China, Late XX Century

Pair of porcelain lamps decorated with vegetal spirals, flowers and repeated motifs on a yellow background. Lampshade in yellow fabric.

Oil on canvas, applied to a shaped wooden panel. The panel is part of a series depicting episodes of the Gospel, centered on the life of Mary and Jesus; the characters are in fact depicted with the same appearance in the different scenes. Here the Archangel Gabriel is depicted presenting himself to Mary, depicted while she is kneeling and praying, to announce to her that she will become the Mother of Jesus through the work of the Holy Spirit. The wooden shape is framed in contemporary gilded strips.

Italy Second Half of the 20th century

Octagonal silver bowl. On the bottom, silver and silversmith's marks engraved. 205 grams.

Gallant scene 1885

Lithography. Signed lower left. Published by Arthur Tooth in London. The scene is typical of the painter of Italian-Austrian origins: Eugene de Blaas favored cute and often mischievous genre scenes, with girls and young men (often placed in Venetian streets but not only) intent on chatting, gossiping and courtship games. His favorite subject was the common female figure, depicted with an angelic face with diaphanous skin and a mischievous and romantic look, described with bright colors and with excellent technique in her daily environment. The lithograph has widespread humidity stains. In a mid-20th century frame.

Italy Late 19th-Early 20th Century

Pair of Art Nouveau windows in leaded glass and colored leaded glass, Italy, late 19th-early 20th century. Geometric pattern decoration.

Florence, Late XIX Century

Coffee table with top in a sample of marble and hard stone inserted in a Lumachello marble border, tripod support in Neo-Gothic style in ebonized walnut with gilded carvings. Florence, last quarter of the 19th century

Italy, 1990s

Transparent glass vase with horizontal bands in shades of green and blue. Pointed signature of the manufacturer under the base and adhesive label on the edge.

114 x 79 In

Bamboo and acrylic rug, fine knot, machine made.

Italy, XX Century

Pair of brazier floor lamps, with wrought iron structure, decorated with embossed sheet metal drapery motifs, as is the upper basin.

Corn Hanging on the Roof Terrace, 1978

Oil painting on canvas. Signed lower right. On the back further signature and title; There is also a label from the Ponte Rosso art gallery, with the title and date. The Milanese artist Piero Giunni, from the figurative nature of the views and landscapes of the early 1940s, soon evolved towards abstraction, approaching the poetics of the European Informal in the 1960s. Still lifes such as the one proposed are recurring in his production. The work is presented in a frame.

Table lamp in brass and glass.

Furniture composed of a coat hanger compartment with hinged doors, mirror, open shelf and drawer, side storage compartment. In lacquered wood and mahogany veneer with polyester finish.

Landscape with Hunters on Horseback 1852

Oil on canvas. Signed and dated lower right. This landscape has a suggestive atmosphere where desolate earthy hills prelude to higher peaks, fading into the distance; popular figures are included in this landscape, in particular three horsemen, probably hunters for the dogs that flank them, galloping along the path, while wayfarers on foot, women and children, give way to them. Standing out above all, filling the entire upper half of the work, is a leaden sky, full of grey clouds: the shades of grey above and the golden ochres of the earth below, define the favourite palette of this multifaceted Belgian artist, who in his pictorial production mainly created landscapes of the Ardennes. The painting was auctioned by Christie's in 2004, with an estimate of €3000.