Art

Contemporary

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22 cm 201 cm

15 cm 250 cm

0 cm 61 cm
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Art

Contemporary



Paintings, drawings, collages, serigraphs, lithographs, sculptures, posters by Italian and international artists: in this section all the works of Contemporary Art for sale in our online catalog.

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Guido De Zan
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ARARCO0122945

Guido De Zan

The Pirelli skyscraper 2010

ARARCO0122945

Guido De Zan

The Pirelli skyscraper 2010

Stoneware sculpture. Under the base present the signature, the date of creation and the title. Guido De Zan is a Milanese ceramist who for over thirty years has been creating shapes and sculptures in stoneware and porcelain in his workshop next to the columns of San Lorenzo. De Zan loves photographing buildings in Milan with passion: a recurring subject in his photographs is the Pirelli skyscraper. Its flattened, almost two-dimensional shape, with the two large fronts that almost touch each other make him feel close to the shapes of his ceramics. In 2010, on the occasion of the 50th anniversary of the construction of the symbolic skyscraper of Milan, De Zan decided to undertake a research path that could combine his work and his passion for photography. He therefore began the creation of a series of ceramics inspired by the building. First small sketches, then vases and finally sculptures that reproduce the distinctive features of the simple and essential architecture of Gio Ponti's work.

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90.00€

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Giovanni Cappelli
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ARARCO0122342

Giovanni Cappelli

Untitled 1973

ARARCO0122342

Giovanni Cappelli

Untitled 1973

Mixed media on paper. Signed and dated lower right. After a neorealist debut that celebrated figures and environments of a poor rural life, the Cesena painter Giovanni Cappelli started from the 1960s towards a painting that, while maintaining the theme of a degraded and marginalized humanity, replaces rural subjects with themes of life and metropolitan realities set in poor interiors or in the gloomy and oppressive Milanese suburbs, which he depicts through new formal syntheses, with an expressionist imprint. From the 70s begins a path defined "from dark to light", in which he abandons social issues in favor of an existentialist reflection, adopting a style with informal inflections and characterized by coloristic recovery. The work is presented in a frame.

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65.00€

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You You by Ugo Nespolo Contemporary Art 1967
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ARTCON0000629

You You by Ugo Nespolo Contemporary Art 1967

You you 1967

ARTCON0000629

You You by Ugo Nespolo Contemporary Art 1967

You you 1967

A panel with colored acrylic inlays. Made by Ugo Nespolo (1941). Signed and dated at the bottom left. A further signature, date and title on the back. Early work belonging to Nespolo's debut as artist. 1967.

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Giulio Falzoni
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ARARCO0120542

Giulio Falzoni

The pursuit

ARARCO0120542

Giulio Falzoni

The pursuit

Mixed media on cardboard. Signed lower right. On the back the title. Originally from the province of Mantua, Giulio Falzoni trained at the Academy of Fine Arts in Florence, where he immediately distinguished himself for the use of the watercolor technique, a technique in which he then specialized in London. His production was strongly linked to his origins, with numerous rural and bucolic views of the Mantuan countryside, but he was also a painter of the old Milan, of which he portrayed corners and small glimpses of the historic center, as well as of London where he studied. This sketch proposes the chase between two jockeys. It is presented in a contemporary frame.

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55.00€

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Bernard Aubertin Contemporary Art Application on Metal Cardboard
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Bernard Aubertin Contemporary Art Application on Metal Cardboard

Dessin de Feu, 1974

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Bernard Aubertin Contemporary Art Application on Metal Cardboard

Dessin de Feu, 1974

Application of burnt matches on metal cardboard. On the back ther is the tag of the Centro Gallery in Brescia with work's data and artist's signature. Aubertin is considerated the "monochrome painter" that focused his artistic researches above red colore, meant as fire, energy: from 1958 he started makink his famous red monochrome canvases, known as Tableaux Feu ( Fire Paintings), animating them with various elements such as nails ( Tableaux Clous), metal wire (Tableaux Fil de Fer), metches (Parcours d'allumettes) and several material such as candles, nets, iron nets. In his metaphysical conception of painting he meant to traspose soulk's energy, spiritual being, on canva through the color red. Startin from 1960s Aubertin introducted in his repertory also fire, physical manifestation of his red color. He made several abstract compositions using matches that , onece fired up, created spontaneous variations made by the flame. Between 1980s and 1990s his artistic prodution turned to performances in which himself burned pianos and cars, while in the last years of his life red was replaced with white, black and gold. The board comes along with authenticity released by the Archive Bernard Aubertin' Works. N. Archiving DFEA47-1000237523.

