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Oil on Canvas by Noel Quintavalle Italy XX Cent.
ARARNO0126880
Oil on Canvas by Noel Quintavalle Italy XX Cent.

Landscape 1927

ARARNO0126880
Oil on Canvas by Noel Quintavalle Italy XX Cent.

Landscape 1927

Oil on canvas. Signed and dated lower left. On the back there is a cartouche with the address of the artist's studio and the title of the work; there is also a pencil-made note from the owner (a painter too) "Gift of the author, 19-03-1930". Noel Quintavalle (known under the pseudonym Noelqui), a native of Ferrara but raised and artistically trained in Milan, was a multifaceted artist. Graduated in architecture, he was self-taught in the arts, but after the great war in which he actively participated, he quickly distinguished himself and exhibited in various national and international exhibitions; in the meantime he also carried out literary activities by publishing various volumes (satire, fairy tales, short stories, memories of the war) and also experimented with sculpture and xylography. His pictorial production, which began as a pointillist, was then influenced by the synthesis of modern painting. The subjects most dear to him were the portrait (with a preference for particular female figures, such as dancers) and the landscape. The landscape presented here - a hilly glimpse, with a wide view that opens from the path under the leafy tree - belongs to the period of Noelqui still close to Divisionism, in which he used a technique with small, almost point-like brushstrokes, giving a greater brightness and surrounding each element or figure with a magical aura. The work is presented in a contemporary frame.

Rent

600.00€

Rent
Portrait Of A Young Woman Pencil Charcoal Withe Lead On Paper 1858
ARAROT0118961
Portrait Of A Young Woman Pencil Charcoal Withe Lead On Paper 1858

ARAROT0118961
Portrait Of A Young Woman Pencil Charcoal Withe Lead On Paper 1858

Pencil, charcoal and white lead on paper. Signed (Amalia Bianchi?) and dated at the bottom right. Very effective is the use of different pigments that creates a play of chiaroscuri that underlines the figure. The portrait come in a 19th century wooden frame with leather leafy and floral inserts; it has missing parts and color drops.

Rent

170.00€

Rent
Harbour Glimpse Oil on Canvas 20th Century
ARARNO0118043
Harbour Glimpse Oil on Canvas 20th Century

ARARNO0118043
Harbour Glimpse Oil on Canvas 20th Century

Oil on canvas. Singed S. Ronzoni at the bottom right. The artist painted a view over the harbour with small boats moored at the quay and sailors loading goods on their shoulders. The pictorial strokes are broad and uncontoured, the colours in a few ranges fading into each other to create a suspended atmosphere. The painting is presented in a stylish frame, with some faults.

Rent

135.00€

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Oil on Canvas by Edgard Farasyn XX Century
ARARNO0129985
Oil on Canvas by Edgard Farasyn XX Century

Beach work scene

ARARNO0129985
Oil on Canvas by Edgard Farasyn XX Century

Beach work scene

Oil on canvas. Signed lower right. The imposing scene describes the undertaking of hauling a boat ashore with a horse-drawn trailer: the six mighty beasts are the protagonists, located in pairs on different floors, while some fishermen arrange the tow ropes; sea, sky and beach are placed on three parallel lines, which also fade chromatically into each other; perpendicular to these lines, the flagpole of the boat, which creates the union between the three elements. Edgar Pierre Jozef Farasyn (his name also appears as "Edgard Farasyn" and "Edgard Farasijn".) Belgian artist trained in Antwerp where he then worked, he was a painter, watercolorist, engraver, graphic designer. I He initially painted scenes for children, but from 1885 he switched to painting in the open air, painting many city scenes and in the old fish market of Antwerp, but also many rural landscapes and views of the villages. Attracted by the sea, he stayed there regularly, creating many realistic scenes from the life of fishermen and their families. His early works were characterized by a realistic style, with rather gray and gloomy colors, and with a rigorous atmosphere. Later he moved on to a brighter use of color and a subtle representation of light. Due to its large size (unusual for the artist), the work presented here suggests a work for an important client. It is presented in a rich golden frame from the early 1900s.

