Size L

Soft gold and cream brocade jacket. It doesn't have a label but fits size UK 14 (length 72cm, breast 100cm, waist 93cm)

Italy 20th century

Style desk made with vintage woods on a Venetian neoclassical desk model, Italy 20th century. Entirely veneered in walnut, walnut burl and threaded in maple, front with drawer, 3 drawers in the band and pair of doors, wavy legs. Interior in spruce and poplar.

Italy, XX Century

Baroque style trumeau made of various essences, 20th century Italy. Architectural cymathium with oval mirror, upper part with a pair of glass doors, body equipped with a folding door concealing cabinet, three drawers and shelf feet.

England Late 19th - Early 20th Century

3-light gilt bronze chandelier with wedgwood ceramic inserts, England late 19th - early 20th century. Glass pendants.

Pencil on paper. Signed on the back. The drawing is registered in the Fausto Melotti Archive, with code DIS 72006. Fausto Melotti was a multifaceted and very prolific artist and it is almost impossible to link his production to a particular technique or theme, without providing only a partial view of his vision artistic. The salient features that are constant in Melotti are geometry, the study of abstraction, which leads him to use realistic but not scientifically accurate elements, and arranging the elements so that they recall a musical rhythm, a detail that refers to his training as a musician Sculptor, painter, musician, poet, he made numerous design drawings for his works. Drawing represented for him a fundamental exercise, to transfuse the original graphic trait from sheets of paper into sculptures and ceramics. The sculptures for which he is best known are made up of geometric elements made with metals (brass, iron and gold) worked into thin filaments, giving life to ethereal, weightless and almost fragile compositions. The work is presented in a frame.

Parma Last Fourth XVIII Century

Group of 12 neoclassical chairs in cherry, Parma, last quarter of the 18th century. Open back carved with festoon at the top and satchel with anthemium, fluted truncated cone legs, poded and carved with phytomorphic elements, carved vase feet. A partially gilded chair. Lacks and substitutions. Necessary restoration in the session.

Italy Late 20th century

Silver teapot. Under the base, the brand of silver and of the manufacture. Grams 826.

Lombardy Second Quarter 19th Century

Pair of restoration chairs in walnut, Lombardy second quarter of the 19th century. Open back with central folder, decorated with carvings of leaves, curls and anthems; grissinato seat front, saber-shaped rear legs, wavy front legs and embellished with carved leaf elements. Removable upholstered seats.

France, Late XIX Century

Pair of column bedside tables of French production, in Louis Philippe style. In mahogany, they have a door.

Sweden, 1957

Clear glass "Apple"vase Ingeborg Lundin for Orrefors. Pointed signature of the designer and manufacturer under the base.

Japan, First Half XX Century

Pair of ceramic vases with flower, peony and figure decorations.

Desk with side drawers in walnut veneer and top in briar wood veneer.

Coffee table with double top; walnut veneer.

Italy, 1960s

Bronze plaque with the inscription "Unione tiro a volo stand villa Lonati Milano". Relief figure of a man with a rifle. At the bottom engraved signature of the author. Wooden frame.

Lombardy early 19th century

Bedside table veneered in maple, inlaid with various essences on the top and front to form curls and equally edged on the sides. Openable top and front to simulate two drawers without chain of which only the first can be opened "with door" concealing the internal lining in fabric. Shaped band under the top, truncated pyramid feet. Lombardy early 19th century

86 x 37 In

Beluchi wool carpet, fine knot and handmade

Italy Late 18th century

Porcelain cup and saucer with refined gold decorations and repeating polychrome motifs. In the reserves painted with landscapes.

Wall coat rack, wooden panel covered in fabric, enamelled metal hooks on solid wood slates.

Oil painting on canvas. Italian school of the 17th-18th centuries. A large composition of colorful flowers, in embossed metal vases, and some fruits scattered on the ground, are placed close to a wall overlooking a maritime landscape: the brightness of the sky and sea on the right contrasts with the shaded area on the left, on which the colors of the flowers stand out. The painting, relined and restored, has a significant crack. It is presented in a contemporary lacquered and gilded frame.

Square coffee table with rounded corners, chromed metal and brass structure, smoked glass top.