Group of 12 Decorated Plates Tobacco Leaf China 18th Century

18th Century / 1701 - 1800

Emilian Baroque cupboard supported by bracket feet; it has 2 doors and 3 drawers in the undertop band; The extension has 4 doors. Walnut with poplar interiors. It had been restored and reduced in depth.

Veneto Second Fourth XVIII Century

Venetian baroque sideboard in walnut, second quarter of the 18th century. Wavy front equipped with uprights at forty-five degrees and a pair of doors with walnut briar reserves, shelf feet. Internal shelf, hinges and a rear foot replaced.

United Kingdom Late 18th Century

George III serpentine sideboard in mahogany veneer, England late 18th century. Top with maple threads, front with 3 drawers in the band, pair of doors and inlays in mahogany and maple including a vase and fan motifs on the doors. Lack of drawer locks; door locks marked "Lever". Interior in oak. Bronzes replaced handles.

18th Century / 1701 - 1800

Two-bodied Neoclassical cupboard from Friuli, supported by truncated pyramidal feet tightened in the upper part by a collar, on the front there are two doors, two small doors on the half moon shaped sides. The shelf rests on a single-axis walnut top, supported by truncated pyramidal feet as well, with connecting nuts carved with rosettes; in the lower band there is a row of small drawers, surmounted by two doors with glass in the middle and as many doors placed on the sides at 45°. In walnut and amaranth with maple threading, the interiors are in spruce.

18th Century / 1701 - 1800

Neo Classical Lombard cupboard with 2 frontal paneled door; the 4 pillars at the cornes are cunical truncated and tapered with a refined collar the tightens the top. Walnut with black marble top that has ruined parts.

18th Century / 1701 - 1800

Supported by 4 wavy legs; front side shaped as a crossbow with 2 mouded doors; openable moulded top. Inside it hides a lacquered lift surface and a surface with a central hole. The external surface is veneered and inalid with yellow leafy patterns intertwined with each other creating reserves. This pattern is very popular on several pieces typical of the late Baroque Roman prodution.