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Oil on Canvas by Noel Quintavalle Italy 1948
ARARNO0126882
Oil on Canvas by Noel Quintavalle Italy 1948

Poppies in Vase 1948

ARARNO0126882
Oil on Canvas by Noel Quintavalle Italy 1948

Poppies in Vase 1948

Oil on canvas. Signed and dated lower left. Composition of poppies in vase, with ceramic Madonnina on the rear wall. Noel Quintavalle (known under the pseudonym Noelqui), a native of Ferrara but raised and artistically trained in Milan, was a multifaceted artist. Graduated in architecture, he was self-taught in the arts, but after the great war in which he actively participated, he quickly distinguished himself and exhibited in numerous national and international exhibitions; in the meantime he also carried out literary activities by publishing various volumes (satire, fairy tales, short memories of the war) and also experimented with sculpture and xylography. His pictorial production, which began as a pointillist, was then influenced by the synthesis of modern painting. The subjects most dear to him were the portrait (with a preference for particular female figures, such as dancers) and the landscape. His production of floral subjects dates back to the 1940s, linked to the period in which he recovered the need for interiority, approaching the aesthetic concepts of the art of the "twentieth century". The work is presented in a contemporary frame.

Rent

275.00€

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Still Life With Flowers Oil On Canvas 18th Century
ARARPI0107500
Still Life With Flowers Oil On Canvas 18th Century

ARARPI0107500
Still Life With Flowers Oil On Canvas 18th Century

Oil on canvas. The floral composition is part of the large production of this subject that spread in Italy and Europe starting from the seventeenth century, with purely decorative purposes. The painting proposed here has traces of previous restorations and has been relined, but needs further cleaning. It is presented in an antique relacquered frame.

Rent

275.00€

Rent
Female Figure Inside A Room Oil On Canvas Italy 9th Century
ARARNO0120468
Female Figure Inside A Room Oil On Canvas Italy 9th Century

ARARNO0120468
Female Figure Inside A Room Oil On Canvas Italy 9th Century

Oil on canvas. Signed "Morbelli" at the bottom right. The scene shows a poor interior: standing turned three-quarters, a woman, framed in the dark compartment of the door behind her, approaches a small table on which there are three different flasks; light enters through a window that can be glimpsed on the left side, under which is a wood box. The interplay of the lines of the furniture and the rooms in the room, which converge from the two sides and from above towards the central figure, standing there in the dark but well defined by the contours, not so much by lines as by the play of light and shadow, is peculiar. The painting, by a very good hand, recalls the pictorial work of Angelo Morbelli (1853-1919), one of the great artists of Divisionism, who devoted himself to the representation of figures and scenes of a peasant and popular matrix, in the wake of verist literature. The work presented here is in excellent hand, but in our opinion it cannot be attributed to Angelo Morbelli, but rather to an anonymous Lombard author inspired by him, and we believe that the conformity to Morbelli's style and subjects probably led to his signature being added, to recall the authorship of at least his inspiration. The painting comes in a revival frame.

Rent

675.00€

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Landscape with Horses Oil on Canvas - Italy XVIII Century
ARARPI0117714
Landscape with Horses Oil on Canvas - Italy XVIII Century

ARARPI0117714
Landscape with Horses Oil on Canvas - Italy XVIII Century

Oil on canvas. The large scene is set at the entrance of a village near a stop for horses: numerous horsemen are standing with their animals, which are looked after by the servants and the peasants who fill the manger with hay; one of the servants, on the right, lets the animals drink in the nearby stream. In the background, the houses of the village arranged along the river, which then flows into the hilly landscape on the right. It probably is a piece by a Flemish author working in Lombardy. Some references to clothing and construction certainly indicate the Northern European contamination, while other details indicate it was realized in a Lombard location. The painting comes from a prestigious historical residence of a Lombard noble family Still on the first canvas, it has some cuts in the lower band. It is presented in a thin coeval frame.

