France Early 1900s

Bronze sculpture "Le Belluaire" by Adrien Etienne Gaudez. Plate on the front and author's signature engraved on the base.

Cabinet with double column of drawers, teak veneered wood, metal legs with teak tip.

Mariuccia and Guido

Pencil and marker on paper. Individually signed below. These are two drawings in which the artist, with a continuous line, traces proper names, in a geometric up and down pattern. Bruno Munari, a multifaceted artist who loved playing with movement and light in the search for new imaginative creative solutions, dedicated much of his time to teaching the approach to art, creating both at the Brera Academy and directly in schools , creative art workshops. In this context, one of the activities proposed to the children was to write their own name in a creative way: these drawings express precisely this type of creativity, applied to the names of people they know. The drawings come from the private collection of family and friends and are presented in a frame.

Venice Third Quarter XVIII Century

Venetian mirror with carved and gilded shaped frame, enclosing acid-etched mirrors decorated with characteristic ornamental motifs; central mirror replaced, the frame was partially re-gilded.

Veneto, Second Quarter XIX Century

Restoration chest of drawers supported by truncated pyramidal feet, on the front it has two drawers framed between wavy uprights, supporting the band under the top in which there is another drawer. In walnut, the interior is in walnut.

Italy, XX Century

Restoration style chandelier in gilt bronze, 16 lights.

Italy Early 20th Century

Lombard Baroque style flap in walnut and walnut root, made with antique wooden parts, Italy, early 20th century. Wavy front with stand equipped with a pair of side drawers, folding door concealing cabinet, three drawers, upright pilasters and forty-five degree feet. Decorated with rocaille-style carvings and ebonized frames.

Chair in enamelled metal, brass, foam padding and leatherette covering.

Italy Mid-18th Century

Chest supported by double bracket carved feet, the front is divided by pilasters with phytomorphic inlays, and is decorated with panels inlaid with birds. In walnut, it has restorations and replacements.

20th Century Italy

Wrought iron torch holder resting on a tripod base, the structure is decorated with leaf, phytomorphic and floral motifs; entirely lacquered and painted.

Le Bionnay 1892

Oil painting on canvas. Signed, dated and located lower right. This is a small glimpse of the town of Le Bionnay, located in Haute-Savoie: the damage caused by an avalanche which destroyed one of the village's huts is depicted. The work is presented in a mid-20th century gilded frame (small defects).

Peasant Girl with Hens

Oil on the table. Signed lower right. Giuseppe Gheduzzi, an artist born in the family of artists, distinguished himself as a landscape painter but above all for his interiors with figures, stables, antique shops together with fresh orientalist themes and effective seascapes resulting from his frequent stays in Liguria. Shown here is the exterior of a farmhouse, with a female figure feeding the chickens. The painting is presented in a period frame.

Floor lamp with reflected light in enamelled and chromed metal and enamelled aluminium.

Italy, XX Century

Carved and lacquered style torch holders; the lacquering was resumed.

Vanity with large mirror with decorated edge, full of drawers, in briarwood veneer, back-treated glass, brass base.