; big knot. Manual manufacturing.

Hat in blue wool felt, taht can be dated to the 60s or 70s. The inner "Brigatti" tag take us back to the historical Milan store, famous for the quality of its products. The inner circumference is 50cm and the brim is 7cm. This piece is back in style right now.

Italy Second half of the 19th century

Mahogany living room composed of a sofa, a pair of armchairs and a pair of chairs, Italy, second half of the 19th century. Backrests and armrests wavy, ending in curls and carved C elements. Upholstered backrests and seats, the former supported by turned columns.

Italy, XX Century

Sideboard with three drawer front bordered with brass as well as the three doors below separated by fluted pilasters. Truncated conical feet covered with brass cups. Italy 20th century

Headless stone sculpture of a bishop.

Oil painting on canvas. Italian school of the eighteenth century. In the portrait of this gentleman, the dressing gown made of an elegant floral fabric stands out in particular, in shades of brick red that recall the color of the wig. The severity of the pose and the austere gaze of the character almost contrast with the almost frivolous elegance of his clothing. The painting, restored and relined, is presented in a frame from the early 1900s.