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7 cm 630 cm

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In our catalog you can find works of art from the 16th century to the present day. In our online art gallery it is possible to find the right place.There is an important and refined selection of antique paintings, contemporary art, antique paintings and sculptures with which you can enrich your home.

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Modern Painting City Glimpse Oil on Canvas Italy XX Century
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ARARNO0248609
Modern Painting City Glimpse Oil on Canvas Italy XX Century

ARARNO0248609
Modern Painting City Glimpse Oil on Canvas Italy XX Century

Oil on canvas. The scene presents a group of figures, mainly women, crossing a small bridge over a city canal, which evokes Venice or Chioggia. Peculiar is the fact that all women wear a white veil on their heads; on the left a male figure wears a red fez: it could be a group of women going to Mass in the lagoon city. The painting is presented in a contemporary frame.

Rent

110.00€

Rent
Antique Painting Alexander the Great in Gerusalem Mixed Technique
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ARAROT0248042
Antique Painting Alexander the Great in Gerusalem Mixed Technique

ARAROT0248042
Antique Painting Alexander the Great in Gerusalem Mixed Technique

Mixed technique (pencil, pen, brown ink and white chalk) on paper. Italian school of the early 19th century. The scene represents the meeting between a high priest and a leader: if he is followed by his entire army, with grim and armed soldiers of different ranks, the priest is followed by all the people who praise the winner, while two young women on their knees they offer wreaths of flowers. Behind the scene, the mighty walls with the entrance door to a city, towards which the priest points, almost as if handing it over to the leader. The priest's clothing, in particular the presence of the so-called "Decision" breastplate that he wears, refers to an Israelite priest, and therefore the city could be Jerusalem; instead the clothing of the victorious leader, with the helmet surmounted by two horses, refers to Alexander the Great, who actually conquered the city in 332 BC. The drawing is presented in a carved wooden frame from the late 19th century.

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Antique Painting with Religious Subject Oil on Canvas XVII Century
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ARARPI0247743
Antique Painting with Religious Subject Oil on Canvas XVII Century

ARARPI0247743
Antique Painting with Religious Subject Oil on Canvas XVII Century

Oil painting on canvas. The large scene depicts Mary, already Assumption into heaven and supported on the clouds by little angels, receiving the Crown from the Holy Trinity. This coronation expresses the apotheosis of Mary, who by becoming "Queen of Heaven" becomes the intermediary between the earth, Humanity, and Heaven, the Divinity: what is not given to man to see becomes possible through Mary who in this glorification is more than ever the tenacious thread that binds us to the Almighty, the true "gate of heaven", as it is defined by the Fathers of the Church. Restored and relined, the painting is presented in an early 20th century frame.

Rent

687.00€

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Antique Painting with Religious Subject Oil on Canvas XVII Century
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ARARPI0247739
Antique Painting with Religious Subject Oil on Canvas XVII Century

ARARPI0247739
Antique Painting with Religious Subject Oil on Canvas XVII Century

Oil painting on canvas. The Saint, in the foreground, is depicted on his knees, adoring the Crucifix which he holds with one hand, while the other points downwards at the skull, the traditional "Memento mori". The figure is placed inside a cave, from whose opening you can glimpse an arid and barren landscape; the light enters from a hole in the rock and radiates linearly on the Cross to reach the face of the Saint. Restored and relined, the painting is presented in a 19th century wooden frame.

Rent

437.00€

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Antique Painting Ludovico il Moro Mixed Technique XIX Century
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ARAROT0247129
Antique Painting Ludovico il Moro Mixed Technique XIX Century

Ludovico il Moro's farewell to his wife..

ARAROT0247129
Antique Painting Ludovico il Moro Mixed Technique XIX Century

Ludovico il Moro's farewell to his wife..

