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Price

170 € 15000 € Apply

Artist

Artistic technique

  • Arazzo [2]
  • Disegno [23]
  • Fotografia [1]
  • Intarsio [1]
  • Pittura [329]
  • Ricamo [2]
  • Scultura-Volume [14]
  • Stampa [21]
  • Stampa Multiplo [4]
  • Tecnica Mista [3]

Dimensions


18 cm 253 cm

19 cm 393 cm

0 cm 15 cm
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The Puma's Assault Oil on Canvas Painting 18th Century
ARTPIT0001538
The Puma's Assault Oil on Canvas Painting 18th Century

ARTPIT0001538
The Puma's Assault Oil on Canvas Painting 18th Century

Oil on canvas. Bloody scene depicting a puma assaulting two watchdogs. The dogs are free from their chains, but they are succumbing to the puma. Restored and relined, it requires cleaning. Revival gilded frame. 18th century.

Rent

438.00€

Rent
Set of Natural Compositions Attributable to Carlo Antonio Raineri
ARTOTT0000917
Set of Natural Compositions Attributable to Carlo Antonio Raineri

The group of three compositions, natural

ARTOTT0000917
Set of Natural Compositions Attributable to Carlo Antonio Raineri

The group of three compositions, natural

Tempera on paper applied to canvas. The compositions depict different birds and butterflies flying above flowers. Good condition, small spots of moisture. Presented in coeval frames. 18th century.

Rent

438.00€

Rent
Allegory Of Love Oil On Canvas Northern Europe 17th 18th Century
SELECTED
SELECTED
ARARPI0097148
Allegory Of Love Oil On Canvas Northern Europe 17th 18th Century

ARARPI0097148
Allegory Of Love Oil On Canvas Northern Europe 17th 18th Century

Oil on canvas. North-European School. This is a funny allegorical scene of profane love, that wants to prove how everyone, of any social class and every age, can fall into the trap of falling in love. The background of the canvas is occupied by an enormous keepnet, the basket net used in some kinds of fishing, above its opening sits a putto playing the violin; the keepnet is crowded with couples, while a parade of other couples walks in front of them to reach the entrance. Between them, there are couples of old and young people, rich and poor people, nobles, bourgeois and proletarians. Everyone has a content and light expression, they share looks of love or they benevolently look at the happiness of the others. Inside the keepnet, there is even a couple of royals, that correspond, for their features and clothing, to the Elector Palatine of Rhineland, John William of the Palatinate-Neuburg and his second wife Anna Maria Luisa de' Medici. On the back of the painting, there is a label bearing a historical attribution to Jan Frans Douven (1656-1727), the Dutch artist who moved to Düsseldorf in 1682 as the official painter at the Court of the Elector Palatine of Rhineland, mostly representing scenes of the daily life of the prince and his second wife. The label would confirm the scope of the attribution to an artist of the 17th-18th century in Northern Europe. The painting comes from a historical collection in Milan. It shows some traces of restorations and a patch. Frame in style.

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Sketch for the Glass Window by Aligi Sassu St. Ambrose 20th Century
ARTNOV0001834
Sketch for the Glass Window by Aligi Sassu St. Ambrose 20th Century

Sant'ambrogio

ARTNOV0001834
Sketch for the Glass Window by Aligi Sassu St. Ambrose 20th Century

Sant'ambrogio

Original oil painting on cardboard for the preparation of the stained glass window of the church of Viggiù (Varese), for which the master Aligi Sassu made many works. This painting comes with expertise on picture signed by Alessandro Grassi, master glassmaker who collaborated with many Italian and foreign architects and artists and realized the final work in collaboration with the artist. The painting depicts St. Ambrose - patron Saint of Milan - in the act of denying the entry into the church to the emperor Theodosius I, who was guilty of many crimes even though he was a Christian. In frame. 20th century.