Rent

490.00€

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Giuseppe Ajmone, Oil on Canvas
ARARCO0051474

Giuseppe Ajmone, Oil on Canvas

Nude, 1964

ARARCO0051474

Giuseppe Ajmone, Oil on Canvas

Nude, 1964

Oil on cavas. SIgned and dated on the lower right corner. Title and signature on the back. Giuseppe Ajmone, artist from Valsesia who studied at the Brera Academy of Fine Arts in Milan, had been one of the firmatories of the Manifesto of Realism in 1946. Along with still lives and landscapes, during his first artistic period, Ajmone was very interested in nudes that represent most of his pictorical prodution from 1960s until todai. Framed.

Rent

350.00€

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Nikas Safronov Oil On Panel Contemporary
ARARCO0116425

Nikas Safronov Oil On Panel Contemporary

Saint George 1992

ARARCO0116425

Nikas Safronov Oil On Panel Contemporary

Saint George 1992

Oil on panel. Signed bottom right. On the back, with Cyrillic characters, there is the title, the date and the location, Bergamo. The Lithuanian artist, who currently lives and works between Moscow, Italy and the United Kingdom, is considered one of the most important contemporary Russian artists. In his large production there are landscapes, still lifes, many portraits of famous people and his surreal compositions, an expression of his peculiar "dream vision" of reality. Even in this table, albeit in the style of traditional icons, the depiction of the famous St. George is proposed in a surreal key that reminds of De Chirico, in which the dragon is replaced by a goose, the Saint's head is an egg, in the outlines there are figures of sorceresses... a clearly unorthodox interpretation! The panel has a vertical slit. The piece is presented in a frame.

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Bill Davis
ARARCO0114447

Bill Davis

Urban Flower 2016

ARARCO0114447

Bill Davis

Urban Flower 2016

Mixed technique: on painted wood flower in fabric in a geometric field. Signed and dated on the back. The artist says of himself: "It is the great love for art that pushed me to realize emotions and coloristic visions that have always lived in my lively imagination. Suggestions that derive from various pictorial influences that I have revisited in a personal interpretation ".

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50.00€

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Bill Davis
ARARCO0114448

Bill Davis

Indiscreet lock 2019

ARARCO0114448

Bill Davis

Indiscreet lock 2019

Mixed technique: work on plexiglas with fabric inserts and finished with oils. Signed and dated on the back. The artist says of himself: "It is the great love for art that pushed me to realize emotions and coloristic visions that have always lived in my lively imagination. Suggestions that derive from various pictorial influences that I have revisited in a personal interpretation ".

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50.00€

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Bill Davis
ARARCO0114449

Bill Davis

Tribute to Nannarella 2017

ARARCO0114449

Bill Davis

Tribute to Nannarella 2017

Mixed technique: on a wood base, drained paints and paper. Signed and dated on the back. The artist says of himself: "It is the great love for art that pushed me to realize emotions and coloristic visions that have always lived in my lively imagination. Suggestions that derive from various pictorial influences that I have revisited in a personal interpretation ".

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50.00€

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Bill Davis
ARARCO0114436

Bill Davis

Flower in a Field of Geometries 2017

ARARCO0114436

Bill Davis

Flower in a Field of Geometries 2017

Mixed technique: work on a wooden board painted with inserts of Chinese silks and oils. Signed and dated on the back. The artist says of himself: "It is the great love for art that pushed me to realize emotions and coloristic visions that have always lived in my lively imagination. Suggestions that derive from various pictorial influences that I have revisited in a personal interpretation ".

