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Dimensions


3 cm 276 cm

10 cm 393 cm

1 cm 236 cm

4 cm 250 cm

40 cm 249 cm
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Neoclassical Game Table Walnut Maple - Italy XVIII Century
ANTATV0091742
Neoclassical Game Table Walnut Maple - Italy XVIII Century

XVIII Century - from 1701 to 1800

ANTATV0091742
Neoclassical Game Table Walnut Maple - Italy XVIII Century

XVIII Century - from 1701 to 1800

Neoclassical game table from Piacenza, supported by truncated pyramidal legs tightened by a collar in the upper band and equipped with bronze feet, the undertop band is shaped and is inlaid in maple with phytomorphic motifs and a couple of birds; the top also has an inlay with a flowery branch on which there is a parrot. In walnut, the interiors are in spruce. The original mechanism that allowed the legs to be stretched is blocked.

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Torch Holder Bronze Italy XVIII Century
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OGANOG0158207
Torch Holder Bronze Italy XVIII Century

Italy XVIII Century

OGANOG0158207
Torch Holder Bronze Italy XVIII Century

Italy XVIII Century

Bronze torch with baroque-style decorations. At the top, the tip and the wax collecting plate are missing.

Rent

45.00€

Rent
Oil on Cardboard XVIII-XIX Century
ARARPI0128700
Oil on Cardboard XVIII-XIX Century

ARARPI0128700
Oil on Cardboard XVIII-XIX Century

Oil on cardboard. Hispanic school. The Spanish saint Domenico of Guzman (1170-1221), was a preacher and founder of the Order of Preaching Friars, also commonly associated with the Inquisition. Iconographically he is depicted with the white and black cloak of his order; in this representation of hand and popular taste, he also wears a sackcloth and stole, carries the monstrance with one hand, with the other holding a statue of the Virgin and Child, the themes of his preaching. The saint is located in a rural context: on both sides there are two churches, at his feet figures of peasants with herds, and of fishermen, a sign of the people to whom he preached. The painting is presented in a styled frame.

Rent

175.00€

Rent
Neoclassical Dressing Table Maple Rosewood Italy XVIII Century
ANMOAL0125962
Neoclassical Dressing Table Maple Rosewood Italy XVIII Century

XVIII Century - from 1701 to 1800

ANMOAL0125962
Neoclassical Dressing Table Maple Rosewood Italy XVIII Century

XVIII Century - from 1701 to 1800

Lombard neoclassical dressing table, supported by truncated pyramidal legs tightened by a collar at the top, on the front they have two pairs of side drawers; the central part of the top can be folded down and gives access to the internal compartment with mirror. Veneered in rosewood, with maple and bois de rose threads, legs with cherry wood reserves, the interiors are in spruce. Originally the top had two side flaps that could be opened, which were subsequently blocked and the upper drawers were obtained.

Rent

200.00€

Rent
Landscape with Figures Oil on Canvas Italy 18th Century
ARARPI0126908
Landscape with Figures Oil on Canvas Italy 18th Century

ARARPI0126908
Landscape with Figures Oil on Canvas Italy 18th Century

Oil on canvas. A seduction scene is described on a country path: a standing young woman shows her body to the man sitting to rest with her partner; while he looks away, his wife looks sorrowfully at the young harlot, holding her partner by the hand. Other travelers appear on the path. Perhaps of allegorical significance, the painting underlines the contrast between the freshness, brightness and ardor of the young female body, whose beauty is flaunted, and the ill-defined, bundled, almost hidden shape of the two elderly bodies. On the back of the painting there is a hypothesis of attribution to Giuseppe Gambarini (1680-1725) in pencil. Despite the dubious attribution, the painting is well done in the pictorial quality and in the rendering of the subject. Restored and relined, it is presented in a re-adapted antique frame.

Rent

550.00€

Rent
Alidade For Praetorian Tablet Brass Leather Suede France 18th Century
OGANOG0123861
Alidade For Praetorian Tablet Brass Leather Suede France 18th Century

XVIII Century - from 1701 to 1800

OGANOG0123861
Alidade For Praetorian Tablet Brass Leather Suede France 18th Century

XVIII Century - from 1701 to 1800

Brass alidade for a praetorian tablet, consisting of a flat rod, called a ruler, at the ends of which two pinnules with a pin for locking are hinged. Contained in an original leather and suede case on the inside.

Rent

275.00€

Rent
Simple Brass Theodolite Brass Glass Italy 18th Century
OGANOG0123850
Simple Brass Theodolite Brass Glass Italy 18th Century

XVIII Century - from 1701 to 1800

OGANOG0123850
Simple Brass Theodolite Brass Glass Italy 18th Century

XVIII Century - from 1701 to 1800

Brass theodolite with central compass and movable alidade; the dial is divided into 45° sections and is engraved with the names of the main winds. One of the two diopters is broken at the hinge. The base is missing. Various repairs.

