CERAMICS
 

Italy, Late XIX Century

Commonly used ceramic serving dish, decorated with ears of wheat and dragonflies. Manufacturer's mark on the back.

Austria, Late XIX Century

Large ceramic sculpture in art nouveau style depicting a gallant couple walking. Very realistic and accurate plasticity of the clothes and well-characterized faces. At the base impressed mark, initials of Brothers Urbach, brothers who worked in Teplitz Bohemia.

France, Late XIX Century

Majolica flowerpot with large expanded cup, supported by a square base enriched by four scrolled feet. Polychrome decoration, with raised parts, in shades of blue and orange.

Spain, Mid XIX Century

Majolica plate decorated in monochrome blue. With a 6-pointed star in the middle.

China, Ming Era (1368-1644)

Two richly modeled stoneware warrior figures painted with Sancai enamels.

Italy, 1930s

Richard Ginori San Cristoforo ceramic bowl. Under the base, the manufacturer's trademark.

Italy, Late XIX Century

Pair of glazed terracotta amphorae with decorations on a blue background with plant motifs, masks and winged dragons. The amphorae feature paintings with figures and cherubs in the reserves, a spout with a large mask and a handle with leafy scrolls and a cherub.

Europe, XX Century

Carved lime wood sculpture depicting Saint Christopher. The carving of the dress, hands and face show a good sculptural ability of the unidentified author. Engraved initials on the back.

Cobalt Blue Porcelain

The 1976 Olympics plate was produced to celebrate the XXI Olympic Games in Montreal in 1976. The motif reproduced is in relief and the plate is hand-decorated in the classic underglaze cobalt blue shades. White porcelain plate with decorations in various shades of blue. Each plate was produced in limited quantities only and exclusively in the year shown on the plate itself and production ended at the end of the year with the destruction of the original mold which made it impossible to reproduce. As a guarantee of authenticity, the plate bears the Royal Copenhagen mark with the three overlapping wavy lines, which represent the three Danish straits: Øresund, the Great Belt and the Little Belt, the date, the title, the 1976 Olympics logo. The plate measures 20 cm in diameter and on the back it has the two holes made by Royal Copenhagen itself during production to allow it to be hung.

Southern Italy Late 18th Century

Polychrome majolica plate decorated with a geometric motif both on the rim and on the bowl.

Cobalt Blue Porcelain

The motif reproduced is in relief and the plate is hand-decorated in the classic underglaze cobalt blue shades. White porcelain plate with decorations in various shades of blue. Each plate was produced in limited quantities only and exclusively in the year shown on the plate itself and production ended at the end of the year with the destruction of the original mold which made it impossible to reproduce. As a guarantee of authenticity, the plate bears the Royal Copenhagen mark with the three overlapping wavy lines, which represent the three Danish straits: Øresund, the Great Belt and the Little Belt. The plate measures 20 cm in diameter and on the back it has the two holes made by Royal Copenhagen itself during production to allow it to be hung.

Italy, Late XIX Century

Polychrome majolica bowl with bouquet of flowers decoration. Crinkled edge.

Italy, Late XIX Century

Leaf-shaped earthenware plate with serrated edge and polychrome decorations. Incised manufacturer's mark on the back.

Christmas Night in Bethlehem

Royal Copenhagen Christmas Plate 2007 complete with box, booklet and certificate; it is the tenth of the series and is entit"Christmas Night in Bethlehem"drawing by Ingrid Jensen. Plate number 2983 A. The box includes the second plate with the same illustration. Since 1998, Royal Copenhagen has started producing the Christmas plate dedicated to children with illustrations that represent the joy that Christmas inspires in children. White porcelain plate with decorations in various shades of blue. Each plate was produced in limited quantities only and exclusively in the year of the first printing, which takes place from March 1st, and production ended at the end of the year with the destruction of the original mold which made it impossible to reproduce. As a guarantee of authenticity, the plate bears the Royal Copenhagen mark with the three overlapping wavy lines, which represent the three Danish straits: Øresund, the Great Belt and the Little Belt, and the initials of the painter who created the unique illustration of the plate. The plate measures 17 cm. in diameter and on the back it has two holes made by Royal Copenhagen itself during production so that it can be hung.

Southern Italy, Late XIX Century

Commonly used majolica basin decorated with simple geometric ornaments.

Italy, Late XIX Century

Pair of ceramic plates with polychrome decoration. Rose decoration in the hollow and diamonds on the brim.

France, Late XIX Century

Pair of tall statues in biscuit porcelain, hand painted with pastel tones and gilding. Both figures are beautifully crafted in the plasticity of the clothes, hands and facial features. Made by the sculptor Paul Duboy, the author's signature engraved on the base.

France, Early XIX Century

Plate with perforated and shaped edge in polychrome majolica. Decoration with floral motif in shades of ochre and blue.

Italy, Late XX Century

Two handkerchief vases in blown glass with murrine and gold leaf inclusions. Manufacture label on a vase.

Germany, Early XX Century

Terracotta sculpture depicting the bust of a boy. The author's signature is engraved on the back.