Rent

700.00€

Rent
Ubaldo Oppi, Oil on Plywood, 1930s
ARARNO0056496
Ubaldo Oppi, Oil on Plywood, 1930s

The Bagpipe Player

ARARNO0056496
Ubaldo Oppi, Oil on Plywood, 1930s

The Bagpipe Player

Oil on plywood. 1930s. Signed on the rear right corner. Ubaldo Oppi, born in Bologna, had a passionated life: he studied painting firstly in Vienna then moving around Europe stopping for a long time in Pris where he frequented Picasso; back in Venice he started to expose. In 1915 he left the front joning the alpine troops and fought until 1918 when he was deported to Mauthausen. During the first postwar he moved to Milan where, thanks to Margherita Sarfatti, he approached the movement of the Seven Painter on the italian 1900sto which he had been related for a short time. He took part to several Biennali in Venice and abroad and in 1926 e took parto to the Exposition on Italian 1900s at the Permanente palace in Milan. In 1928 he coverted to Catholicism and started including religious subjects in his prodution that until that time was mostly focused on figures and portraits. In 1942 he resumed service in the Army but soon he had to go back to Venic because of his health problemns and died on October 25th 1942. The painting in question is a genre subject, an old musician. Comes with coeval frame and needs to be restored.

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Portrait of Woman Oil Painting on Canvas 20th Century
ARTNOV0001800
Portrait of Woman Oil Painting on Canvas 20th Century

ARTNOV0001800
Portrait of Woman Oil Painting on Canvas 20th Century

Oil painting on canvas. Signed in the lower right corner and on the back (Verschafeldt). Light losses of color. In coeval frame with missing parts. Early 20th century.

Reserved

not available

Reserved
Oil on Canvas Italy XIX Century.
ARAROT0124264
Oil on Canvas Italy XIX Century.

ARAROT0124264
Oil on Canvas Italy XIX Century.

Oil on canvas. The portrait of the gentlewoman, sober in black, is proposed in an unusual exterior, which sees her sitting on a bare boulder, with the background of pink peaks and blue sky, to give a romantic atmosphere. The painting is presented in a gilded frame from the early 1900s.

Reserved

not available

Reserved
Igor Andreev Painting On Stone Contemporary Art
ARARCO0106175
Igor Andreev Painting On Stone Contemporary Art

Face

ARARCO0106175
Igor Andreev Painting On Stone Contemporary Art

Face

Painting on stone. Signed Igor And on the back. The stone had been turned into a vivid and bizarre face: on one side there is another decoration of a landscape with flowers. Igor Andreev was born in 1952 in Leningrad; he escaped from Soviet Union in 1972 and moved to Canada where he decided to dedicate his life to art. In 1981 he moved to Paris where he still works and lives. In his art works that are defined as Neo-Pop Art he uses simple shapes and materials to create a positive, joyful anf colorful world.

Rent

75.00€

Rent
Large Landscape Wild Boar Hunting Oil on Canvas 18th Century
SELECTED
SELECTED
ARTPIT0001449
Large Landscape Wild Boar Hunting Oil on Canvas 18th Century

Wild boar hunting

ARTPIT0001449
Large Landscape Wild Boar Hunting Oil on Canvas 18th Century

Wild boar hunting

Oil on canvas. The scene is set at the feet of a mountain on the river bank where a fisher is fishing and the focus is on a group of hunters dressed like knights and armed with swords and lances who are delivering the final blow to the already wounded and dying wild boar with the help of dogs. The large format highlights the important commissioner. Restored and relined. Revival frame.

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Giovanni Boni Oil On Canvas 19th Century
ARAROT0116058
Giovanni Boni Oil On Canvas 19th Century

Siege Scene

ARAROT0116058
Giovanni Boni Oil On Canvas 19th Century

Siege Scene

Oil on canvas. Outside the fortifications of a city, a commander, surrounded by his soldiers, is about to light the fuse of the cannon. The army defends the citadel outside the walls and the soldiers scan the horizon looking downwards: this leads us to place the scene on the fortifications of a city, in particular those of Genoa, that rise on the mountains behind it and from which the Genoese defended the city from attacks from the sea; the Genoa setting is also supported by the banner that flies over the walls, the Saint George Cross (red cross on a white background), flag of the Republic of Genoa. The shape of the armor, weapons and clothing would refer to the siege of Genoa in 1522. It is therefore the nineteenth-century representation of a historical episode, which is then part of that pictorial production widespread in Italy in the nineteenth century, inspired by the new historical novel popular in literature. On the back of the frame there is the name G. Boni, together with a number that refers to participation in an official exhibition. Giovanni Boni was a pupil of the Brera Academy, in particular a follower of Giuseppe Sogni, an artist who was among the first to favour historical painting in its innovative romantic declinations. Not much is known about Boni, neither from a biographical point of view nor from his production. Of his certain attribution we know only the Nude of Man (painted Academy) with which he won the first prize for the Scuola del Nudo in Brera in 1852. The piece expresses the figures and the pathos of the scene with expressive efficiency; the characters in the foreground are very well characterized in their poses, expressions, in the details of the clothes and weapons, while the other figures fade into the background, suggesting the presence of a large army. The painting, still on the first canvas, shows small widespread losses of colour. It is presented in a frame in style.

