86 x 49 In

Beluchi wool carpet, fine knot, manual production.

Glass center table.

Italy, Late XIX Century

Umbertino walnut work table, Italy, late 19th century. Top with reserve veneered in walnut root, the latter also used to embellish the band under the top. One drawer, compartment under the band, turned legs and crosspiece, shaped feet. Cherry interior.

Seated Figure

Oil on wooden board. Signed lower right. The painter Salvatore Sportelli, of Apulian origin but who lived for a long time in Lodi, where he taught (a posthumous exhibition of his was recently held in the city), produced numerous popular figures and genre scenes characterized by a look at post-impressionism. The work is presented in a frame.

Mirror mounted on wooden frame, brass console, mirrored glass with decorations.

Italy, Late XIX Century

Pair of beech wood statue-holder columns, Italy, late 19th century. Square tops and bases, the first removable with screw fixing. Fluted barrels with turned ends.

Italy, Late XIX Century

Pair of eclectic shelves in carved and gilded wood in Mecca, Italy third quarter 19th century. Lower end composed of a bellflower topped by curls, which support the shelf surface covered in velvet. A vertical structure extends from the floor, decorated with large lateral leaf elements and a pair of central flowers; crown with three flowers at the apex. Small renovations and gilding restorations. Slight defects in the gilding.

Italy, Late XIX Century

Group of 4 baroque walnut chairs, open backrest with floral and leaf carvings, wavy legs. Padded seat, recently redone, covered in eco-leather. Third quarter of the 18th century

Wall lamp, brass opaline glass.

Italy, XVIII Century

Figure of a philosopher in carved wood with residues of ancient lacquering.

73 x 48 In

Afshar wool carpet, fine knot; manual manufacturing.

UK Size 10

Cocktail dress from the Milanese atelier that recalls the style of 1950s shirtdresses. Made of light blue and white striped viscose crêpe, with large mother-of-pearl buttons. The garment has four pockets, two fake on the bodice and two inserted in the skirt. The tailored model wears a size 42 with the following measurements. Waist: 67 cm. Armhole: 50 cm. Shoulder width: 38 cm. Length: 125cm. It has some very slight halos, almost imperceptible.

Odalisque 1988

Crayons and collage on paper. At the bottom right are the character's signature and name. On the back there is a label from the Il Vicolo art gallery in Milan. The eclectic activity of Emanuele Luzzati, illustrator, set designer, costume designer, decorator, master of every applied art, was extraordinary; he was also twice nominated for an Academy Award for two animated films. Interpreter of a skilled and cultured figurative culture, capable of masterfully using all sorts of materials (from terracotta to enamel, from wool weaving for tapestries to engraving on different supports, to collages of composite papers and fabrics) to construct sketches of scenes, costumes, naval displays, thanks to the richness of his fantastic world, the immediacy and expressiveness of his very personal style, Luzzati was one of the most loved and admired artists of our time. The sketch is presented in a frame.

Rome, Third Quarter XVIII Century

Baroque commode subsequently transformed into a bedside table by blocking the top, Rome, third quarter of the eighteenth century. Supported by four wavy legs, on the wavy front it has two shaped doors in the lower part; the upper surface is also shaped. The external surface is veneered in various essences, including walnut, cherry, maple and fruit wood. The top, front and sides are then decorated with walnut pedule reserves placed within maple borders, with the same number of panels in the center containing inlaid compass roses. Gilt bronze applications placed at the top of the uprights.

Italy, Late XIX - Early XX Century

Pair of chairs veneered in exotic wood and upholstered with animalier fabric, Italy late 19th-early 20th century. Turned and carved front legs, upholstered backs and seats.

117 x 76 In

Kerman carpet in cotton and wool. Fine knot, manual manufacturing.

Italy, First Half XX Century

Terracotta sculpture depicting motherhood. Dark patina wooden base. Behind the author's signature.

Ceiling lamp, metal, brass and glass.