Italy, XX Century

Walnut sideboard obtained by modifying a large cupboard from the early 18th century in the 20th century, transforming the front, previously made up of removable panels, into a pair of doors. Veneered in burr walnut on the front and on the side reserves. Uprights and central band with tiles, opening top; pair of side locks used in ancient times to block the top. Poplar and fir interior.

Elegant table with sculptural base in mahogany wood, wooden top with recessed retro-treated glass.

Sweden, 1957

Clear glass "Apple"vase Ingeborg Lundin for Orrefors. Pointed signature of the designer and manufacturer under the base.

France Second Fourth XIXth Century

Restoration sideboard resting on a plinth base, the front is marked by three paneled doors alternating with pilasters that support the undertop band, in which there are three drawers. In elm and elm burl, the interiors are in poplar and oak.

Pencil on paper. Signed on the back. The drawing is registered in the Fausto Melotti Archive, with code DIS 72006. Fausto Melotti was a multifaceted and very prolific artist and it is almost impossible to link his production to a particular technique or theme, without providing only a partial view of his vision artistic. The salient features that are constant in Melotti are geometry, the study of abstraction, which leads him to use realistic but not scientifically accurate elements, and arranging the elements so that they recall a musical rhythm, a detail that refers to his training as a musician Sculptor, painter, musician, poet, he made numerous design drawings for his works. Drawing represented for him a fundamental exercise, to transfuse the original graphic trait from sheets of paper into sculptures and ceramics. The sculptures for which he is best known are made up of geometric elements made with metals (brass, iron and gold) worked into thin filaments, giving life to ethereal, weightless and almost fragile compositions. The work is presented in a frame.

Lombardy Second Quarter 19th Century

Pair of restoration chairs in walnut, Lombardy second quarter of the 19th century. Open back with central folder, decorated with carvings of leaves, curls and anthems; grissinato seat front, saber-shaped rear legs, wavy front legs and embellished with carved leaf elements. Removable upholstered seats.

Italy 20th century

Style desk made with vintage woods on a Venetian neoclassical desk model, Italy 20th century. Entirely veneered in walnut, walnut burl and threaded in maple, front with drawer, 3 drawers in the band and pair of doors, wavy legs. Interior in spruce and poplar.

Italy Late 20th century

Silver teapot. Under the base, the brand of silver and of the manufacture. Grams 826.

Wall coat rack, wooden panel covered in fabric, enamelled metal hooks on solid wood slates.

110 x 43 In

Bidjar carpet in cotton and wool, manual production, large knot.

Pure Silk

Pure silk scarf made with Etro's iconic paisley print, in various color shades, including black, green, mustard, turquoise and salmon.

Italy, Early XX Century

Polychrome porcelain sculpture depicting St. Joseph with Child presented in a coeval casket.

18th Century / 1701 - 1800

Early 18th century chest in walnut.

Table with base in ebony-stained wood and top in teak veneered wood.

Italy, XX Century

Antique bed with uprights made up of twisted columns decorated with vegetal racemes, painted and with partially gilded capitals, the headboard is padded.

Italy, Late XIX Century

Pair of baroque style chairs, supported by wavy legs; they are carved with rocaille-style leaf motifs, lacquered and partially gilded. Padded shaped seat and backrest.

Pair of table lamps with marble, aluminum and glass base.

19th Century / 1801 - 1900

Crucified Christ in finely carved boxwood mounted on a panel covered in yellow fabric.

Italy, First Half XIX Century

Majolica bowl. On the brim polychrome decoration with geometric lattice pattern; at the bottom of the bird cave there is a typical decoration of the manufacture.