Piedmont, Late XVIII-Early XIX Century

Neoclassical walnut wardrobe, Piedmont, late 18th - early 19th century. Front with pair of doors decorated with breadstick tiles. Carved drip tray placed under the hat.

Vintage floor lamp with aluminum and methacrylate base containing a neon light, fabric lampshade added later. Double ignition.

Italy, Early XIX Century

Louis Philippe sofa in mahogany, resting on saber feet, uprights with leaf carvings culminating with an eagle's head. Padded seat and backrest, lined in striped fabric. Present matching cushions. Italy, mid-19th century.

115 x 74 In

Ardebil carpet in cotton and wool, manual manufacturing. Heavy Knot.

Italy, Late XIX Century

Umbertine chest of drawers with a broken front with four drawers framed between uprights carved with leaf and plant motifs and a pair of female busts; marble top.

China, XX Century

Pair of vases painted in enamel with plant and animal motifs within reserves and on a gold background. Under the base, mark in blue painted underglaze. The vases are held up by elegant lacquered wooden supports.

Vintage serving trolley with double top and small removable tray in stained beech wood and glass.

Emilia Romagna, Late XIX Century

Cupboard with neo-Baroque walnut wall unit, Emilia Romagna late 19th century. The wall unit, with a door and drawer on the front, is made from antique parts, while the sideboard, with a front door opening, was obtained by modifying an older piece of furniture. Brass studs.

Italy, XX Century

Walnut bedside table with opening glass top, drawer under the top and door underneath. Apron and wavy legs. 20th century Italy

Italy Late 19th century

Rococo style sofa in carved wood with rocaille and gilded motifs, Italy late 19th century. Wavy armrests and legs ending in a curl, padded back and seat.

Italy, XX Century

Baroque style walnut bench, 20th century Italy. Padded seat covered in damask fabric, characterized by everted sides. On the four corners there are as many turned knobs; wavy legs carved with leaf motifs and curls.

Study of a Hand 1906

Pencil on paper. Signed lower right. On the back there is a further sketch of a donkey's head. Celada's painting is capable of blocking reality in time and space, in a way that appears detached, analytical and scientifically exact (colours, reflections, transparencies), but communicating - as opposed to a total unreality - a great narrative pathos. Here we propose the study of a hand of the artist who is still very young, but already capable of powerful expressiveness in outlining the figure. Work in frame.

China, Mid XX Century

Jade sculpture depicting birds and peonies resting on a wooden base.

Oil on canvas. Venetian school of the eighteenth century. The portrait proposes the figure of a young woman wearing an everyday dress, but embellished with spotted fur edges; curiously, with the raised arm she flaunts a fur muff tucked over one hand, probably a habit to underline a fashion of the time. The painting shows signs of restoration, with conservation of the original canvas, although reassembled on a new frame. It is presented in a coeval oval frame, but surmounted by a wooden frieze added at a later time.

Germany, Mid XX Century

White porcelain amphora vase with handles in the shape of fantastic animals and leaf volutes. Workmanship mark under the base.

Coffee table of Italian manufacture in wood with double top, restored in our workshops.

Italy, XX Century

Balustrade in style with uprights in the shape of powerful columns carved with baroque motifs, partially lacquered and gilded; central part in wrought iron.

Italy, 1940s

Brass chandelier, with large opaline glass light; 6 arms branch out from the structure to support the same number of lights, with glass bobeches.

Italy, Early XX Century

6-light chandelier, in golden metal with carved and golden glass inserts, adorned with glass necklaces and glass and colored glass pendants.

Coffee table veneered in exotic wood; traces of a label showing the origin and year of manufacture.