E. Fantuzzi Oil on Canvas Italy XX Century - Figure with flowers

Crayons on paper. In the lower right, inconsistent signature and date 1930. In an orderly countryside, a cottage stands on the left with clothes hanging in the sun on outdoor lines; on the right, a man on crutches walks along the road, while another lights a cigarette on the bank above. In the center, a light pole divides the scene in two. The work is presented in a period frame.

Glimpse of Lake with Fog 1944

Mixed technique on paper. Signed and dated lower right. Mario Bezzola was a Milanese painter, as well as a critic of Italian XIX century art, who distinguished himself above all for his landscape production. This glimpse of the lake wrapped and confused in fog, in which the surrounding hills can be glimpsed, like greenish spots, is suggestive. It is presented in a coeval frame.

Winter Sunset - Cortina D'Ampezzo

The foreshortening presents the well-known ski resort as a small village lost in the middle of a blanket of snow, dominated by the Dolomite massif of the Tofane. The rendering of the colors is suggestive, with the rosy peaks at the first setting of the sun. The painting has widespread vertical fissures of color due to the wood of the panel. In frame.

Oil on wooden board. Signed lower right. Title and location on the back. Enrico Intraina was a Milanese artist who mainly produced landscapes and glimpses of his places, remaining linked to Lombard Naturalism. The painting is presented in a coeval frame.

Flowers in vase 1972

Oil on canvas board. Signed lower left. The composition of some flowers in a simple terracotta vase is characterized by the use of a strongly material colour, typical of the Gussago artist Eugenio Levi. Presented in a stylish frame.

Textile Reproduction

Textile reproduction in silk, in two tones Made from a design by T. Strazza, as shown below on the left. The faithful reproduction of Leonardo's painting is part of a flourishing Lombard manufacturing production, which re-proposed the masterpiece in different formats. The work is exposed in a contemporary wooden frame.

Sudden Thinking, 1984

Oil on cardboard. signed top center and dated bottom right. Further signature, date and title on the back. The work belongs to the last period of the painter of Marche origins Renato Bontempi, who first trained in Luca but then lived in Milan. From the initial figurative production, Bontempi progressively moves towards an abstract painting, to which the picture proposed here belongs. In Cronice.

Female Figure with Basket of Flowers

Oil on canvas. Signed lower right. On the back there is a sales label in Hungarian. Waldek, a European artist whose life there is no news, painted mainly female figures, young and smiling, intent on domestic activities. The work is presented in a style frame

Barn door in carved wood, Dogon style. The Dogon of Mali are among the oldest surviving African cultures, known throughout the world for their creation of carved wood doors, panels and shutters. These objects have various uses in their society: firstly they are made as a closure of the granaries (hence the name), secondly they are exchanged as gifts for birthdays, weddings, bring good luck. These doors are also used for rites of passage and, when used as part of the architecture, the symbols engraved on them give clues to the function of the dwelling they protect.

Landscape with Figures and Architecture

Oil on cardboard. Signed lower right. Born in Treviso but moved with his family to Milan from an early age, Lucio Cargnel inherited his passion for painting and music from his father Vittore Antonio. As for his father, in Lucio Cargnel's painting an important role is played by the study of light, but associated with the search for a highly scenographic image, with lights and shadows that chase each other among the architectures, expressed through soft, nuanced colors. Among his works are renowned landscapes and glimpses of cities, even imaginary ones, as well as streets, squares and canals; the places of his choice are Milan, Venice and the Ligurian Riviera. In frame.

From the Lungomare Lavagna 1972 Terrace

Oil on hardboard. Signed lower left. On the back the title, date and location of the landscape. The Milanese artist, son of the famous painter Alcide Davide Campestrini, devoted himself to still life, figure painting and the alpine landscape, with a technique linked to his father's school and to the late nineteenth-century tradition. In a stylish frame.

Oil on canvas. Monograme at the bottom. On the back of the frame there is the name of the artist, an amatorial painter, with date, dedication to a friend and inspiration, a Madonna by Luca della Robbia. Fair conditions. It comes in a 19th century gilded frame.