Mixed media (pencil, pen, brown ink and white chalk) on paper. Italian school of the early 19th century. Ludovico Maria Sforza cries at the tomb of his young wife Beatrice d'Este (1475 -1497); around him the friars of Santa Maria delle Grazie and on his left Bramante and Leonardo. On the short side of the marble canopy of the tomb there is the Sforza coat of arms, with two snakes and two eagles. Il Moro was profoundly shaken by the early death in childbirth of his very young wife Beatrice, his companion in his private but also political life, as well as his husband's, a patron of the artistic geniuses of their court, such as Leonardo da Vinci. and Bramante, authors of many pictorial and architectural works of the Visconti-Sforza court. Various versions of this episode are known, especially from the nineteenth century, from that of 1815 by Giovanni Battista Cigola at the Pinacoteca Ambrosiana, to that of Alessandro Reati of around 1850. The painting is presented in a carved wooden frame from the late 19th century.

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Modern Painting Signed Carlo Vittori Oil on Cardboard 1940
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ARARNO0248100
Modern Painting Signed Carlo Vittori Oil on Cardboard 1940

Along the Banks of the Chiese in Gavardo 1940

ARARNO0248100
Modern Painting Signed Carlo Vittori Oil on Cardboard 1940

Along the Banks of the Chiese in Gavardo 1940

Oil on cardboard. Signed lower right. On the back in pencil the title, location and date. Carlo Vittori was a landscape painter from Cremona, linked to his land. The view presented here portrays a stretch of the Chiese river which, on its journey towards the Po, crosses the countryside of first Brescia and then Mantua, here near Gavardo, a small municipality in the Brescia area. The painting is presented in a frame.

Rent

60.00€

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Modern Painting Signed C. Vittori Landscape Oil on Cardboard '900
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ARARNO0248104
Modern Painting Signed C. Vittori Landscape Oil on Cardboard '900

Landscape with Mill

ARARNO0248104
Modern Painting Signed C. Vittori Landscape Oil on Cardboard '900

Landscape with Mill

Oil on cardboard. Signed lower right. Carlo Vittori, an artist from Cremona, mainly portrayed the landscapes of his Po Valley. Here he proposes a countryside inhabited by a mill, to which the water arrives through an overhead canalization. The painting is presented in chronicle.

Rent

70.00€

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Contemporary Bronze Sculpture Signed G. Masciarelli Duck Flight
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ARARCO0248107
Contemporary Bronze Sculpture Signed G. Masciarelli Duck Flight

Duck Flight

ARARCO0248107
Contemporary Bronze Sculpture Signed G. Masciarelli Duck Flight

Duck Flight

Bronze sculpture. Signature engraved on the base. Gino Masciarelli, a sculptor originally from Abruzzo but who lived in the Milan area, after having also worked at the Experimental Center for Scientific Research “F. Marinotti” in Lombardy, dealing with high-frequency cinematographic shooting, learned to capture the instability of bodies in movement and the dissolution of matter in space in many of his works. In the sculptures "Human groups" and "Flight" - to which the work presented here belongs -, the dynamism of flight can be observed almost as if it were a photographic sequence. The artist himself said: "Only 8 seconds made an impression on 300 meters of film, the aim was to slow down what the human eye cannot see, I wanted to capture the movement and the projection of these seconds lasted a couple of hours".

Rent

135.00€

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Painting by Carlo Vittori
News
ARARNO0248101
Painting by Carlo Vittori

Mountain landscape with stream

ARARNO0248101
Painting by Carlo Vittori

Mountain landscape with stream

Oil on cardboard. Signed lower right. A landscape painter from Cremona, Vittori mainly portrayed glimpses of the Po Valley lands. In frame.

Rent

60.00€

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Modern Painting C. Vittori Interior of a Stable Oil on Hardboard
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ARARNO0248103
Modern Painting C. Vittori Interior of a Stable Oil on Hardboard

Interior of Stable

ARARNO0248103
Modern Painting C. Vittori Interior of a Stable Oil on Hardboard

Interior of Stable

Oil on hardboard. Signed lower right. The Cremonese painter Carl Vittori specialized in landscape views of his Po Valley lands or in scenes with animal figures, always linked to peasant life, like this stable interior inhabited by a donkey. The chromatic and luminous choices are suggestive. The work is presented in a frame.