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Alessandro Papetti Dock Contemporary Art 12 2014
SELECTED
SELECTED
ARTCON0000751
Alessandro Papetti Dock Contemporary Art 12 2014

Pier 12, 2014

ARTCON0000751
Alessandro Papetti Dock Contemporary Art 12 2014

Pier 12, 2014

Oil painting on canvas. Signature and date in the lower right corner. Further signature and title on the back. Alessandro Papetti was born and studied in Milan where he currently works. He began to exhibit his works in the 80s. He exhibits both in Italian and foreign galleries, in Europe and in the United States. Since 1995 he has been working between Milan and Paris. Papetti's artistic production is divided into main themes: he painted a series of portraits during the 80s-90s, then he dedicated himself to the finds, the industrial archaeology and the water cycle in the 21st century. Lastly, he painted landscapes, interiors and a series of shipyards. This painting belongs to the last works. Industrial harbors, big boats and ships depicted in their greatness and fragility with frenetic and mushy brush strokes. Presented in frame.

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Landscape with Figures
ARARNO0104208
Landscape with Figures

ARARNO0104208
Landscape with Figures

Oil painting on canvas. Italian school. Signed G. Bossi lower right. The large landscape offers on the right the glimpse of a pond with swans, in the middle of a verdant countryside; on the left, a couple on the path is accessing an architectural structure, an outbuilding of the villa of which you can only glimpse an upper corner. Suggestive and with a bucolic atmosphere, the painting is presented in a coeval gilded frame.

Rent

170.00€

Rent
Oil on Canvas by Noel Quintavalle Italy XX Cent.
ARARNO0126880
Oil on Canvas by Noel Quintavalle Italy XX Cent.

Landscape 1927

ARARNO0126880
Oil on Canvas by Noel Quintavalle Italy XX Cent.

Landscape 1927

Oil on canvas. Signed and dated lower left. On the back there is a cartouche with the address of the artist's studio and the title of the work; there is also a pencil-made note from the owner (a painter too) "Gift of the author, 19-03-1930". Noel Quintavalle (known under the pseudonym Noelqui), a native of Ferrara but raised and artistically trained in Milan, was a multifaceted artist. Graduated in architecture, he was self-taught in the arts, but after the great war in which he actively participated, he quickly distinguished himself and exhibited in various national and international exhibitions; in the meantime he also carried out literary activities by publishing various volumes (satire, fairy tales, short stories, memories of the war) and also experimented with sculpture and xylography. His pictorial production, which began as a pointillist, was then influenced by the synthesis of modern painting. The subjects most dear to him were the portrait (with a preference for particular female figures, such as dancers) and the landscape. The landscape presented here - a hilly glimpse, with a wide view that opens from the path under the leafy tree - belongs to the period of Noelqui still close to Divisionism, in which he used a technique with small, almost point-like brushstrokes, giving a greater brightness and surrounding each element or figure with a magical aura. The work is presented in a contemporary frame.

Rent

600.00€

Rent
Oil on Cardboard XVIII-XIX Century
ARARPI0128700
Oil on Cardboard XVIII-XIX Century

ARARPI0128700
Oil on Cardboard XVIII-XIX Century

Oil on cardboard. Hispanic school. The Spanish saint Domenico of Guzman (1170-1221), was a preacher and founder of the Order of Preaching Friars, also commonly associated with the Inquisition. Iconographically he is depicted with the white and black cloak of his order; in this representation of hand and popular taste, he also wears a sackcloth and stole, carries the monstrance with one hand, with the other holding a statue of the Virgin and Child, the themes of his preaching. The saint is located in a rural context: on both sides there are two churches, at his feet figures of peasants with herds, and of fishermen, a sign of the people to whom he preached. The painting is presented in a styled frame.