Rent

50.00€

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Pierluigi Rolando Sculpture Mixed Technique Contemporary
ARARCO0114351

Pierluigi Rolando Sculpture Mixed Technique Contemporary

Citadel 2001

ARARCO0114351

Pierluigi Rolando Sculpture Mixed Technique Contemporary

Citadel 2001

Mixed technique sculpture: iron, wood and photographs. Pierluigi Rolando, an internationally renowned designer, graduated in textile engineering and established himself primarily in the cashmere textile industry in the family business, he creates garments that he himself defines as “cashmere sculptures modelled on the human body”. At the beginning of the 1970s, he switched to design with collections for active sports and he contributed to the birth of Fila. In his free time, he alternates his sculptural interests with pictorial interests; he makes up figures in expanded polystyrene and collages in wood, cardboard and various materials. However, sculpture has always been his great passion: for forty years, art has been "lived hysterically in the spare time", but since 1993, Rolando has chosen to devote himself entirely to it. Using different materials such as terracotta, recycled iron, wood, he proposes various subjects, with grotesque faces with tense and suffering expressions, strong and caricatured hands, symbols of ancient and heroic deeds from a distant era, with characters of religions and mythology. His visionary universe is populated by warriors, leaders and emperors, horse-totems and imaginary creatures; his art is suggestive, fairy-tale, enchanted. The citadel presented here, which well expresses this passion for mixing very different materials, was created after the tragic collapse of the Twin Towers in New York, in September 2001: the two towers, a symbol of modernity, still stand intact inside a twisted metal plate of decline and decay, created through a twisted metal plate. The sculpture is presented in a plexiglass case.

Rent

575.00€

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Bill Davis
ARARCO0114437

Bill Davis

Checkered Fantasy 2020

ARARCO0114437

Bill Davis

Checkered Fantasy 2020

Mixed technique: on a painted wooden support many squares containing fabric and oil patterns. Signed and dated on the back. The artist says of himself: "It is the great love for art that pushed me to realize emotions and coloristic visions that have always lived in my lively imagination. Suggestions that derive from various pictorial influences that I have revisited in a personal interpretation ".

Rent

50.00€

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Nevio Bedeschi
ARARCO0111044

Nevio Bedeschi

Untitled 1969

ARARCO0111044

Nevio Bedeschi

Untitled 1969

Mixed technique on hardboard. Signed and dated on the back. In the work, the face in the helmet of an astronaut's suit stands out at the bottom right: the year of realization refers to the first landing on the moon, and the work therefore wants to be a tribute to this unique event in history. The pictorial research of Nevio Bedeschi Bedeschi, a native of Faenza, often mixes elements of reality with an abstract expressionism, but from the very beginning he opens up to those reflections on the social that will characterize his most significant activity over time. In the second half of the Sixties, his research was defined: between memory and chronicle the human figure or pieces of nature are in conflict with geometrizations that symbolize alienation, loneliness and isolation. In addition to being a painter, Bedeschi was a graphic designer: he executed limited edition works and illustrated storybooks, fairy tales and poems for some editorial series. The work is presented in a frame.

Reserved

not available

Reserved
Eva Petrič Contemporary Mixed Technique
ARARCO0106147

Eva Petrič Contemporary Mixed Technique

Untitled

ARARCO0106147

Eva Petrič Contemporary Mixed Technique

Untitled

Mixed technique: reworked photograph with applications of wax and overlapping of painted plexiglass panel. Eva Petrič, an artist of Slovenian origin who currently works between New York, Vienna and Ljubljana, creates photographs, videos, performances and installations, in which the goal is to "create space", which can be a physical space, or a mental, imaginary, or metaphorical one, rather than real. In her productions, the character on which she then elaborates a particular "vision" is often herself, her body or her shadow, a theme, overlapping other different elements to create a new spatial dimension. Attached to the work, an extract from the catalogue from the exhibition of Eva Petrič at the Suppan Gallery in Vienna in 2007.

Rent

450.00€

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Painting by Arman 10000 Cendrillons 2003
SELECTED
SELECTED
ARTCON0000756

Painting by Arman 10000 Cendrillons 2003

10000 Cendrillons

ARTCON0000756

Painting by Arman 10000 Cendrillons 2003

10000 Cendrillons

Mixed technique on canvas. Armand Fernandez, stage name Arman, was born in Nice in 1928. He is remembered as one of the most significant and influential members of the artistic movement 'Nouveau Réalisme', the European declination of the American New Dada. The Nouveau Réalisme was founded in 1960 in France by the critic Pierre Restany. The members of the nouveaux réalistes group tended to see the world as an image from which they could take parts and incorporate them into their works - as they sought to bring life and art closer together. They declared that they had come together on the basis of a new and real awareness of their "collective singularity", meaning that they were together in spite of, or perhaps because of, their differences. But for all the diversity of their plastic language, they perceived a common basis for their work; this being a method of direct appropriation of reality, equivalent, in the terms used by Pierre Restany, to a "poetic recycling of urban, industrial and advertising reality". Artists of Nouveau Réalisme sought out to strip art of previously thought standards that art had to mean something, they could take any object beyond its preconceived notions and present it as itself, and thought it could still be considered art. Many of them also sought to break down the glamorization of artists producing their craft in private, and due to this often times art pieces were produced in public. The work comes from the artist's studio in New York and is certified by the email of Fondation A.R.M.A.N. showing also the file number. Fondation A.R.M.A.N. is currently the only institution having the right to issue certifications for Arman's works. A picture of the painting signed by the artist and showing the file number, title, dimensions and technique is enclosed. On the back of the picture there is the stamp of the Art Gallery Dante Vecchiato which was a reference point for the distribution of Arman's works in Italy in the early 2000.

