Table with base in ebony-stained wood and top in teak veneered wood.

110 x 43 In

Bidjar carpet in cotton and wool, manual production, large knot.

Size XS

Vintage elegant night blue coat, 1950s-1960s. Haute couture item probably studied as a prototype and never used. The peculiarity of this item is on the back characterized by a tail in the middle. Made in Milan, Italy.

Italy 20th century

Six lights chandelier with structure in milky and transparent Bohemian glass, decorated with painted floral motifs and bobeches covered with green glass on the inside. Italy 20th century

Pair of table lamps with marble, aluminum and glass base.

Italy, Mid XIX Century

Pair of Louis Philippe chairs in walnut, carved open backrest, saber legs. Northern Italy, mid-19th century

19th Century / 1801 - 1900

Crucified Christ in finely carved boxwood mounted on a panel covered in yellow fabric.

Hat in blue wool felt, taht can be dated to the 60s or 70s. The inner "Brigatti" tag take us back to the historical Milan store, famous for the quality of its products. The inner circumference is 50cm and the brim is 7cm. This piece is back in style right now.

Philosopher

Oil on cardboard. Signed lower right. Coming from a private collection in Pavia. The painting proposes a subject taken up several times by Primo Carena, both with groups of several characters inserted in a landscape, and with a solitary figure as appears in this painting, which belongs to the production of the 1950s. The man on the beach, in the seated pose leaning with his elbow on a marble capital, and in the cloth resting on his legs, recalls the elderly character sitting in a work by De Chirico, the Salute to the Argonauts, and well underlies the reference to painting metaphysics that the painter from Pavia wanted to express in his figure paintings of the 1950s and 1960s. The work is presented in a frame.

Milan XX Century

Group of six silver dessert plates. Brand of silver and silversmith engraved on the edge. 1210 grams.

Oil painting on canvas. French school of the 18th century. The mythological subject of the goddess Diana bathing was widely spread in 18th century painting and, particularly in the Flemish area, also in the previous century. It was proposed in different variations, with the goddess alone, or accompanied by nymphs, or with Actaeon; in this case the beautiful deity, recognizable by the quiver hanging from the tree branch and the hunting dog that accompanies her. she is about to bathe in a body of water while a mischievous faun spies on her behind her. The scantily clad female body occupies the entire scene, central and of a whiteness that stands out in the midst of the shadows of the leafy forest, with all the other figures and elements that surround it. The small painting was restored and relined at the beginning of the 20th century.

Elliptical shaped ceiling lamp, white opaline glass.

Table with enamelled metal base, wooden top covered in laminate. Ruined top.

Service trolley, walnut-stained veneered wood.

Northern Italy, Early XIX Century

Majolica bowl decorated in monochrome green in calligraphic style with landscapes, trees, birds and stylized characters.

Early XX Century

Screen with four panels in ebonized wood framing a glass sheet finished with gold leaf on one side, while on the other decorated with enamels to create oriental-style motifs.

Portal with mirrors mounted on wooden frames, features mirrored and decorated glass.

France, Mid XIX Century

Finely carved and chiseled bronze jewelery box with porcelain inserts painted with female faces and a landscape scene with a girl.

Europe, 1960s-1970s

Glazed ceramic sculpture on a wooden base depicting a pair of horses. Anonymous author.