UK Size 4,5

Gray patent pumps, with square toe and small stitching detail on the neckline and back. The shoes are in good condition, they only have a slight mark on the left shoe, resulting from normal use of the shoe.

Italy XX Century

Pair of bedside tables in neoclassical style made in various essences, Italy, 20th century. Front with 2 drawers, truncated pyramid legs. Decorated with threads and a pair of inlaid rosettes placed on the sides.

Ceiling lamp, opaline glass.

Tuscany Third Quarter XVIII Century

Desk supported by wavy legs, in the undertop band it has a drawer; veneered in walnut with piping in bois de rose, the top has a Moroccan insert.

Group of 3 open units, teak veneered wood, top covered in laminate, enamelled metal legs with adjustable brass feet.

Italy, XX Century

Console in gilded and lacquered wood with faux marble top, under-top band moved like the legs and connecting crosspieces. 20th century Italy

Small but roomy bag, in camel-colored leather, handcrafted. It can be used as a clutch bag or as a shoulder bag. The condition is almost perfect, it has been used very little.

Madonna with Child

Oil on hardboard. Signed lower right. Francesco Mazzucchi, an artist originally from the Pavia area and active in Lombardy, dedicated himself mainly to sacred art, leaving his works in some churches in the Vigevano area. Proposed here is this delicate and tender depiction of the Madonna with Child, in the colors and scene, which sees mother and son in a moment of domestic intimacy, intent on playing with the pigeons in the garden. In frame.

Five Italian-made chairs with bamboo structure; available with red fabric seat cover.

England, Early XX Century

Servant veneered in ebony and inlaid with thuja briar and maple, featuring a railing with central pinnacle on the top, front with mirror set within four doors decorated with painted porcelain, carved columns, rosettes and ornamental bronzes England, early 20th century

Italy, 1960s

Multi-coloured submerged glass vase with torchon ribbing.

Rovereto, 1920

Oil on the table. Signed lower left. The title and date on the back in pencil. Riccardo Viriglio, a landscape painter from Pavia, portrayed urban views mainly of his city and landscape views especially of Lombardy. Here is a glimpse of the village of Roveleto, a small village in the Piacenza countryside at the foot of the pre-Apennine hills. The work is presented in a frame.

Mountain Cabins

Oil on wood. signed lower right. Mario Moretti Foggia lived and worked until his death in Macugnaga, the mountain town in the Ossola Valley that he often depicted in his works, often offering glimpses of mountain huts in the valleys as in this work. Trained at the school of Tallone, Moretti Foggia was predominantly a landscape painter, who proposed realistic views characterized by a very bright and material chromatic palette. The work is presented in a period frame.

Vintage Italian-made coffee table with bamboo structure and woven rope top.

Saint George 1992

Oil on panel. Signed bottom right. On the back, with Cyrillic characters, there is the title, the date and the location, Bergamo. The Lithuanian artist, who currently lives and works between Moscow, Italy and the United Kingdom, is considered one of the most important contemporary Russian artists. In his large production there are landscapes, still lifes, many portraits of famous people and his surreal compositions, an expression of his peculiar "dream vision" of reality. Even in this table, albeit in the style of traditional icons, the depiction of the famous St. George is proposed in a surreal key that reminds of De Chirico, in which the dragon is replaced by a goose, the Saint's head is an egg, in the outlines there are figures of sorceresses... a clearly unorthodox interpretation! The panel has a vertical slit. The piece is presented in a frame.

80x70 In

Sardinian wool carpet; big knot. Manual manufacturing.

20th Century / 1901 - 2000

Cherry library lader with curved bands and pillars.

Oil on canvas. Central European school. The scene, set inside a tavern, depicts a fight between two men, who are held by the other patrons and by the innkeeper; on the table, next to the interrupted lunch, the cards of the game that sparked the quarrel. The whole scene is filled with figures, painted in a raw and almost grotesque way, with very pronounced, almost theatrical expressions and poses, underlined even more by the bright colours. Due to these characteristics, the painting fits well into that production of genre scenes based on popular life captured in its most lively and characteristic moments, which started in the seventeenth century in Central Europe, especially in the Netherlands, to replace naturalistic and religious painting with lighter subjects, and which in Italy found a particular expression in the "Bamboccianti School", developed in Rome by Flemish and Italian painters. The painting has been restored and relined. It is presented in a period frame.

Oil on canvas. Central European School. The scene is set in the shop of a barber, who is intent on cutting a man's hair under the watchful eye of other customers and, above all, of some women with children, one of whom even observes the result of his work with glasses. Glasses were introduced in art first as a sign of distinction, and later also as a sign of scientific attention, progressively delineating the figure of the scholar, doctor and surgeon: in this painting, they actually underline the irony of the scene, and they are used as a tool for a close female examination of the spouse's haircut! The whole scene is filled with figures, painted in a crude and almost grotesque way, with very marked, almost theatrical expressions and poses, underlined as well by the bright colours. Due to these characteristics, the painting fits well into that production of genre scenes based on popular life captured in its most lively and characteristic moments, which originated in the seventeenth century in Central Europe, especially in the Netherlands, to replace naturalistic and religious painting with lighter subjects, and which in Italy found a particular expression in the "Bamboccianti School", developed in Rome by Flemish and Italian painters. The painting has been restored and relined. It is presented in an antique frame.