Rent

70.00€

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Modern Painting Signed Salvatore Sportelli Oil on Board '900
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ARARNO0247293
Modern Painting Signed Salvatore Sportelli Oil on Board '900

Seated Figure

ARARNO0247293
Modern Painting Signed Salvatore Sportelli Oil on Board '900

Seated Figure

Oil on wooden board. Signed lower right. The painter Salvatore Sportelli, of Apulian origin but who lived for a long time in Lodi, where he taught (a posthumous exhibition of his was recently held in the city), produced numerous popular figures and genre scenes characterized by a look at post-impressionism. The work is presented in a frame.

Rent

60.00€

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Contemporary Painting B. Saetti Fresco on Canvas Landscape
News
ARARCO0248106
Contemporary Painting B. Saetti Fresco on Canvas Landscape

Sunny Landscape

ARARCO0248106
Contemporary Painting B. Saetti Fresco on Canvas Landscape

Sunny Landscape

Fresco on canvas. Signed lower right. Further signature and technique on the back. Placed in the informal Emilian naturalism, Bruno Saetti's painting is distinguished by a significant love for the pictorial material, rich and consistent, pasty and fermenting, but also open to the modulations of luminous vibration. His series of "frescoes" with the Sun as the dominant subject is rich, as in this work, which presents a large bright sun shining on a brick red background, above an indefinite landscape, where only a basilica can be recognized at the top right. If Saetti's Emilian origin is evident in the warm tones of the red bricks and in the very peculiar taste of the material (the favorite fresco), on the other hand the Venetian contamination is recognizable (Saetti lived for a long time in Venice) in his lingering on the color, on its luminous vibrations, on the feeling of astonished amazement of space. The work is presented in a frame.

Rent

410.00€

Rent
Antique Painting Signed G. Riva Mountain Landscape 1917
News
ARAROT0245646
Antique Painting Signed G. Riva Mountain Landscape 1917

Mountain Landscape, 1917

ARAROT0245646
Antique Painting Signed G. Riva Mountain Landscape 1917

Mountain Landscape, 1917

Oil on cardboard. Signed and dated lower right. Originally from the province of Cuneo, Giovanni Rava dedicated himself mainly to landscapes, rendered in realistic forms and with an impressionist touch, in the shades of luministic effects. The work is presented in a mid-20th century frame.

Rent

110.00€

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Contemporary Drawing Emanuele Luzzati Odalisque 1988
News
ARARCO0247296
Contemporary Drawing Emanuele Luzzati Odalisque 1988

Odalisque 1988

ARARCO0247296
Contemporary Drawing Emanuele Luzzati Odalisque 1988

Odalisque 1988

Crayons and collage on paper. At the bottom right are the character's signature and name. On the back there is a label from the Il Vicolo art gallery in Milan. The eclectic activity of Emanuele Luzzati, illustrator, set designer, costume designer, decorator, master of every applied art, was extraordinary; he was also twice nominated for an Academy Award for two animated films. Interpreter of a skilled and cultured figurative culture, capable of masterfully using all sorts of materials (from terracotta to enamel, from wool weaving for tapestries to engraving on different supports, to collages of composite papers and fabrics) to construct sketches of scenes, costumes, naval displays, thanks to the richness of his fantastic world, the immediacy and expressiveness of his very personal style, Luzzati was one of the most loved and admired artists of our time. The sketch is presented in a frame.

Rent

210.00€

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Antique Painting with Religious Subject Oil on Canvas XVI-XVII Century
ARARPI0246902
Antique Painting with Religious Subject Oil on Canvas XVI-XVII Century

ARARPI0246902
Antique Painting with Religious Subject Oil on Canvas XVI-XVII Century

Oil painting on canvas. The subject, recurring in 17th and 18th century painting due to the mystical but at the same time sensual component of this saint, presents Magdalene in the desert, wrapped in her long loose hair and a drape, while on her knees she meditates on the skull, the traditional Memento mori, holding a sackcloth in his hand; Above her is an angel holding the jar of ointments in his hand, another attribute of the saint, whose shoulder he is preparing to anoint, as a sign of consecration to God. The work, restored and relined, is presented in a contemporary frame.

