Table, enameled metal base, marble top.

Floor lamp with adjustable diffusor, marble base, chromed metal, methacrylate diffusor.

XVIII Century - from 1701 to 1800

Dutch Rococo chest of drawers supported by curved feet; it has 3 drwers. Veneered oak decorated with bronze elements; moulded grey marble top. It saws small signes of wear.

XX Century - from 1901 to 2000

Console with Empire-style mirror resting on a shelf and supported by saber-shaped uprights with lion feet; the mirror rests on the marble top. In stained beech, the undertop strip and the frame of the mirror are decorated with gilded phytomorphic carvings.

XIX Century - from 1801 to 1900

Elegant console table supported by gilded bronze swans, ferine feet leaning on mixtilinear base. Back with mirror and fluted uprights. Top with wide frame enclosing marble with inlaid Greek fret. High mirror with columns with gilded bronze capitals and friezes. Probably embellished at a later period. Manufactured in Italy, first half of the 19th century.

Late 19th century

Liberty chest of drawers, on the front it has three drawers plus one under the top; in mahogany inlaid with trees in the manner of Gallé; top in yellow Verona marble.

XX Century

Rococò style chest of drawers with a rounded silhouette, on the front it has three drawers; entirely inlaid in exotic woods with marquetterie, decorated with bronze applications, marble top.

XIX Century - from 1801 to 1900

Table clock in red and black breccia marble, supported by four rectangular bronze feet. Gilt bronze decoration with plant motifs under the dial. Enamelled metal display with hours in Arabic numerals and protected by a lid with curved glass. At the center of the exhibition residues of the trademark but hardly decipherable. Original winding key.

Lombardy Mid 19th century

Pair of Louis Philippe bedside tables supported by feet of which the front ones are turned, on the front they have a door and a drawer. In mahogany and mahogany feather, the interiors are in walnut, top in marble.

XX Century - from 1901 to 2000

Chest of drawers in style supported by truncated pyramidal legs with turned feet, on the front it has two drawers, surmounted by a pair of drawers placed under the top; veneered in rosewood, the top is in marble.

Coffee table with marble top and metal structure.

Paris Second half of the 19th century

Countertop clock in red and green marble in the shape of a column surmounted by a bronze sculpture depicting the bust of a young woman signed Jacques Marin. Posthumous sculpture. The watch features an enameled metal display with Roman numeral hours with the manufacturer's signature in the center. Mechanism marked Japy Freres medaille d'or and Rodier à Paris.

Floor lamp, marble base, enameled metal, glass diffuser.

Italy Early 20th century

Old stain marble column, Italy, early 20th century. Turned stem, circular base.

Maria Dolente

Marble bas-relief. Engraved signature along the left margin. Born in Cannobbio (on Lake Maggiore), Giulio Branca was introduced to the art by the Cannobio sculptor Bergonzoli, and later attended G. Strazza's school of nude drawing and sculpture at the Brera Academy. Born in Cannobio on 13 December 1850 to Ludovico, he was introduced to art by the Cannobio sculptor Bergonzoli, and attended the school of the nude and G. Strazza's school of sculpture at the Brera Academy. He made about four hundred sculptures, including memorials, funerary monuments and portrait busts. Branca also took part, following a competition, in the completion of the high wall of the cathedral of Como, which had remained unfinished for centuries, sculpting several figures in white marble for the façade and the altar between 1897 and 1900. The work presented here is a bas-relief showing a half-bust of the grieving Madonna flanked by two pious women. It is presented in a coeval wooden frame from the end of the 19th and beginning of the 20th century.

XIX Century - from 1801 to 1900

Charles X console supported by a moulded surface and curved pillars with leonine feet; in the undertopband there is a drawer, On the marbel top stand a psyche mirror supported by pillars that and with a curl. Burl veneered with inlays of Charles X taste and poplar interiors.

France Last Fourth 19th Century

Napoleon III sideboard supported by turned feet, on the front it has a door framed between two rudent columns that support the slightly projecting undertop band, in which there is a drawer. In ebonized wood, it is decorated with bronze applications and brass and mother-of-pearl threads and inlays; marble top.

Italy Mid 1900s approx

Bronze sculpture on a marble base depicting a lion.