Italy 19th century

Drop-shaped console in carved and gilded wood supported by legs carved in a curl and embellished with a wreath of leaves. Lombardy 19th century

Double bed plus towel Refined lapel and towel embroidered in shadow stitch and satin stitch that gives relief to the embroidery Signs of aging to be removed Color beige Composition linen Dimensions Sheet 260 x 230 cm Towel 111 x 87 cm

Pocket emptier in petrified wood in the various colors of minerals and quartz. In the slow process of demineralization organic materials have been replaced by minerals present in the soil.

Colorful enamelled ceramic vase with flowers. Manufacture's brand under the base.

Ceiling lamp; brass and glass.

Ceramic vase.

Italy Early 1900s

Bronze sculpture on a marble base depicting a young fisherman. On the base engraved signature of the author.

Production F. lli ONOFRI

Italy, XX Century

Baroque style trumeau made of various essences, 20th century Italy. Architectural cymathium with oval mirror, upper part with a pair of glass doors, body equipped with a folding door concealing cabinet, three drawers and shelf feet.

Italy, 1960s

Bronze plaque with the inscription "Unione tiro a volo stand villa Lonati Milano". Relief figure of a man with a rifle. At the bottom engraved signature of the author. Wooden frame.

Vintage jais and glass stones necklace

Size XS

Vintage elegant night blue coat, 1950s-1960s. Haute couture item probably studied as a prototype and never used. The peculiarity of this item is on the back characterized by a tail in the middle. Made in Milan, Italy.

Lombardy early 19th century

Bedside table veneered in maple, inlaid with various essences on the top and front to form curls and equally edged on the sides. Openable top and front to simulate two drawers without chain of which only the first can be opened "with door" concealing the internal lining in fabric. Shaped band under the top, truncated pyramid feet. Lombardy early 19th century

Glass chandelier with six lights.

Vintage Mila Schön dress made with sand and coral pure flax.

Oil painting on canvas. The biblical episode depicted refers to the story of Daniel, the prophet in the court of King Darius the Mede who, for having prayed to his God, was condemned to be thrown into the lions' den. But God saved Daniel, sending an angel to close the jaws of the beasts, and the king pardoned Daniel by instead condemning those who had denounced him. The subject has been depicted several times in art, for the fascination linked to history but also for its exotic flavor due to the presence of wild beasts; in particular we remember the version by Rubens of 1615, where the prophet is depicted naked in the underground pit, while he prays ardently, surrounded by a crowd of ferocious lions. The work presented here instead proposes a version centered on the dialogue between the prophet and the angel, who face each other, standing out with the vivid colors of their robes against the dark background of a prison; there is only one lion, meekly crouching at the angel's feet, and therefore the spiritual and salvific dimension of the biblical event prevails. According to the famous art historian Maurizio Marini, a specialist in the painting of Caravaggio and Baroque art, who had had the opportunity to view the painting years ago, the work could be attributable to Antonio Maria Vassallo (1620 -1664) for the compositional and chromatic choices. The painting, restored and relined, is presented with a listello frame.

Italy, Early XX Century

Polychrome porcelain sculpture depicting St. Joseph with Child presented in a coeval casket.