News
Baroque Walnut Chest of Drawers

Bergamo early 18th century

Code: ANMOCA0250311

392.00
Rent
SAFE PAYMENTS
pagamenti sicuri
For rentals longer than 30 days, the fee is charged. need to contact customer support
Request information
Go to www.dimanoinmano.it to purchase the product
Buy
News
Baroque Walnut Chest of Drawers

Bergamo early 18th century

Code: ANMOCA0250311

392.00
Rent
SAFE PAYMENTS
pagamenti sicuri
For rentals longer than 30 days, the fee is charged. need to contact customer support
Request information
Go to www.dimanoinmano.it to purchase the product
Buy

Baroque Walnut Chest of Drawers - Bergamo early 18th century

Features

Bergamo early 18th century

Style:  Baroque (1630-1730)

Age:  18th Century / 1701 - 1800

Origin:  Bergamo, Italy

Main essence:  Silver Fir Walnut Poplar

Description

Baroque walnut chest of drawers, three drawer front with carved floral and leaf motifs, double bracket feet with mask, uprights and bands carved with acanthus leaves. Interior in Fir, back in Poplar. Knobs and lock on first drawer replaced. Bergamo, Early 18th Century

Product Condition:
Product that due to age and wear requires restoration and polishing. We try to present the real condition of the furniture as completely as possible with the photos. If some details are not clear from the photos, what is reported in the description is valid.

Dimensions (cm):
Height: 105
Width: 147
Depth: 58

Maximum size (cm):
Height: 105
Width: 147
Depth: 58

Additional Information

Style: Baroque (1630-1730)

The term derives from the Spanish barrueco or Portuguese barroco phoneme and literally means "shapeless pearl".

Already around the middle of the eighteenth century in France it was synonymous with uneven, irregular, bizarre, while in Italy the term was of Medieval memory and indicated a figure of the syllogism, an abstraction of thought.

This historical period was identified with the derogatory term baroque, recognizing in it extravagance and contrast with the criteria of harmony and expressive rigor to which it was intended to return under the influence of Greco-Roman art and the Italian Renaissance.

Baroque, seventeenth-century and seventeenth-century were synonymous with bad taste.

As far as furniture is concerned, freedom of ideation, the need for pomp and virtuosity gave rise to a synergy destined to produce unsurpassed masterpieces.

The materials displayed were worthy of competing with the most amazing tales of Marco Polo: lapis lazuli, malachite, amber, ivory, tortoiseshell, gold, silver, steel, precious wood essences and more dressed the furnishings that in shape and imagination virtually gave life to the Arabian Nights of many of our powerful people.

Typical of the period were load-bearing or accessory parts resolved with twisted column motifs, clearly inspired by Bernini's canopy of St. Peter's, parts with rich sculptural carving in high relief and even in the round within a vortex of volutes, scrolls and spirals, curved and broken profiles, cymatiums agitated by gables of articulated shape, aprons adorned with ornaments, corbels, buttresses and anything else needed to enliven forms and structures.

The Baroque is also the century of illusionism: lacquers and thin temperas crowd furniture and furnishings to imitate with the marbling effects of marble veining or games of veining of precious briar.

Find out more about the Baroque with our insights:

FineArt: Il Barocco

Classic Monday: a double-body sideboard, late Venetian Baroque

Classic Monday: a pair of candle holders between the Renaissance and Baroque

Classic Monday: a pair of mirrors between Baroque and Late Baroque

Classic Monday: a superb Austrian Baroque console table

YouTube - Pillole di storia del mobile ep1: il Baroque

Age: 18th Century / 1701 - 1800

18th Century / 1701 - 1800

Main essence:

Silver Fir

Soft coniferous wood, used for rustic furniture or to build the chest, that is the structure, of furniture then veneered in more precious woods. It has been used since ancient times, its most valuable use is, in the Spruce variant, in the inlays of French antique furniture of the '700 . The spruce, more typical of northern Europe, in Italy grows mainly in the Eastern Alps at altitudes above 1300 m. The noblest use of this essence was in the construction of violins, guitars and cellos: Stradivari himself produced his famous violins with this wood.

Walnut

Walnut wood comes from the plant whose botanical name is juglans regia , probably originally from the East but very common in Europe. Light or dark brown in color, it is a hard wood with a beautiful grain, widely used in antique furniture. It was the main essence in Italy throughout the Renaissance and later had a good diffusion in Europe, especially in England, until the advent of mahogany. It was used for solid wood furniture and sometimes carvings and inlays, its only big limitation is that it suffers a lot from woodworm. In France it was widely used more than anything else in the provinces. In the second half of the eighteenth century its use decreased significantly because mahogany and other exotic woods were preferred.

Poplar

Essence considered "poor", it is a white wood, with yellowish or greyish shades, light and tender, which is easily damaged. It is used for rustic furniture or in the construction of furniture. The most valuable use it has had in the history of furniture is in Germany, in the 19th century, for veneers and inlays in the Biedermeier period.

Product availability

The product can be seen at Cambiago

Disponibilità immediata
Pronto per la consegna in 2 giorni lavorativi dalla conferma dell'ordine del prodotto.
Consegna tra i 7 e i 15 giorni in tutta Italia. Per le isole e le zone difficilmente raggiungibili i tempi di consegna possono variare.

Alternative proposals
It could also interest you