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Large Painting Of Noblewoman Oil On Canvas Late '800 Early '900
ARARNO0117731
Large Painting Of Noblewoman Oil On Canvas Late '800 Early '900

ARARNO0117731
Large Painting Of Noblewoman Oil On Canvas Late '800 Early '900

Oil on canvas. The young woman, elegantly dressed, is represented in life size standing in a garden, presumably the one of her noble residence. The painting in fact comes from an important Lombard noble family, to which the girl belonged. The painting is presented in a coeval wooden frame enriched with friezes in gilded leather, leaves and racemes.

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Venus And The Graces Dance In Front Of Mars Oil On Canvas 18th Century
ARARPI0099244
Venus And The Graces Dance In Front Of Mars Oil On Canvas 18th Century

ARARPI0099244
Venus And The Graces Dance In Front Of Mars Oil On Canvas 18th Century

Oil on canvas. Northern Italy school. In the scene, four young girls dance, accompanied by different instruments: Venus, who is characterized by the crown on her head, beats on a triangle, the three Graces have a tambourine and castanets. In the lower centre, a boy accompanies them with the flute, while on the left, seated on a rock and leaning on his sword, the god Mars observes them. Restored and relined, the painting is presented in an antique gilded frame.

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Portrait of a Young Woman - Italy XIX Century
ARAROT0143678
Portrait of a Young Woman - Italy XIX Century

ARAROT0143678
Portrait of a Young Woman - Italy XIX Century

Oil on canvas. The girl is sitting on a step in a garden; she holds a pansy in her hands and at her feet are some cut roses, from the potted plant behind her; in the background on the right, you can see the sea in the distance. The shades of rotten green dominate, fading from the sky, to the girl's dress, to the plant, maintaining a chromatic uniformity interrupted only by the rosy face and hands and scattered flowers. The painting. restored and relined, it is presented in a frame built on an ancient wooden base.

Reserved

not available

Reserved
Louis Dorigny Attr. Oil on Canvas France XVII-XVIII Century
ARARPI0148941
Louis Dorigny Attr. Oil on Canvas France XVII-XVIII Century

Erminia among the Shepherds

ARARPI0148941
Louis Dorigny Attr. Oil on Canvas France XVII-XVIII Century

Erminia among the Shepherds

Oil on canvas. The large canvas recounts an episode taken from the Gerusalemme Liberata by Torquato Tasso, in which the young Erminia, princess of Antioch secretly in love with Tancredi, witnesses the wounding of her beloved in a duel. Driven by love, she therefore wears the weapons of the warrior Clorinda, her close friend, and at night she goes out to reach her beloved Tancredi and heal him. But in the Christian camp a ray of moonlight illuminates her and, mistaken for Clorinda by the sentries, she is forced to make a hasty flight: this is how it happens in a village inhabited by shepherds who live far from the war in an idyllic space, where she asks and obtains to be hosted for some time in the (vain) hope of forgetting her unhappy love. The work, already attributed to Carlo Loth, is rather referable to the production of Louis Dorigny, the Parisian painter who lived for a long time in Italy, in Rome, in Venice and finally definitively in Verona, where he obtained numerous orders from Veronese but also from clients. Venetians and Lombards, extending his activity as a fresco painter from Bergamo to Udine. In Verona since the beginning of the century, the preferences in the field of painting went towards a complex classicistic language in the composition, but calm and elegant, even in the great decorative works. Dorigny conforms to this painting, who in this canvas combines the balanced classicism of Simon Vouet (of whom he was grandson) with the chiaroscuro he learned in Rome and the calm Venetian elegance. Restored and relined, the painting is presented in an early 20th century frame.

