Antique Rococo Style Lectern Gilded and Carved Wood XX Century - Italy, XX Century

Italy, Early XX Century

Neoclassical style coffee table, Italy, early 20th century. Inlaid and veneered top in various essences, decorated with a central rose window placed within a quadripartite reserve, with a fret and a border with phytomorphic inlays. The top also features a brass sheet edge. "X" legs connected by a turned and carved crosspiece, made of mahogany.

China, XX Century

Pair of vases painted in enamel with plant and animal motifs within reserves and on a gold background. Under the base, mark in blue painted underglaze. The vases are held up by elegant lacquered wooden supports.

Italy, XX Century

Neoclassical style armchair in beech, 20th century Italy. Carved love knot placed on the top of the backrest. Back, sides and seat with double caning; fluted truncated cone legs, the two front ones with carved rosettes, connected by wavy crosspieces and ending with pear-shaped feet. Seat equipped with removable cushion.

Italy, 1930s

Art Deco work table in ebonized wood, Italy, 1930s. Openable top veneered in quadripartite walnut root, concealing fabric storage compartment inserted within a "cage" of turned maple slats. Wavy legs.

Italy, XX Century

Lectern supported by a curly-carved upright in chestnut.

Italy, Eatly XX Century

Pair of Chippendale style mahogany stools, Italy, early 20th century. Wavy legs connected by turned crosspieces. Padded seats covered in damask fabric.

Italy, XX Century

Walnut bedside table with opening glass top, drawer under the top and door underneath. Apron and wavy legs. 20th century Italy

Italy, XX Century

Globe supported by a wooden structure with turned uprights.

Italy Late 19th century

Rococo style sofa in carved wood with rocaille and gilded motifs, Italy late 19th century. Wavy armrests and legs ending in a curl, padded back and seat.

Italy, XX Century

Baroque style walnut bench, 20th century Italy. Padded seat covered in damask fabric, characterized by everted sides. On the four corners there are as many turned knobs; wavy legs carved with leaf motifs and curls.

120 x 77 In

Kaskay carpet in cotton and wool; big knot. Handamde.

Study of a Hand 1906

Pencil on paper. Signed lower right. On the back there is a further sketch of a donkey's head. Celada's painting is capable of blocking reality in time and space, in a way that appears detached, analytical and scientifically exact (colours, reflections, transparencies), but communicating - as opposed to a total unreality - a great narrative pathos. Here we propose the study of a hand of the artist who is still very young, but already capable of powerful expressiveness in outlining the figure. Work in frame.