Square coffee table with rounded corners, chromed metal and brass structure, smoked glass top.

Mid-20th century Clutch bag, entirely handmade with white and beige beads and flower designs. The interior is in light satin, with small pockets (spots inside). The signs of wear and tear of time do not preclude its beauty and use (some beads are missing and you have to put back some fasteners to be able to use it by hand).

Center table in mahogany veneered wood with rectangular top, elegant legs ending with brass tips.

Pocket emptier in chiseled glass with bottom engraved on the wheel. Under the initials incussa: FX. Next to the brand, another but hardly decipherable abbreviation can be seen.

Cabinet with drawers, hinged door, open compartment. Mahogany veneered wood, brass legs.

Italy Late 19th century Early 20th century

Patinated plaster sculpture depicting the blessing Infant Jesus mounted on a wooden panel covered in non-coeval velvet.

Schwalbe 380 Volt professional slicer. Not tested.

Italy 19th century

Large copper brazier with wooden support.

Pair of Ink Drawings

Ink on paper. One of the two is signed on the lower right. The works of the Russian artist Vyacheslav Sawich Mikhailov are exhibited in prestigious museums such as the Tretyakov Gallery or the Museum of Modern Art in Moscow, the National Museum of Russian Art, the Museum of Nonconformist Art in St. Petersburg. Considered an expressionist author, he creates scenes of intense drama with different techniques. The design proposed here is part of a series of scenes full of dramatically intertwined figures in contortions of the body, with allegorical elements and patches of often red color, evoking blood. In frame.

Oil on canvas. French school of the late 19th century. Trace of unidentified signature at the top right. In the foreground, the faces of two popular characters who seem caricatured, perhaps characters in a theatrical performance: it seems the scene of a satirical courtship, with the man who looks lasciviously at the woman, certainly not young and attractive, who is holding a bunch of flowers with an expression between resigned and confused. The painting is presented in a frame from the early 1900s.

Oil painting on canvas. Northern Italian school of the 17th-18th century. The work of a devotional nature, sees the Virgin Mary seated on the clouds and assisted by two angels who support her garments, is venerated by two saints, kneeling at her feet: on the right the young woman in princely clothes, at whose feet is resting a royal crown, it refers to Elizabeth of Hungary; on the left, the saint holding the Infant Jesus in his arms can be identified as San Caetano da Thiene. Particular is the play of glances between the various characters, which intertwine together with the positions and gestures, to create an almost circular movement. The painting has been restored and relined. It is presented in an ancient frame restored at the beginning of the 20th century, with various current shortcomings (to be restored).

Tableau doré

Mixed technique on plywood (painting and silver paper sheets). On the back, authentic with stamp and signature of the artist's sister. The work belongs to the series of Tableaux dorés, works created by the Milanese artist Remo Bianco starting from the 1950s. Born and educated in Milan, Remo Bianco was a pupil of De Pisis, in whose studio he frequented the great Italian artists of the twentieth century (Carrà, Sironi, Savinio, Soffici, Soldati, Marini, Cantatore). After the interlude of the war (enlisted, sank with his ship and was taken prisoner in Tunis), he resumed his artistic activity in Milan, participating in the Nuclear Movement and Spatialism, coming to completely detach himself from figurative painting to create works made of brushstrokes mashed potato. At the beginning of the fifties he began to create works, pictorial and sculptural, with different materials and to experiment with different themes and techniques; to this production belong the Tableaux dorés, composed of silvered or gilded aluminum foils on painted bases. The work is presented in a frame.

Double sheet complete with two pillowcases Refined backside embroidered in pink thread in full stitch with "RV" numbers Pillowcases with button closure Ivory color Linen composition Sheet dimensions 260 x 280 cm Pillowcases 54 x 48 cm

Pair of armchairs, spring and foam padding, fabric upholstery.

Size 10

Sartorial dress in pure midnight blue silk, with short sleeves and back zip, datable to the 90s. Wears Italian size 44/46 (length 95 cm, waist 93 cm).

Female Face 2001

Oil painting on canvas. Dated and signed on the back. Born in Seregno, Danilo Martinis was trained with Osvaldo Minotti. Painter and designer, he has furnished prestigious residences all over the world, his works are particularly appreciated in the United Arab Emirates and in Russia. He loves to express his thoughts through graphic-figurative images rendered through geometric effects and chromatic games, using mainly female figures as interpreters. In this work he proposes a close-up of a female face, enhancing its expressiveness through the play of colors in the ranges of yellow.

Chair, Beech wood, foam padding, fabric upholstery.

Service trolley, ebony stained wood, brass, glass.

N. 4

Sandals in brown leather and white profile, with bands in brown, white and rust fabric straps. Square heel, 2 cm high.