Oil on canvas. Mid 19th century. The large scene tells an unidentified historical episode, set in the Renaissance period, in which an archbishop listens to the plea of a young man in arms, accompanied by his mother, who supports his plea. The setting is inside the reception hall of the high prelate, presumably in the bishop's palace, which from the loggia in the background overlooks the Cathedral, whose dome can be glimpsed; the bishop is surrounded by his subordinates and guards, while different people of the people attend. Particular is the presence of the man sitting in the foreground on the left, who looks towards the viewer and points to the scene, as if he were telling it. The atmosphere is played on the contrasts between lights and shadows, between the bright colors of the dominant characters compared to the dull and suffused tones of the surrounding figures, who literally tend to disappear into the shadows at the limits of the scene. The work is part of that large nineteenth-century production that drew on the historical or literary subject, re-proposing it in a romantic key. The painting, restored and relined, is presented in an important frame from the second half of the 19th century, with some shortcomings.

Ceiling lamp in brass, enamelled aluminum and worked glass.

Oil on panel. Northern European school of the late 19th century. In the composition inside a shed, hunted game lies on a level; on the left the muzzle of the hunting dog appears but is turned towards a nest full of chirping birds, located above the shaft of the carriage seen on the right. The painting is presented in a period frame.

Beautiful bag in hand, from the trapezoid shape, in python skin clear. Accompany the bag and the small wallet, coin purse and mirror.

20th Century / 1901 - 2000

Venetian Baroque style bed supported by wavy and curl-carved feet, carved rocaille motifs are present in the headboard cymatium; lacquered and adorned with golden frames, it is decorated with floral motifs, while a pair of putti is painted in the center of the footboard.

Oil painting on canvas. French school. At the bottom left are the signature and date written backwards; the signature is readable as H. Faillade. At the bottom right there is the Latin writing " Quando ex exilio redibit!!!"; (When he returns from exile!). This writing underlines the bond of the man portrayed with the young general depicted in the small picture that he holds in his hand, probably his relative and linked to the monarchy of Charles, the last sovereign of the Bourbon-France dynasty, absolutist and anti-liberal monarch, overthrown from the throne and fled in exile in 1830 during the July Revolution, known as the Second French Revolution. The painting is presented in a period frame.

Oil painting on canvas. The Holy Family is depicted with Mary and Joseph who, converging one hundredth with their heads close together, frame the Child Jesus, intent on playing with a lamb, the iconographic symbol of the sacrificial victim, therefore a prelude to the Passion, together with the small Cross that the child holds in one hand. The inscription anno 1845 appears at the top right, an indication of the period probably added during the subsequent restoration phase. In fact, the work has been restored and relined. It is presented in a stylish frame.

Size 10

Jacket with short sleeves in raw linen in pink and strawberry red, with floral embroidery and beads. The size corresponds to today's 44/46 (length 57 cm, shoulders 40 cm, waist 82 cm).

18th Century / 1701 - 1800

Brass alidade for a praetorian tablet, consisting of a flat rod, called a ruler, at the ends of which two pinnules with a pin for locking are hinged. Contained in an original leather and suede case on the inside.

Metal ornament.

Prod. Italia, stampa su legno.

Italy XX Century

Wedding cup in blown Murano glass, decorated in gold and polychrome all over. The Barovier cup, a masterpiece of Renaissance glass art, was created in 1460 by Maestro Angelo Barovier as a wedding gift (it is, in fact, a wedding cup) and is still reproduced today following the same methods as 500 years ago: a composed of glass paste (chalcedony), hand painted blue and gold colored glass. There are paintings of the couple, a horse ride and the fountain of youth. The original is located in the Murano Glass Museum.

Italy Late 19th century

Umbertine table in walnut with inlaid top with geometric and floral motifs in various essences, Italy, late 19th century. Pair of drawers in the band, partially turned octagonal legs connected by cross crosspieces with turned tip in the center. Decorated with walnut burl reserves; poplar interior. Restorations.

Double-decker trolley in stained mahogany veneered wood, metal and brass.

Italy XX Century

Pair of three-light gilded iron wall lights, Italy, 20th century. Structure composed of curls.

Italy Late 19th century

Baroque style mirror in walnut, Italy, late 19th century. Equipped with mercury mirrors, one of which is placed inside the coping. Adorned with rocaille-style carvings.

Tibet First half of the 20th century

Tibetan teapot in white metal, completely embossed and chiseled on the whole body and on the lid, ending with a "vajra" as a knob. The handle in the shape of a qilong and the infuser in the shape of a chimera.

Italy Early 1900s

Silver coffee service consisting of tray, coffee pot, milk jug and sugar bowl. Silver mark engraved on the edge and under the bases. Grams 1990.

Italy, Second Half XX Century

Centerpiece in pod-shaped and hand-hammered silver with polylobed edge. Engraved hallmark of the silver and silversmith. Grams 1230.