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Oil on Canvas Mythological Subject Italy XVIII Century
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ARARPI0132252
Oil on Canvas Mythological Subject Italy XVIII Century

ARARPI0132252
Oil on Canvas Mythological Subject Italy XVIII Century

Oil painting on canvas. Neapolitan school of the mid-18th century. The painting proposes the Greek myth of the sacrifice of Iphigenia, the daughter of King Agamemnon, leader of the Achaean expedition that was to leave for Troy. As the Greek fleet was unable to take to the sea due to unfavorable winds, the soothsayer Calcante predicted that, due to an offense the king had inflicted on the goddess Artemis, it now opposed their departure until the king did not. sacrificed his young daughter on the altar. Iphigenia courageously accepted the sacrifice and spontaneously ascended the altar, but at the last moment Artemis, pitying, exchanged her for a fawn and took the girl alive in Tauris, where she became a priestess of the goddess who had saved her. The great scene, set outside the Greek camp by the sea (the anchored ships in the background on the left, the tents on the right), sees in the center the goddess Artemis who exchanges the young and beautiful Iphigenia for the fawn, while the priest Calcante he is already holding the sacrificial knife; on the right the desperation of King Agamemnon and his wife Clytemnestra. The painting is in stylistic ways close to the production of Fedele Fischetti (1732-1792), the Neapolitan artist who devoted himself mainly to allegorical / mythological scenes, in particular in his first works from the 1860s. The work presented here was auctioned at Sotheby's in April 1998. Restored and relined, it is presented in a style frame.

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Still Life Oil on Canvas - Italy XVIII Century
ARARPI0141151
Still Life Oil on Canvas - Italy XVIII Century

ARARPI0141151
Still Life Oil on Canvas - Italy XVIII Century

Oil on canvas. The composition is not a traditional still life because the fruit (grapes and apples) and the bird are inserted in a large landscape, as its added elements in the foreground; Behind them opens a verdant countryside with a village on the hill. Restored and relined, the painting is presented in a period frame.

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A. Gajoni Oil on Canvas Italy XX Century
ARARNO0148637
A. Gajoni Oil on Canvas Italy XX Century

Composition with Microscope and Butterflies

ARARNO0148637
A. Gajoni Oil on Canvas Italy XX Century

Composition with Microscope and Butterflies

Oil painting on canvas. Signed lower right. Born in Milan in 1913 and trained at the Brera Academy (of which he later became a teacher), Adriano Gajoni became passionate about the study of seventeenth-century Lombard painters and Dutch and Flemish painting of the seventeenth century, from whose meticulous realism he let himself be inspired. Of strict figurative observance, Gajoni preferred landscapes, portraits and above all still lifes, which he expressed in fairy-tale and allegorical compositions. He mainly practiced oil painting on wood and hardboard. This composition presents a collection of butterflies and insects together with a microscope and accessories for observation, accompanied by a quartz and a dry branch. Lively colors, less explicit the reference to Flemish painting of previous centuries, compared to other works by Gajoni. In frame.

Rent

90.00€

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Holy Subject Oil on Canvas Italy XVII Century
ARARPI0146693
Holy Subject Oil on Canvas Italy XVII Century

ARARPI0146693
Holy Subject Oil on Canvas Italy XVII Century

Oil on canvas. Italian school of the seventeenth century. The scene of traditional Christian iconography is very lively and lively, very rich in figures, details and colors: in the center the three figures of the Magi, who pay homage to the Baby Jesus, moved to the left with the Holy Family, while at right there is all the rich suite of the three kings, with gifts. Restored and relined, the painting is presented in a period frame, with shortcomings.

Rent

575.00€

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D. Martinis Oil on Canvas Italy 1995
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ARARCO0152885
D. Martinis Oil on Canvas Italy 1995

Eyes 1995

ARARCO0152885
D. Martinis Oil on Canvas Italy 1995

Eyes 1995

Oil painting on canvas. Dated and signed on the back. Born in Seregno, Danilo Martinis was trained with Osvaldo Minotti. Painter and designer, he has furnished prestigious residences all over the world, his works are particularly appreciated in the United Arab Emirates and in Russia. He loves to express his thoughts through graphic-figurative images rendered through geometric effects and chromatic games, using mainly female figures as interpreters. In this work he proposes a very close-up of a female face, in particular framing the eyes.