Rent

185.00€

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Modern Painting Signed G. Federici Mountain Landscape Oil on Canvas
ARARNO0244967
Modern Painting Signed G. Federici Mountain Landscape Oil on Canvas

Mountain Landscape

ARARNO0244967
Modern Painting Signed G. Federici Mountain Landscape Oil on Canvas

Mountain Landscape

Oil painting on canvas. Signed lower left. The Milanese painter Gino Federici specialized in Alpine views, as in this view, where in the foreground a flock of sheep drinks water from a stream, in the wide valley, under steep peaks. The painting is presented in a contemporary frame. It shows signs of previous restoration.

Rent

357.00€

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Modern Painting with Male Portrait Mixed Media on Paper '800
ARARNO0246729
Modern Painting with Male Portrait Mixed Media on Paper '800

ARARNO0246729
Modern Painting with Male Portrait Mixed Media on Paper '800

Mixed media on paper. Delicate oval portrait of a young man, whose face and hair fade into the pastel colors of the background, which seems to be one with his figure. The work is presented in a contemporary frame.

Rent

85.00€

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Antique Painting with Landscape Oil on Canvas XVIII Century
ARARPI0225889
Antique Painting with Landscape Oil on Canvas XVIII Century

Landscape with Ruins and Figures

ARARPI0225889
Antique Painting with Landscape Oil on Canvas XVIII Century

Landscape with Ruins and Figures

Oil painting on canvas. The vertically developed landscape sees an imposing architectural structure in ruins at the centre, invaded by weeds and presented with nuanced colors and features, as if to underline its decadence. In front, in the foreground and well defined, some figures of shepherds at rest, while the cows graze: one shepherd plays the whistle, the second, sitting leaning on his stick, observes the third, who, having stripped naked, is intent on washing himself, stretched languidly on the edge of the waterhole. On the left there is a glimpse of rocky peaks, gray under a sky with dawn atmospheres. The restored and framed painting is presented with a strip frame.

Rent

732.00€

Rent
Modern Drawing Ugo Celada da Virgilio Study of a Hand 1906
ARARNO0245850
Modern Drawing Ugo Celada da Virgilio Study of a Hand 1906

Study of a Hand 1906

ARARNO0245850
Modern Drawing Ugo Celada da Virgilio Study of a Hand 1906

Study of a Hand 1906

Pencil on paper. Signed lower right. On the back there is a further sketch of a donkey's head. Celada's painting is capable of blocking reality in time and space, in a way that appears detached, analytical and scientifically exact (colours, reflections, transparencies), but communicating - as opposed to a total unreality - a great narrative pathos. Here we propose the study of a hand of the artist who is still very young, but already capable of powerful expressiveness in outlining the figure. Work in frame.

Rent

60.00€

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Antique Painting Lorenzo Delleani Oil on Hardboard 1889
ARAROT0242908
Antique Painting Lorenzo Delleani Oil on Hardboard 1889

Interior of Stable, 1889

ARAROT0242908
Antique Painting Lorenzo Delleani Oil on Hardboard 1889

Interior of Stable, 1889

Oil on hardboard. Signed and dated 11-30-1889 lower left. Delleani, who initially painted mainly historical subjects, progressively approached landscape painting "en plein air", especially of the places of his origins, the Piedmontese valleys, characterizing his views with chromatic vibrations and warm brightness. In the last decades of his life, however, he also allowed himself to be involved in the orientalist trend, but then returned to his landscape views, creating above all panels rich in warm colors and suggestive atmospheres. Rarer but equally evocative is his production of interiors, such as this one of a stable, where the animated figures, the sheep, appear as almost indistinct spots of color within an environment played entirely on the luminous effects of a single chromatic range. Restored and protected, the painting is presented in a gilded frame from the early 1900s.

Rent

410.00€

Rent