Vintage tiger eye necklace with gold clasp.

Steel bracelet with gold inserts, made in Italy, datable to the late 1900s, early 2000s.

179x62 In

Wool Karabakh carpet, thin knot, hand made.

Landscape with Ancient Style Figures

Oil on hardboard. Signed lower right. Born in Milan in 1913, and trained at the Brera Academy (of which he later became a teacher), Adriano Gajoni became passionate about the study of seventeenth-century Lombard painters and Dutch and Flemish painting of the seventeenth century, from whose meticulous realism he let himself be inspired. Of strict figurative observance, Gajoni preferred landscapes, portraits and above all still lifes, which he expressed in fairy-tale and allegorical compositions. He mainly practiced oil painting on wood and hardboard. Also this painting proposes a landscape of ancient taste: in the countryside, on the path that runs along a wide river, a pastoral figure passes on his donkey, followed by his small herd. The work is presented in a style frame.

Shop counter with enamelled metal base, wooden slats and adjustable brass feet, top with open compartment and drawer on one side, Walnut veneered wood, reserves and top in birch-effect Formica, ebonized wood profiles. (also available with other sizes).

20th Century / 1901 - 2000

Silver candy tray with a smooth bottom and hand riveted over the entire brim. Brand of the engraved silver, that of the silversmith hardly decipherable. 808 grams.

Murano Mid-20th Century

Murano chandelier in blown glass, with 12 lights; has small breaks.

Size 14

Romantic half-sleeved longuette dress, crochet-style, pierced and accompanied by a tone-on-tone lining. The cut of the garment is straight and the button fastening is located behind the neck. Comes with a burgundy cockade-style brooch, for a touch of color, and a spare button. The item, never worn, has the original tag. There is a small hole in the lining, at the height of the label.

Shop counter with enamelled metal base, wooden slats and adjustable brass feet, top with open compartment and drawer on one side, Walnut veneered wood, reserves and top in birch-effect Formica, ebonized wood profiles. (also available with other sizes).

Set of six glasses for bitter in Saint Louis crystal.

Chair, enamelled metal frame, foam padding, imitation leather covering.

The Country Road

Oil on hardboard. Signed lower left. Having moved as a child with his family to Milan in 1898, still very young, Raoul Viviani enrolled at the Brera Academy, where he studied under the guidance of Giuseppe Mentessi (1857-1931). At the same time he attended the nude school of the Artistic Family, with which he exhibited for the first time at the age of 17, immediately enjoying great success with the public and critics, as a landscape painter with a strong personality and modernity and for his highly original style characterized from strong chromatic experiments. In 1912 he participated in the Venice Biennale and subsequently participated in numerous national and international exhibitions. From 1926 he began his career in the field of art criticism, writing for various newspapers, but his opposition to fascism led him to choose voluntary exile: in 1931 he moved to Uruguay, where he founded and directed the Academy of Montevideo Fine Arts. Returning to Milan in 1937, he resumed his activity as a painter and as a critic. In the 1950s he moved to Rapallo for health reasons and remained there until his death. Extremely original landscape painter, who engages in oil painting but also in watercolor and engraving, is very close to pointillist painting, however, developing his own personal technique, characterized by very thin filaments of color in the form of thin commas, which define the structures of the its landscapes. With his transfer to Liguria, the Ligurian landscape becomes the protagonist of his works and also his mute technique, moving away from the original pointillism to open up to a broad and summary brushstroke, which finally leads to a production of still lifes from violent and contrasting colors. In this work in which the technical characteristic of Viviani is well appreciated, along the country path that runs along the canal, a figure of a woman appears, which constitutes an exception in his production, usually lacking in figurative elements. Work in frame.

Hospitalization of the Trident 1916

Oil on cardboard. Signed lower right. On the back there is the name with the title, which locates the small glimpse in Macedonia in 1916, during the First World War. Alfonso Corradi, born in Emilia but trained and then lived in Milan, was a student of ornaments at the Brera Academy and for some years he also devoted himself to scenography. He specialized in landscape and embarked on an exhibition career concentrated above all in Milan. The subject proposed here, although of a landscape nature, is part of a rare production of a series of small pictures, almost sketches, which leads back to the First World War, in particular to the military expedition of an Italian body to Macedonia in 1916, sent by the government to the aim to counter the Austro-Hungarian and Bulgarian forces during the First World War and to control that territory. Moreover, there is no documentation of the painter's direct participation in this war campaign. The painting is framed.

Polychrome colored glazed terracotta vase with stylized figures in relief. Signature of the author under the base.

Double sheet with four pillowcases Sheet with four pillowcases "SM" coded White color Linen composition Sheet dimensions 226 cm x 240 cm Pillowcases 74 cm x 50 cm

Size 14

Wrap skirt in pure silk with a floral print in shades of beige and cream, with a brown background. Lined.

Size 12

Pure silk shirt signed YSL variation line, with black cuffs and collar applied to black and dark fuchsia striped silk. It dates back to the 80s and 90s, in very good condition. It no longer has the size plate, but is wearable from sizes 42/44/46, having a soft line. (length 68 cm, sleeves length 58 cm, shoulders 47, width 107 cm).

Size 8

Day dress from the Trussardi Jeans line, in perforated cotton fabric, lined. V-neck, cut under the bust, half sleeves and pleated skirt. The dress, never worn, has the original tag.

Bag that can be worn on the shoulder or as a clutch in large sizes. It is in green reptile, with two magnetic buttons closure. Internally, also in green leather, it is divided by three compartments and two pockets with zippers. The condition is very good: it has some small signs of wear over time, which does not preclude its use or its value.

Size 8/10

Quilted jacket with geometric print in shades of blue and white, with central buttoning, round neckline and two front pockets. The article, which does not have the original size label, wears an S / M equal to an Italian 42/44.