Italy Second Half of the 20th century

Octagonal silver bowl. On the bottom, silver and silversmith's marks engraved. 205 grams.

Gallant scene 1885

Lithography. Signed lower left. Published by Arthur Tooth in London. The scene is typical of the painter of Italian-Austrian origins: Eugene de Blaas favored cute and often mischievous genre scenes, with girls and young men (often placed in Venetian streets but not only) intent on chatting, gossiping and courtship games. His favorite subject was the common female figure, depicted with an angelic face with diaphanous skin and a mischievous and romantic look, described with bright colors and with excellent technique in her daily environment. The lithograph has widespread humidity stains. In a mid-20th century frame.

Italy Late 19th-Early 20th Century

Pair of Art Nouveau windows in leaded glass and colored leaded glass, Italy, late 19th-early 20th century. Geometric pattern decoration.

Florence, Late XIX Century

Coffee table with top in a sample of marble and hard stone inserted in a Lumachello marble border, tripod support in Neo-Gothic style in ebonized walnut with gilded carvings. Florence, last quarter of the 19th century

Corn Hanging on the Roof Terrace, 1978

Oil painting on canvas. Signed lower right. On the back further signature and title; There is also a label from the Ponte Rosso art gallery, with the title and date. The Milanese artist Piero Giunni, from the figurative nature of the views and landscapes of the early 1940s, soon evolved towards abstraction, approaching the poetics of the European Informal in the 1960s. Still lifes such as the one proposed are recurring in his production. The work is presented in a frame.

Table lamp in brass and glass.

Italy, Late XIX Century

Wrought iron gate worked with scrolls, partially gilded.

Italy, Early XVIII Century

Group of four baroque walnut chairs, Italy, early 18th century. Spool legs and crosspieces, turned feet. Padded backs and seats.

Pure Silk

Vespa summer themed tie. Inner lining with pin-up design.

Lombardy, Late XVIII Century

Neoclassical cabinet of Lombard production, supported by truncated pyramidal legs, on the front it has two folding doors (modified), the top can also be opened, while inside there is a top with a hole. In walnut, it is decorated with olive threads and maple inlays, like the rosette on the front and on the top.

China, Last Quarter XX Century

Pair of porcelain table lamps decorated with plant and animal motifs on a black background. Fabric lampshade.

Italy, XX Century

Three-light lantern in lacquered iron and sheet metal, 20th century Italy.

Austria 20th Century

Six-light chandelier in white and colored Bohemian glass, decorated with painted floral motifs.

Italy, XX Century

Headless tunic bust, in marble.

Pair of armchairs with armrests, foam padding with fabric covering, chromed metal structure.

Italy, Mid XIX Century

Group of six Louis Philippe chairs supported by saber legs at the back and wavy legs at the front, the seat is padded, while the shaped backrest is open. In walnut.

Italy, Early XVIII Century

Chest with a tripartite front in three carved panels with frames, the central one is decorated with phytomorphic motifs; the top is finished with a serrated frame. In walnut, the lion-like front feet have been replaced.

141 x 52 In

Kilim wool rug; fine knot. Manual manufacturing.

Roberta di Camerino bag dating back to the 1960s in woven raffia. The conditions are good; it shows slight signs of wear over time on the inside.