19th Century / 1801 - 1900

Rectangular table made of chestnut wood veneered in dark walnut and inlaid with various woods, mother of pearl and bone. The inlay with floral motifs presents the top starting from four mirror reserves created around the central oval reserve where a classic vase is depicted with a panoply inlaid with a sample of flowers including roses, daisies, bluebells, lilies of the valley, tulips and lilies. while the lateral reserves are composed of leaves and flowers animated by birds. The bands, as well as the pyramidal trunk legs, are inlaid with plant motifs and the connecting bundles of the legs are embellished with butterflies.

19th Century / 1801 - 1900

Porcelain inkwell, with a shaped body entirely enamelled with chinoiserie-style motifs: there are large red flowers on a decorated blue background, on the sides two reserves in which there is a floral composition; the inkwell rests on three feet painted with monstrous faces, also reproduced in the two side handles. In the upper part there are the two ink containers equipped with gilded bronze lids worked with leaf motifs and pinecone-shaped grip; the large grip is also entirely in gilt bronze and worked with Regency-style motifs.

19th Century / 1801 - 1900

On a round base is placed the nativity scene composed of the Holy Family with the ox and the donkey, three cherubs flying in the sky. The seated Madonna and standing Saint Joseph turn an adoring gaze to the baby Jesus placed in a sheet on the manger, the faces of the two animals appear between them, while three cherubs hang in flight on a sort of architectural capriccio with a column. Missing protective glass case. The figurines are typically made with a terracotta bust and limbs with glassy eyes joined together in an integral manner with an iron and cloth mannequin, covered in silk clothes. The architecture is made of wood, cork and various materials.

England First Quarter XIX Century

Pair of tripods supported by saber-shaped uprights with lion feet, are connected by a small hexagonal shelf in the lower part; above, they frame a top that is also hexagonal, with a high band adorned with rosette carvings, also re-proposed on the top of the uprights. Rosewood.

Kingdom of the Two Sicilies First Quarter 19th Century

Gueridon supported by three uprights carved with lion feet and in the upper part with caryatids, to support the undertop band. The female figures are standing, dressed according to the Egyptian taste: they wear a low-cut dress that leaves the breasts uncovered, tightened at the waist by a belt, they wear bracelets and necklaces, while the hair is styled according to the Egyptian taste, with braids that fall neatly on the shoulders. These figures are partly ebonized, to make the skin, while the clothes and details are gilded. The legs are connected by a platform in the shape of a concave triangle. The circular top is in alabaster, enclosed within a cherry veneered frame.

19th Century / 1801 - 1900

French Napoleon III center bookcase, supported by wavy legs, the lower band on both the front and sides is shaped; on the front it has two doors finished with fake books, with applied leather ribs, so as to simulate an open bookcase. In the upper part there is an open compartment and an upper tray shelf. The etagere has a similar shape, but in the central compartment there are various shelves placed at different heights. Interior in mahogany, they are veneered in bois de rose, with a 45 ° cut and quadripartite on the tops; the furniture is decorated with gilded bronzes and worked with leafy volutes, in the shoes, on the uprights, on the lower band and in the side handles.

France, Early XX Century

Pair of two-light wall sconces in opalescent glass and gilded bronze. Bundle structure of lake reeds with floral corolla hosting one of the two lights. Main decorative element consisting of a stylized fish in opalescent glass, characterized by a sinuous movement and with the tail pointing upwards, the latter resting on a leafy base and placed in a projecting position. The ornamental display is completed by rivulets of water in opalescent glass placed under the animal. The glass parts have small chips and slight defects.

London, 1742-1743

George II period cup. A cup with a classic vase with two volute sockets with opposite curls, on the vase two decorative engraved orders; the same motifs are present in the lid which ends with a pine cone socket. There are three marks that allow us to recognize the London origin and the dating, "crowned leopard head", "passing lion" and a "g within a shield". weight 1810 g

Paris, Late XIX Century

Pair of partially gilded and burnished bronze candlesticks. Stepped base from which the turned and chiseled body starts with leaf motifs and anthemas, at the top of which is placed a golden sphere constituting the support point for the two burnished bronze sculptures, the first depicting a winged nymph with hair and dress ancient style and scepter in the left hand, in the second Hermes, characterized by the cloak, the winged petasus and the caduceus, also held by the left hand. Both mythological figures hold up a central stump filled with flowers and fruits, similar to a cornucopia, from which five arms of chiselled and gilded bronze branch off, adorned with elements from the plant world that recall the decorations of the base. Restorations on a bobeche and replacement of some screws.

Nancy 1910 ca

Colorless glass vase with inclusion of yellow and orange vitreous powder, acid worked with floral decoration finished in enamel. Signature “Daum Nancy” with Lorraine cross acid engraved on the body of the vase.