Rent

175.00€

Rent
Landscape with Horses Oil on Canvas - Italy XVIII Century
ARARPI0117714
Landscape with Horses Oil on Canvas - Italy XVIII Century

ARARPI0117714
Landscape with Horses Oil on Canvas - Italy XVIII Century

Oil on canvas. The large scene is set at the entrance of a village near a stop for horses: numerous horsemen are standing with their animals, which are looked after by the servants and the peasants who fill the manger with hay; one of the servants, on the right, lets the animals drink in the nearby stream. In the background, the houses of the village arranged along the river, which then flows into the hilly landscape on the right. It probably is a piece by a Flemish author working in Lombardy. Some references to clothing and construction certainly indicate the Northern European contamination, while other details indicate it was realized in a Lombard location. The painting comes from a prestigious historical residence of a Lombard noble family Still on the first canvas, it has some cuts in the lower band. It is presented in a thin coeval frame.

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The Flight Into Egypt Oil On Canvas 18th Century
ARARPI0095612
The Flight Into Egypt Oil On Canvas 18th Century

ARARPI0095612
The Flight Into Egypt Oil On Canvas 18th Century

Oil on canvas. Italian School. The scene, full of figures, depicts the Holy Family walking towards Egypt, guided by an Angel and assisted by other angels above. The figures are inserted in a typical Italian landscape, they are depicted in a very earthly dimension: the Child, even with a halo, sleeps peacefully in His Mother's hands; Mary, who is wearing an unusual pilgrim's hat, met her husband's Joseph gaze, who is reassuring her with a sweet gesture - he is putting a hand on her knee-, while he is talking with the Angel who is showing them the way. Relined, the painting has some paint losses that need restoration. It is in an adapted frame, from the late '800 - early '900.

Rent

700.00€

Rent
Two-body Emilian sideboard
ANMOCR0093196
Two-body Emilian sideboard

XVIII Century - from 1701 to 1800

ANMOCR0093196
Two-body Emilian sideboard

XVIII Century - from 1701 to 1800

Sideboard with two Emilian bodies, in the lower part it has two paneled doors adorned with tiles with a geometric profile; the upper body has two high doors, also paneled and decorated with shaped tiles; the hat is wavy and broken. In walnut, the cabinet has been modified in size.

Rent

400.00€

Rent
Moses And The Daughters Of Jethro Tempera On Paper Late 700 Early 800
ARARPI0093373
Moses And The Daughters Of Jethro Tempera On Paper Late 700 Early 800

ARARPI0093373
Moses And The Daughters Of Jethro Tempera On Paper Late 700 Early 800

Tempera on paper, applied to hardboard. The biblical episode depicted, described in the book of Exodus, tells how young Moses, still at the court of the Pharaoh of Egypt, defends the seven young daughters of the priest Jethro, harassed by some Midianite shepherds while they draw water from the well. After his intervention, Moses will receive in marriage one of Jethro's daughters, Zipporah. This subject is very popular in art history, it is presented here with a particular attention to the portrait component, with a particular exacerbation of the expressive traits, both in the faces and the poses of the characters. The scene is very lively, with the figure of Moses in the centre, vigorous and combative, who divides the field in two: on his left the seven girls, each characterized by a different behaviour; on the right the importuning shepherds, who suffer the wrath of Moses. In the background, a landscape typical of 18th century productions, with an architectural ruin behind the well. The work is presented in a frame in style.

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Small Table Walnut Italy XVIII Century
ANTASC0152926
Small Table Walnut Italy XVIII Century

Italy Mid 18th century

ANTASC0152926
Small Table Walnut Italy XVIII Century

Italy Mid 18th century

Spool table in walnut, Italy mid-18th century. Pair of drawers in the band, turned uprights and crossbar ending with pot feet.

Rent

170.00€

Rent
Neoclassical Mirror Glass France XVIII Century
ANCOSP0153014
Neoclassical Mirror Glass France XVIII Century

France Late 18th century

ANCOSP0153014
Neoclassical Mirror Glass France XVIII Century

France Late 18th century

Mirror with a carved and gilded frame with neoclassical phytomorphic motifs, it is entirely gilded; mercury mirrors, the central one of the coping has been replaced.

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Desk Walnut Italy XVIII Century
ANTASC0152938
Desk Walnut Italy XVIII Century

Tuscany Third Quarter XVIII Century

ANTASC0152938
Desk Walnut Italy XVIII Century

Tuscany Third Quarter XVIII Century

Desk supported by wavy legs, in the undertop band it has a drawer; veneered in walnut with piping in bois de rose, the top has a Moroccan insert.

Rent

363.00€

Rent
Pair of Neoclassical Chairs Walnut Italy XVIII Century
ANSESE0153217
Pair of Neoclassical Chairs Walnut Italy XVIII Century

Late 18th century

ANSESE0153217
Pair of Neoclassical Chairs Walnut Italy XVIII Century

Late 18th century

Pair of neoclassical chairs supported by rudent truncated conical legs tightened by a collar in the upper part, the seat is draped, while the backrest is open; in walnut.

