118x83 In

Kilim carpet in cotton; fine knot. handmade.

Italy, Early XX Century

Polychrome porcelain sculpture depicting St. Joseph with Child presented in a coeval casket.

Oil painting on canvas. Italian school of the 17th-18th centuries. A large composition of colorful flowers, in embossed metal vases, and some fruits scattered on the ground, are placed close to a wall overlooking a maritime landscape: the brightness of the sky and sea on the right contrasts with the shaded area on the left, on which the colors of the flowers stand out. The painting, relined and restored, has a significant crack. It is presented in a contemporary lacquered and gilded frame.

Square coffee table with rounded corners, chromed metal and brass structure, smoked glass top.

France, Late XIX Century

Pair of column bedside tables of French production, in Louis Philippe style. In mahogany, they have a door.

China Period of the Republic 1930 ca.

Baluster porcelain vase elegantly decorated in gold with figures of cranes, among pines and ornamental rocks. Lateral loops in the form of flowering plum branches. Wooden support.

Production in ITALY, CERAMIC

Sweden, 1957

Clear glass "Apple"vase Ingeborg Lundin for Orrefors. Pointed signature of the designer and manufacturer under the base.

Desk with side drawers in walnut veneer and top in briar wood veneer.

Coffee table with double top; walnut veneer.

Italy 20th century

Style desk made with vintage woods on a Venetian neoclassical desk model, Italy 20th century. Entirely veneered in walnut, walnut burl and threaded in maple, front with drawer, 3 drawers in the band and pair of doors, wavy legs. Interior in spruce and poplar.

Bookcase with adjustable shelves in enamelled metal.

Oil on hardboard. Signed lower right. Further signature, date and title on the back. Giovanni Balansino, Piedmontese by origin but Lombard by adoption, chose to depict his love for both lands with his painting made of broad and nervous brushstrokes, dedicating a large part of his production to them., which this glimpse includes of a town in the Lombard plain. In frame.

Production QUICK MILL

Pencil on paper. Signed on the back. The drawing is registered in the Fausto Melotti Archive, with code DIS 72006. Fausto Melotti was a multifaceted and very prolific artist and it is almost impossible to link his production to a particular technique or theme, without providing only a partial view of his vision artistic. The salient features that are constant in Melotti are geometry, the study of abstraction, which leads him to use realistic but not scientifically accurate elements, and arranging the elements so that they recall a musical rhythm, a detail that refers to his training as a musician Sculptor, painter, musician, poet, he made numerous design drawings for his works. Drawing represented for him a fundamental exercise, to transfuse the original graphic trait from sheets of paper into sculptures and ceramics. The sculptures for which he is best known are made up of geometric elements made with metals (brass, iron and gold) worked into thin filaments, giving life to ethereal, weightless and almost fragile compositions. The work is presented in a frame.

Parma Last Fourth XVIII Century

Group of 12 neoclassical chairs in cherry, Parma, last quarter of the 18th century. Open back carved with festoon at the top and satchel with anthemium, fluted truncated cone legs, poded and carved with phytomorphic elements, carved vase feet. A partially gilded chair. Lacks and substitutions. Necessary restoration in the session.

Italy Late 20th century

Silver teapot. Under the base, the brand of silver and of the manufacture. Grams 826.

Wall coat rack, wooden panel covered in fabric, enamelled metal hooks on solid wood slates.