Rent

175.00€

Rent
Guido Somelli Oil on Plywood Italy 20th Century
ARARNO0123359
Guido Somelli Oil on Plywood Italy 20th Century

Old Houses Along The Mugnone

ARARNO0123359
Guido Somelli Oil on Plywood Italy 20th Century

Old Houses Along The Mugnone

oil on plywood. Signed at the bottom right. On the back there is another signature with title. The Florentine artist Guido Somelli, who trained as a self-taught artist, made his debut at a very young age in his home town, and soon participated in exhibitions and shows in Italy and abroad. As he himself said, his production tends towards "good painting, without any specialisation of subject, convinced that truth is pure beauty and poetry and that the study of art has no end but with life". There are frequent landscapes and views of Florence and the surrounding countryside, such as the one shown here, a country sorcio along the Mugnone, a tributary stream of the Arno. The painting is presented in a frame.

Rent

225.00€

Rent
Oil on Copper XVII Century
ARARPI0128702
Oil on Copper XVII Century

ARARPI0128702
Oil on Copper XVII Century

Oil on copper. The Magdalene, wrapped in her long hair with which she covers her nakedness, turns her eyes to the sky where angels look out. Around her a barren landscape. The painting is presented in a frame from the 1900s.

Rent

225.00€

Rent
Portrait Of A Young Woman Pencil Charcoal Withe Lead On Paper 1858
ARAROT0118961
Portrait Of A Young Woman Pencil Charcoal Withe Lead On Paper 1858

ARAROT0118961
Portrait Of A Young Woman Pencil Charcoal Withe Lead On Paper 1858

Pencil, charcoal and white lead on paper. Signed (Amalia Bianchi?) and dated at the bottom right. Very effective is the use of different pigments that creates a play of chiaroscuri that underlines the figure. The portrait come in a 19th century wooden frame with leather leafy and floral inserts; it has missing parts and color drops.

Rent

170.00€

Rent
Harbour Glimpse Oil on Canvas 20th Century
ARARNO0118043
Harbour Glimpse Oil on Canvas 20th Century

ARARNO0118043
Harbour Glimpse Oil on Canvas 20th Century

Oil on canvas. Singed S. Ronzoni at the bottom right. The artist painted a view over the harbour with small boats moored at the quay and sailors loading goods on their shoulders. The pictorial strokes are broad and uncontoured, the colours in a few ranges fading into each other to create a suspended atmosphere. The painting is presented in a stylish frame, with some faults.

Rent

135.00€

Rent
Giuseppe Valsecchi Oil On Plywood 20th Century
ARARNO0117342
Giuseppe Valsecchi Oil On Plywood 20th Century

Two Mountain Landscapes

ARARNO0117342
Giuseppe Valsecchi Oil On Plywood 20th Century

Two Mountain Landscapes

Oil on plywood. Both signed at the bottom. On the back there is another signature with titles that identify the painted places and dates, The bigger one (44x34cm) from 1947, represents Cordevole Valley (Belluno); the other one (39.5x35cm) from 1962, represents The Grignetta from Pian Dei Resinelli. Although Giuseppe Valsecchi, an artist from Lecco, shared the human and social commitment of the Milanese Corrente movement (to which artists such as Guttuso, Treccani and Sassu adhered), he did not neglect a more highly evocative and intimist vein that can be seen in his portraits and landscapes, inspired by views from the windows of his homes.

Rent

70.00€

Rent
Ernesto Alcide Campestrini
ARARNO0122037
Ernesto Alcide Campestrini

From the Lungomare Lavagna 1972 Terrace

ARARNO0122037
Ernesto Alcide Campestrini

From the Lungomare Lavagna 1972 Terrace

Oil on hardboard. Signed lower left. On the back the title, date and location of the landscape. The Milanese artist, son of the famous painter Alcide Davide Campestrini, devoted himself to still life, figure painting and the alpine landscape, with a technique linked to his father's school and to the late nineteenth-century tradition. In a stylish frame.

Rent

43.00€

Rent

OK