Oil on cardboard. Signed N. Gyula Gutaljazy lower right. The scene depicts some peasant carts, loaded with hay, probably stopped at the entrance to a country fair, as can be deduced from the tents that appear in the background; the draft horses are being fed, while the women await the arrival of their companions, sitting on the carts. This is a recurring theme in the production of this Hungarian painter (1900 -?) of whom there is no biographical information. The painting is presented in a period frame.

Italy, Early XX Century

Earthenware base for garden statue, Italy, first half of the 20th century.

Italy, Mid XX Century

Pair of candlesticks depicting polychrome sculptures of Moors in Swiss pine wood, resting on bases carved with floral and leaf motifs. 10-light metal candelabra, adorned with embossed sheet metal and gilded carved wood. Italy, mid-20th century.

Italy, Early XX Century

Garden statue in grit depicting a commoner with baskets, Italy, early 20th century. One of the two baskets is full of fruit. Resting on a circular base embellished with floral festoons.

Wall mirror, mirrored glass and shaped blue glass frame.

Oil on canvas. French school of the early 1900s. At the bottom right the signature Carlo Rossi, on the left the title in French ("Duels et enlèvement"). The scene, which recalls the narrative of the "Cloak and sword" genre, sees a gentleman in an elegant doublet dueling with a group of men, who are meanwhile trying to take away his lady by force. The scene is set in the street of a village with Nordic-style houses. The painter Carlo Rossi was active in France at the end of the 19th century, as can be seen from another of his works of the same genre, sold at auction in Tours. The painting is presented in a period frame.

France, Late XVIII Century

Directoire folding table in walnut, France, late 18th century. Half top with central section in oak. Truncated pyramidal legs.

Italy, Mid XIX Century

Round Louis Philippe table in walnut, Italy, mid-19th century. Top with drawer and fake drawer in the band, faceted base decorated in the lower section with leaf motifs. Resting on an octagonal base supported by four legs composed of carved "C" volutes. Fir interior.

Oil on hardboard. Venetian school of the late 19th century. Signed Carlini on the lower left. Moving family scene, with the fisherman just landed embracing his family - wife, mother, children and dog! - who have come to welcome him, while his colleagues unload the catch and arrange the nets. The colors are intense, especially the earthy ones of the figures, the sand and the boat, which contrast with the blue of the sky and the sea. The painting is presented in a period frame.

Italy, Late XX Century

Pair of gold-plated galvanic bronze lamps depicting children with bouquets of flowers on a column-shaped base with garland. Manufacture mark printed under the base.

Central Europe, Late XIX Century

Pair of bronze tondi with molded walnut wood frame depicting a couple of philosophers.

Italy, Late XIX Century

Oval majolica tray with shaped edge and polychrome Raphaelesque decoration with foliage and fantastic animals. Two dragons facing each other frame the Florentine lily, taking up a motif that is also quite well known in Deruta majolica. The blue mark on the back of the plate traces it back to the Bonato di Angarano manufacture (Archive of ceramic marks letter B).

Italy, Early XX Century

Garden gnome in grit, Italy, early 20th century. The figure is pushing a wheelbarrow.

France, Early XIX Century

Walnut and cherry hinged table, France, early 19th century. Drawer in the band, turned legs connected by crosspieces. Equipped with a pair of concealed uprights on each side, which act as a support for the opening of the hinges. Oak interior.

Central Italy, Early XVIII Century

Walnut praying desk, central Italy, first quarter of the 18th century. Front with drawer under the top, door and opening compartment, turned feet. Decorated with classical carvings, such as Greek frets, rough edges and a rosette placed in the center of the door. Chestnut interior. Lock replaced.

Lombardy, Late XVIII Century

Group of four neoclassical chairs in walnut, Lombardy, last quarter of the 18th century. Open folders decorated with geometric motifs with amygdala, truncated pyramidal front legs, sabre-shaped rear legs. Cane seats.

Central Italy, Early XVIII Century

Baroque chest in chestnut and walnut, central Italy, early 18th century. Opening top, paneled front. The piece of furniture is decorated with a Greek fret, moldings, diamond-shaped frames, turned circular and fusiform elements and uprights carved with a leaf motif.

Italy, Late XIX Century

Umbertino cabaret mirror in gilded wood and worked with a burin, Italy late 19th century. Shaped frame adorned with moldings. Small carved frieze added later.

Italy, Early XX Century

Pair of different armchairs in walnut in baroque style, Italy, early 20th century. Open backrests with carved panels, wavy arms and legs. Structure embellished with carvings depicting curls, phytomorphic elements and rocaille taste. Cane seats.

Italy, Mid XIX Century

Extendable round table in walnut, Italy mid-19th century. Turned legs, pear-shaped feet.