Group of six swivel chairs with aluminum structure, seat in original red fabric. The fabric, sanitized in our laboratories, shows some signs of aging and the structure has some shortcomings. They feature the "Herman Miller made by ICF" branding.

Odalisque 1988

Crayons and collage on paper. At the bottom right are the character's signature and name. On the back there is a label from the Il Vicolo art gallery in Milan. The eclectic activity of Emanuele Luzzati, illustrator, set designer, costume designer, decorator, master of every applied art, was extraordinary; he was also twice nominated for an Academy Award for two animated films. Interpreter of a skilled and cultured figurative culture, capable of masterfully using all sorts of materials (from terracotta to enamel, from wool weaving for tapestries to engraving on different supports, to collages of composite papers and fabrics) to construct sketches of scenes, costumes, naval displays, thanks to the richness of his fantastic world, the immediacy and expressiveness of his very personal style, Luzzati was one of the most loved and admired artists of our time. The sketch is presented in a frame.

Lombardy, Late XVIII Century

Lombard neoclassical chest of drawers, supported by truncated pyramidal feet, on the front it has three drawers. In walnut, it is adorned with briar reserves with maple threads and bois de rose borders, with maple rosettes inlaid within medallions, offered both ready-made and on the sides and top; fir interior.

224 x 138 In

Mashad carpet in cotton and wool, fine knot, manual production.

Coffee table, enamelled metal base and teak veneered wood top.

Blue, 2002

Pigment on stone. Signed and dedicated. In original wooden box. Known for his monochromes, Fratteggiani Bianchi focuses on color which, in the form of powdered pigment, is applied by hand, without the use of glues, onto pietra serena. This particular innovation creates a particularly intense luminous and chromatic effect.

Rome, Third Quarter XVIII Century

Baroque commode subsequently transformed into a bedside table by blocking the top, Rome, third quarter of the eighteenth century. Supported by four wavy legs, on the wavy front it has two shaped doors in the lower part; the upper surface is also shaped. The external surface is veneered in various essences, including walnut, cherry, maple and fruit wood. The top, front and sides are then decorated with walnut pedule reserves placed within maple borders, with the same number of panels in the center containing inlaid compass roses. Gilt bronze applications placed at the top of the uprights.

Italy, XX Century

Musician cherub in carved and gilded wood.

20th Century Italy

Carved, gilded and painted wooden coat of arms.

Italy, XIX Century

Little angel on a cloud in carved, gilded and silvered wood. Probably part of a larger sculptural composition.

Italy, Late XIX - Early XX Century

Art Nouveau service table in mahogany veneer, Italy, late 19th - early 20th century. Decorated with geometric maple inlays and threaded in dark wood. On each side it has a cut glass door equipped with handles, which, once opened, constitutes an additional support surface.

Italy, Late XIX - Early XX Century

Pair of chairs veneered in exotic wood and upholstered with animalier fabric, Italy late 19th-early 20th century. Turned and carved front legs, upholstered backs and seats.

Oil on cardboard. Unidentified signature lower right. Landscape glimpse of a peasant countryside, with farmers approaching the wheat field, full of golden ears, while to the left of the path there is a shady spot, which leads to a fence. The painting is presented in a contemporary gilded frame, with small defects.

117 x 76 In

Kerman carpet in cotton and wool. Fine knot, manual manufacturing.

Floor lamp, with reflected light, enamelled aluminium.