Rent

88.00€

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Oil on Canvas Still Life Italy XVII-XVIII Century
ARARPI0150725
Oil on Canvas Still Life Italy XVII-XVIII Century

ARARPI0150725
Oil on Canvas Still Life Italy XVII-XVIII Century

Oil on canvas. Lombard school of the late 17th-early 18th century. The rich composition offers a large bouquet of colorful flowers in an embossed vase, next to two large pumpkins and mixed fruit (grapes and peaches): with different intensities of color, the various naturalistic elements emerge from the completely dark background, creating effects of lights and shadows. Restored and relined, the painting is presented in an early 20th century frame.

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Mentore Silvani Oil on Canvas Italy 1872
ARAROT0147772
Mentore Silvani Oil on Canvas Italy 1872

Snowy Landscape with Figures 1872

ARAROT0147772
Mentore Silvani Oil on Canvas Italy 1872

Snowy Landscape with Figures 1872

Oil on canvas. Signed, dated 1872 and located in Parma in the lower right corner. It is a large winter landscape with a strong scenic impact, which fits well into the scenographic traditionalism of the painting of Mentore Silvani, a native artist of Traversetolo (Parma), a landscape painter but also known as a set designer. In the scene, sprinkled with the white of a short snowfall that creates that typical rarefied and silent winter atmosphere, between bare and dry trees, a dirt road winds its way through by a traveler; on the right a dilapidated building with a wash house where a woman draws water; in the center a small column on which a sacred image is mounted. Trained in his hometown, Silvani participated in the exhibitions of the Encouragement of Parma starting from 1864, and it is mainly in his city that his works are found today (at the Municipality of Parma, the National Gallery, the Paolo Toschi artistic high school ); however, he also exhibited in Milan (1872) and Florence (1875). Trained as a scenographer at the school of Gerolamo Magnani, Silvani held this position in Parma but also in Venice starting from 1871. His pictorial production, which includes mainly rural landscapes of the Parma countryside, is always characterized by fidelity to reality. The work proposed here is presented in a contemporary frame.

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Carlo Jacono Oil on Canvas Italy XX Century
ARARNO0138316
Carlo Jacono Oil on Canvas Italy XX Century

Male face

ARARNO0138316
Carlo Jacono Oil on Canvas Italy XX Century

Male face

Oil on canvas. Signed lower right. The Milanese artist Carlo Jacono was an illustrator and painter: his unmistakable style, the mastery in the execution, the prolificacy and artistic ability in over 50 years of career, the knowing how to lend himself to different genres and the great success at readers and publishers made him one of the masters of Italian illustration and one of the most appreciated and well-known names on the national and international illustration scene. He was also known as the "Man of the circle", a pseudonym due to the layout of many of his covers in pink, police, science fiction, Italian, English, Swedish, Norwegian, American (we recall, among many, the covers of the series "Il giallo Mondadori "), or more simply with the surname only, Jacono, with which he signed himself. Starting from 1970 Jacono also embarked on a career as a painter, exhibiting in personal exhibitions both in Italy and abroad, preferring a figurative vein with a romantic connotation that finds its masterpiece in the series of "The warriors". They said of this production: "they are apparitions of warriors of other times, which the imagination comes to realize even in the minute features of the face, and to imagine in the most reckless actions". Probably the painting presented here is also part of this series: it is the face of a Nordic warrior, as can be deduced from the fur headdress that frames the proud and concentrated face in which the cold blue eyes stand out, and from the burnished metal collar engraved with signs graphics that refer to the Nordic runes; half-length, the shoulder straps of the armor can be seen. The painting is presented in a frame.

Rent

175.00€

Rent

OK