Pencil on paper. Signed on the back. The drawing is registered in the Fausto Melotti Archive, with code DIS 72006. Fausto Melotti was a multifaceted and very prolific artist and it is almost impossible to link his production to a particular technique or theme, without providing only a partial view of his vision artistic. The salient features that are constant in Melotti are geometry, the study of abstraction, which leads him to use realistic but not scientifically accurate elements, and arranging the elements so that they recall a musical rhythm, a detail that refers to his training as a musician Sculptor, painter, musician, poet, he made numerous design drawings for his works. Drawing represented for him a fundamental exercise, to transfuse the original graphic trait from sheets of paper into sculptures and ceramics. The sculptures for which he is best known are made up of geometric elements made with metals (brass, iron and gold) worked into thin filaments, giving life to ethereal, weightless and almost fragile compositions. The work is presented in a frame.

Italy Late 20th century

Silver teapot. Under the base, the brand of silver and of the manufacture. Grams 826.

Lombardy Second Quarter 19th Century

Pair of restoration chairs in walnut, Lombardy second quarter of the 19th century. Open back with central folder, decorated with carvings of leaves, curls and anthems; grissinato seat front, saber-shaped rear legs, wavy front legs and embellished with carved leaf elements. Removable upholstered seats.

Italy, 1960s

Bronze plaque with the inscription "Unione tiro a volo stand villa Lonati Milano". Relief figure of a man with a rifle. At the bottom engraved signature of the author. Wooden frame.

Italy, XX Century

Baroque style trumeau made of various essences, 20th century Italy. Architectural cymathium with oval mirror, upper part with a pair of glass doors, body equipped with a folding door concealing cabinet, three drawers and shelf feet.

England Late 19th - Early 20th Century

3-light gilt bronze chandelier with wedgwood ceramic inserts, England late 19th - early 20th century. Glass pendants.

France, Late XIX Century

Pair of column bedside tables of French production, in Louis Philippe style. In mahogany, they have a door.

Italy, XX Century

Walnut style bench, 20th century Italy. Truncated pyramidal band and legs adorned with grooved reserves; brass feet. Padded seat.

Italy, XX Century

Style bench with large seat and monumental backrest; it is carved with foliaceous frets and two fake pilasters on the sides of the backrest, it is entirely lacquered and painted with floral festoons and is adorned with golden inserts. Present removable cushion.

England Third Quarter XIX Century

English Davenport equipped with feet with wheels, on one side it has a row of four drawers, while on the other they are only simulated. The inclined upper shelf has a Moroccan insert and can be lifted, this backsplash with drawer and finished with a railing.

N. 8

Nude leather sandals with woven pattern and back zip fastening. Heel height: 12 cm. The article has never been worn, as can be seen from the sole and the heel, it has only a slight defect which consists in the lack of a loop in the left shoe.

Soapstone sculpture depicting a Guanyin with a basket of flowers. Finely carved with beautiful workmanship of the drapery and attention to detail. Republic period.

Italy, 1960s-1970s

Silver tray with linear embossed edge. Hallmark of the silver and silversmith engraved under the rim. 564 grams.

"Canivet a Paris"

Level and square set with golden brass wire, signed “Canivet a Paris”. On the instrument there are also the inscriptions “6 p de France / Nelle Mesure”.

UK Size 12

Fresh and light dress with a beautiful floral print, on a cream base, which recalls blue hydrangea flowers. In the absence of the size label, we report the following measurements. Waist: 74cm. Armhole: 48 cm. Length: 97cm. Size M fit.

Italy, XX Century

Five-light chandelier in milky Bohemian glass painted with floral motifs; it is adorned with glass pendants and necklaces.

"Troughton London"

Brass theodolite with compass, telescopic sight and spirit level, marked 'Troughton London'. Edward Troughton was one of the best manufacturers of scientific, navigational, surveying and astronomical instruments. Following the death of his eldest brother and partner, he took over from William Simms in 1826 and the name of the firm changed to Troughton & Simms.

88x59 In

Bukhara carpet in wool; fine knot. Handmade.

Germany, 1820-1830 ca.

Pair of porcelain vases with refined gold decorations on a pink background. In the reserves paintings with figures; goat-headed handles. Brand of the manufacture under the base.