Nancy 1918-1930

Orange vase in multilayer blown glass with marbled effect, decorated with applied glass scarab. The insect is made by carving both the vitreous application and the body of the vase to create legs and antennae. Signature “Daum Nancy” with Lorraine cross engraved near the base.

Italy, Late XIX Century

Pair of large self-supporting eclectic shelves in carved and gilded wood, Italy third quarter 19th century. Shaped tops covered in velvet, uprights made up of a shaped back part against which, on the front, are carved pilaster-style architectural elements in Baroque style, the latter composed of "S"-shaped volutes with curls at the ends. The pilasters are also decorated with leaf elements and floral festoons held together by ribbons. Partially recovered gilding.

England, Late XIX Century

Silver cutlery set consisting of 12 spoons, 12 forks, 12 fruit spoons, 12 fruit forks, 12 dessert spoons, 12 coffee spoons, 6 serving cutlery, James & William Marshall manufacture, Edinburgh 1850. 12 knives and 12 knives from fruit Manufacture S&L Sheffield 1985. Silver and manufacturing hallmarks engraved on the handles. 4166 grams net of the 24 knives. The service is kept in a mahogany chest of drawers with four drawers on the front, resting on grooved truncated pyramidal legs; the furniture body can be separated from the legs. Lever branded locks.

France, Third Quarter XIX Century

Napoleon III chandelier with eighteen lights arranged in a double order, France, third quarter of the 19th century. Structure in gilded bronze, characterized in the central shaft by the presence of parts in green glazed ceramic; the golden bronze is characterized by the alternation of highlighted portions with opaque portions, thus creating reflections that amplify its brightness. On a decorative level, eclecticism dominates, finding both elements of clear rococo taste, particularly in the moving structure composed of curls, leafy volutes and ornamental motifs with a calligraphic character, and elements derived from the classical world, such as floral festoons, rosettes, capitals and masks. At the apex, placed on a bed of sloping leaves, a pineapple. Bobeches in cut crystal, one of which has been replaced and others are broken. It has defects in the gilding.

Italy, Late XX Century

Pair of five-flame candelabra in chased and chiselled silver. Decorations with repeated motifs on the base and arms with leaf volutes. Engraved silver marks under base, Milanese silversmith unidentified. Grams 2900.

Lombardy First Quarter XVIII Century

Group consisting of a high chair and four chairs in carved, lacquered and partially gilded walnut, Lombardy, first quarter of the 18th century. Armrests and under armrests of the high chair moved, legs and front crossbar have the typical volutes of intertwined acanthus leaves of Fantonian origin, feet carved in a curl. Backrests and seats upholstered and covered in finely embossed leather with partially gilded decorative motifs. Small lacks in the carving; deficiencies in the gilding and lacquering. A group of similar seats are included in the collection of the Museum of Applied Arts, in the museum complex of the Castello Sforzesco in Milan.

18th Century / 1701 - 1800

French neoclassical chest of drawers inlaid with breccia top, front with 2 drawers, front and sides inlaid with architectural whims enclosed within gilt bronze borders, wavy legs. Entirely decorated with neoclassical gilt bronze elements. Veneered in bois de rose; among the woods used there are palm, maple, green stained maple and boxwood. Interior in oak.

Italy, Last Quarter XVIII Century

Neoclassical mirror in carved and partially lacquered and gilded wood, Lombardy last quarter of the 18th century. Medallion frieze with love knot placed on the top, made with a ribbon and held by a float, and richly carved floral festoons; gilt moldings, mercury mirror. Decorated in the upper part with a cancurrent motif enriched with golden leaf elements, attributable to the iconographic repertoire of Giocondo Albertolli (Bedano 1742–Milan 1839), Swiss-Italian architect, decorator and teacher.

Italy First Quarter 19th Century

Pair of cups in burnished bronze and yellow Siena marble, Italy, first quarter of the 19th century. Oval marble plinth base, embellished with shell and bead frets in the lower part and a pair of festoons made up of leaves, lake reeds and four valves arranged in a rosette, one of which is partially missing. Upper section of the base with a bronze plate to simulate marine ripples, from which rises a sculpture in the round depicting a two-tailed winged siren, characterized by a "crown" of algae and raised arms, the latter holding a large shell with a segmented placed on top. One of the bronzes that surround the plinth is partially missing.

20th Century / 1901 - 2000

Chandelier in gilded bronze and ground glass. The open cartouche-shaped structure develops through 12 sliding arms with fluted bell-shaped candle holders and corolla-shaped bobeches over pierced acanthus jets, interspersed with 4 amethyst-colored terminals in the shape of an urn. The frame is centered by an urn-shaped column with a pinnacle terminal. Entirely decorated with transparent, amber and amethyst glass pendants, including a faceted sphere pendant. Attributable to Baccarat production.