Rent

105.00€

Rent
Inlaid French Neoclassical Dresser
SELECTED
SELECTED
ANMOCA0132210
Inlaid French Neoclassical Dresser

XVIII Century - from 1701 to 1800

ANMOCA0132210
Inlaid French Neoclassical Dresser

XVIII Century - from 1701 to 1800

French neoclassical chest of drawers inlaid with breccia top, front with 2 drawers, front and sides inlaid with architectural whims enclosed within gilt bronze borders, wavy legs. Entirely decorated with neoclassical gilt bronze elements. Veneered in bois de rose; among the woods used there are palm, maple, green stained maple and boxwood. Interior in oak.

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Pair of Fans Glass Italy XVIII Century
ANCOSP0148810
Pair of Fans Glass Italy XVIII Century

Emilia Second Fourth XVIII Century

ANCOSP0148810
Pair of Fans Glass Italy XVIII Century

Emilia Second Fourth XVIII Century

Pair of fans in carved wood, the coping with leaf motifs, are entirely gilded with leaf; present the two candle-holder arms in wrought iron and sheet metal, mercury mirror.

Rent

600.00€

Rent
Carved shelf
OGANOG0134597
Carved shelf

XVIII Century - from 1701 to 1800

OGANOG0134597
Carved shelf

XVIII Century - from 1701 to 1800

Carved shelf with leafy volutes; in chestnut.

Rent

113.00€

Rent
Louis Dorigny Attr. Oil on Canvas France XVII-XVIII Century
ARARPI0148941
Louis Dorigny Attr. Oil on Canvas France XVII-XVIII Century

Erminia among the Shepherds

ARARPI0148941
Louis Dorigny Attr. Oil on Canvas France XVII-XVIII Century

Erminia among the Shepherds

Oil on canvas. The large canvas recounts an episode taken from the Gerusalemme Liberata by Torquato Tasso, in which the young Erminia, princess of Antioch secretly in love with Tancredi, witnesses the wounding of her beloved in a duel. Driven by love, she therefore wears the weapons of the warrior Clorinda, her close friend, and at night she goes out to reach her beloved Tancredi and heal him. But in the Christian camp a ray of moonlight illuminates her and, mistaken for Clorinda by the sentries, she is forced to make a hasty flight: this is how it happens in a village inhabited by shepherds who live far from the war in an idyllic space, where she asks and obtains to be hosted for some time in the (vain) hope of forgetting her unhappy love. The work, already attributed to Carlo Loth, is rather referable to the production of Louis Dorigny, the Parisian painter who lived for a long time in Italy, in Rome, in Venice and finally definitively in Verona, where he obtained numerous orders from Veronese but also from clients. Venetians and Lombards, extending his activity as a fresco painter from Bergamo to Udine. In Verona since the beginning of the century, the preferences in the field of painting went towards a complex classicistic language in the composition, but calm and elegant, even in the great decorative works. Dorigny conforms to this painting, who in this canvas combines the balanced classicism of Simon Vouet (of whom he was grandson) with the chiaroscuro he learned in Rome and the calm Venetian elegance. Restored and relined, the painting is presented in an early 20th century frame.

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Oil on Canvas Mythological Subject Italy XVIII Century
SELECTED
SELECTED
ARARPI0132252
Oil on Canvas Mythological Subject Italy XVIII Century

ARARPI0132252
Oil on Canvas Mythological Subject Italy XVIII Century

Oil painting on canvas. Neapolitan school of the mid-18th century. The painting proposes the Greek myth of the sacrifice of Iphigenia, the daughter of King Agamemnon, leader of the Achaean expedition that was to leave for Troy. As the Greek fleet was unable to take to the sea due to unfavorable winds, the soothsayer Calcante predicted that, due to an offense the king had inflicted on the goddess Artemis, it now opposed their departure until the king did not. sacrificed his young daughter on the altar. Iphigenia courageously accepted the sacrifice and spontaneously ascended the altar, but at the last moment Artemis, pitying, exchanged her for a fawn and took the girl alive in Tauris, where she became a priestess of the goddess who had saved her. The great scene, set outside the Greek camp by the sea (the anchored ships in the background on the left, the tents on the right), sees in the center the goddess Artemis who exchanges the young and beautiful Iphigenia for the fawn, while the priest Calcante he is already holding the sacrificial knife; on the right the desperation of King Agamemnon and his wife Clytemnestra. The painting is in stylistic ways close to the production of Fedele Fischetti (1732-1792), the Neapolitan artist who devoted himself mainly to allegorical / mythological scenes, in particular in his first works from the 1860s. The work presented here was auctioned at Sotheby's in April 1998. Restored and relined, it is presented in a style frame.

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