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Abstract Composition Mixed Media On Canvas 20th Century
ARTCON0000684

Abstract Composition Mixed Media On Canvas 20th Century

The Rest

ARTCON0000684

Abstract Composition Mixed Media On Canvas 20th Century

The Rest

Mixed media on canvas. On the back there the title "the rest" and a signature. It is placed on a plexiglas panel with double frame.

Reserved

not available

Reserved
Giannetto Fieschi Composition, Mixed Media on Canvas
ARTCON0000825

Giannetto Fieschi Composition, Mixed Media on Canvas

Idealism, 1966

ARTCON0000825

Giannetto Fieschi Composition, Mixed Media on Canvas

Idealism, 1966

Mixed media on canvas. SIgned on the upper right corner. Date and inscription on the lower right corner. Title on the back. Giannetto Fieschi, noble italian painter born in Val Brembana and artistically trained in Genoa, started his graphic studies during his long stays abroad ( Paris, Bercelona, New York). After an informal-spatial starting he recovered the figurative element anticipating pop art's standards. In his compositions he inserts strong surreal suggestions of decadent sign and of eschatological-emblematic poetry, facing themes as violence, knowledge and eros. He tried all kind of art, included the postal art, calligraphy, and is the author of several books of drawings and essays about contemporary sacral art and about the moral value fo the wall painting: He's considered an art intellectual. The painting belogs to an important bescian collection. Comes with frame.

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203.00€

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Charles Moody (1979)
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Charles Moody (1979)

Oil on plywood

ARTCON0000422

Charles Moody (1979)

Oil on plywood

Charles Moody (1979), oil on plywood. Signed on the back. The work was exhibited at the solo exhibition "Borderland" at the Gallery 8 in Milan Corso Venezia, as evidenced by the paper to the back lable. Charles Moody graduated in 2003 at the Art Institute of Boston and, after three years in Milan, chooses to live in New York. In his art the focus at trial (conceptual art, process art) rather than to the image content and it is in this scrap that painting is at its best. An art that was created by the approval of television images (almost never films) and in particular from popular soap operas. Moody's work goes beyond the mass media image by customizing the selection for special images that, in his view, offer a potential narrative; are images of transition, moments of transition from one scene to the next. The artist uses a manual oil painting to reproduce the low quality of the tv picture extolling the "blurring" of blur. We are facing a loss of spatial dimension, in a temporality confused-diffuse-intangible which is difficult to recognize the boundaries ("Borderland"). In these perceptual distortions, in which time dilates expands, each painting represents a "indiscernibilità" in which the recognition of the object that takes second place. The time of Moody is neither Chronicle nor history but suspension. (From "Charles Moody, Borderland", curated by Gianni Romano, exhibition catalogue, CorsoVeneziaOtto, November-December 2009)

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50.00€

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Earthquake Victim by Saverio Terruso Drawing Contemporary Art
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Earthquake Victim by Saverio Terruso Drawing Contemporary Art

Earthquake

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Earthquake Victim by Saverio Terruso Drawing Contemporary Art

Earthquake

Tempera on paper. Signature, title and dedication on the back. Saverio Terruso is a Mediterranean painter culturally and emotionally attached to Sicily - his land of origin. He counts a wide rage of paintings among his production that convey the authentic fascination for a rural world which is about to disappear definitively. His paintings depict mostly rural characters such as farmers wearing the coppola working or eating in a restaurant or melancholic women wearing their scarves during the daily activities or processions. His painting technique is characterized by dramatic tones with strong deforming tensions and very bright contrasting colors. The drawing is very dramatic both in its colors and shapes with the aim to convey the strong emotion of the tragic event it recalls (an earthquake). In frame.

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63.00€

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OK