Pair of armchairs with spring padding, feather cushions, stained wooden legs and fabric covering. A pair of armchairs to be revisited to make them suitable for an environment with a relaxation area that wants to recall an original style with a taste of times gone by, the product can be restored by our laboratory, with an intervention that involves the replacement of the padding and the fabric by choosing from our different samples.

Lombardy early 19th century

Bedside table veneered in maple, inlaid with various essences on the top and front to form curls and equally edged on the sides. Openable top and front to simulate two drawers without chain of which only the first can be opened "with door" concealing the internal lining in fabric. Shaped band under the top, truncated pyramid feet. Lombardy early 19th century

Italy, Late XIX Century

Pair of baroque style chairs, supported by wavy legs; they are carved with rocaille-style leaf motifs, lacquered and partially gilded. Padded shaped seat and backrest.

Table with base in ebony-stained wood and top in teak veneered wood.

Diam. 72 In

Vintage cotton and wool rug, large knot. Machine manufacturing.

65 x 38 In

Beluchi wool carpet, fine knot. Manual manufacturing.

Production F. lli ONOFRI

Ceiling lamp, metal frame, glass pendants.

Cabinet with sliding doors, open compartment and flap. Teak veneered wood.

Italy, 1980s-90s

Silver candy holder with relief decoration in the shape of water drops. The silver and silversmith's marks are engraved in the cable. Unidentified Florentine silversmith. 270 grams.

Desk with typescript, formica-covered wood, enameled metal legs.

Italy, XX Century

Antique bed with uprights made up of twisted columns decorated with vegetal racemes, painted and with partially gilded capitals, the headboard is padded.

XX Century

Wrought iron chandelier with central globe, from which the arms branch off and end with candle holders.

Vintage coffee table in stained beech wood with four legs connected by wooden elements and brass details, round glass top. Restored.

Vintage Mila Schön dress made with sand and coral pure flax.

110 x 43 In

Bidjar carpet in cotton and wool, manual production, large knot.

Oil painting on canvas. The biblical episode depicted refers to the story of Daniel, the prophet in the court of King Darius the Mede who, for having prayed to his God, was condemned to be thrown into the lions' den. But God saved Daniel, sending an angel to close the jaws of the beasts, and the king pardoned Daniel by instead condemning those who had denounced him. The subject has been depicted several times in art, for the fascination linked to history but also for its exotic flavor due to the presence of wild beasts; in particular we remember the version by Rubens of 1615, where the prophet is depicted naked in the underground pit, while he prays ardently, surrounded by a crowd of ferocious lions. The work presented here instead proposes a version centered on the dialogue between the prophet and the angel, who face each other, standing out with the vivid colors of their robes against the dark background of a prison; there is only one lion, meekly crouching at the angel's feet, and therefore the spiritual and salvific dimension of the biblical event prevails. According to the famous art historian Maurizio Marini, a specialist in the painting of Caravaggio and Baroque art, who had had the opportunity to view the painting years ago, the work could be attributable to Antonio Maria Vassallo (1620 -1664) for the compositional and chromatic choices. The painting, restored and relined, is presented with a listello frame.

118x83 In

Kilim carpet in cotton; fine knot. handmade.

Italy, Early XX Century

Polychrome porcelain sculpture depicting St. Joseph with Child presented in a coeval casket.